Showing posts with label redemption. Show all posts
Showing posts with label redemption. Show all posts

Wednesday, 25 April 2018

Redemption in the Valley


As Omega President, it is my turn to greet you Australasian Christian writers and readers. It is ANZAC Day, and in times past I've reflected on true stories from people who lived through those dreadful years of war 1914-1918. This year marks 100 years since Armistice and I'd like to offer another piece. This time, the reflection is a piece of fiction—an excerpt taken from one of my early novels 'Beyond the Valley'. When I wrote this book, I read many accounts of ANZAC soldiers and heard from people who had lived through the Great War. This excerpt (re-written for this occasion) starts at the time of Armistice, and follows the story of one young returned soldier, having left his mate behind—killed in action:




John didn’t want to put it off any longer. There was still one last issue that had not yet been laid to rest—to do with Charlie and Johnny, and only he knew about it.
He’d watched Charlie over the last few weeks, not sure if his attendance at church meant he’d given up atheism, or if he was there just simply to see his little girl. As a minister, John was used to reading people, but from Charlie’s demeanour he couldn’t tell what was happening in the young man’s heart. Charlie sat through the services, talked a little with Aimee at the finish and then went home with his parents. He showed no emotion either positive or negative. He showed no interest, neither in the sermon nor apparently towards life in general.
Then last week, the armistice had been announced. November 11th at 11 o’clock 1918. The whole valley had gone mad with joy. There was a public holiday and picnic. They held races for the children, and sang songs and cheered. It seemed that everybody in the valley had come into the school to attend, even Charlie. But Charlie didn’t cheer. Neither did he sing or engage in any way. And when they’d played The Last Post at the flagpole in remembrance of those who’d paid the ultimate price, Charlie didn’t cry. Nearly every other townsperson had wept for the Johnny, John most of all. His son would never come home. Charlie had stood impassively, his head bowed, no expression on his face. John was aware of his son’s best friend, and what he observed troubled him. It was time to pay a pastoral visit.
‘He’s probably out at the lookout.’ Charlie’s grandmother had answered the door. ‘He sometimes goes there to be alone. This melancholy takes a hold of him and he doesn’t seem to be much use to anybody for anything,’ Rose said.
‘It must be hard for you,’ John said.
Rose’s eyes filled with tears. ‘I’m glad our boy came back at least. Yours ...’
John swallowed back his own emotion. He’d cried nearly every day since he’d received the telegram. He doubted it would ever stop.
‘I’m sorry.’ Rose wiped her nose with her handkerchief. Try the lookout. I can’t think where else he could be.’
As John rode up into the hills, he kept wiping his own nose. His son had come up here many times with Charlie. They had been the best of mates, and Johnny had told his father about the plans they had talked about at the lookout. This wretched grief was going to dog him forever. Every place he went, there was something to remind him of his son.

***
Charlie’s head snapped up. Was that Johnny calling him? For that brief moment a surge of joy pushed him to his feet in anticipation. Then he remembered—Johnny was dead and buried somewhere in the desert in North Africa. When John Laslett rode from between the trees, it made sense. Johnny had always sounded like his father.
‘Grandma Rose thought I might find you here,’ the minister said as he rode up and dismounted.
‘I come here sometimes to think,’ Charlie said. That momentary burst of energy was gone and the weight was back pressing on his shoulders.
‘Do you mind if I sit down?’ John asked, and then tied his horse to a nearby bush. ‘I’ve been meaning to catch up with you. Some things we need to talk about.’
Charlie forced himself to nod. There was his adopted daughter to talk about. He couldn’t run away from responsibility forever.
‘I’m really grateful that you and Mrs Laslett have allowed Meg to take on Aimee.’
‘We’re grateful you’ve given Meg a chance to continue to do what she loves best. Having Aimee has helped her cope with leaving her missionary work. She would have been restless sitting at home with nobody to care for and love.’
Charlie hadn’t thought about it like that, and was relieved to know the Lasletts looked upon Aimee as a blessing rather than a nuisance.
‘It’s not Meg I want to talk about. It’s Johnny.’
Charlie felt a wave of anxiety cord his muscles. He wanted to get up and run into the bush. He had fought not to think about Johnny for nearly a year. He couldn’t think of his friend without the image of his body being hit by the shower of bullets and falling lifeless to the ground.
‘I don’t think I can …’ Charlie’s mouth had gone dry and his stomach had knotted.
‘You blame yourself, Charlie, I know that,’ John said. ‘You think it was all your fault that Johnny was killed.’
‘It was,’ Charlie said, ‘and I wouldn’t blame you for hating me for it.’
‘How was it your fault?’ John asked.
Charlie braced for John’s anger, but it didn’t come.
‘No one has ever told me exactly what happened. All we know is that he was killed in action.’
‘I don’t know if I can talk about it.’ Charlie was now fighting a wave of black spots that seemed to be clouding his vision, and a wave of nausea that made him want to spit out the pain boiling inside.
‘I can’t force you.’ John’s tone remained quiet and steady. He paused for a while before continuing. ‘You know Johnny wrote to me just before he died. He knew it was going to happen.’
Charlie squeezed his eyes shut and held his breath. He didn’t want to hear this.
‘He wanted me to tell you.’
Charlie became aware that John was waiting. He cracked his eyelids and saw the minister holding out an envelope, and recognised Johnny’s handwriting.
‘You need to know, Charlie, and I need to tell his mother and sisters, but not before you’ve given me permission.’
Charlie stared at the extended envelope. What was he saying? He was speaking in riddles, and Charlie didn’t want to understand. He began to shake his head.
‘Please,’ John said. ‘For Johnny’s sake and your own.’
After a long pause, Charlie eventually took the envelope. He didn’t want to do this. He didn’t want to hear from Johnny. He didn’t want to think about Johnny. He didn’t want to remember what he had done.
‘You need to read it,’ John pushed. ‘It’s important, Charlie.’
Heart hammering at an alarming rate and feeling dizzy with worry, Charlie withdrew the letter and began to read.

Please don’t show this to mother. If it all comes to nothing I wouldn’t want to upset her, but I felt I had to share my feelings with somebody, Dad, and I know you will understand.
All my life I have felt that God has something for me to do, and I said to Meg some time ago that it was something I must do alone. Lately I have begun to feel that I know what it is. It has to do with Charlie. I love him like a brother, Dad, and yet he lives his life as if it will never end. He refuses to acknowledge God and stands on the edge of blasphemy constantly. If only he knew that he was breaking his Saviour’s heart as well as my own when he talks like that. I pray desperately that he will not be killed in this war. Dad, you and I both know that if he dies his life will not end there. If I am to die tomorrow, I know that I will be welcomed into the loving arms of my Saviour, Jesus Christ, but if it is Charlie, I fear he will face a lost eternity.
Dad, if it comes to this, I will die in Charlie’s place. At least I will not be lost, but I cannot risk having him in everlasting torment forever.
Of course I pray that he will soften his heart and remember the things that we have all said over the years, but he becomes more reckless with despair as the days go by.
The other night, I read that Scripture: ‘Greater love has no man than he lays down his life for his friend.’ I don’t pretend to be anything close to Jesus Christ, but I will follow His example if it means Charlie has another chance to one day meet me in heaven.
This may all come to nothing, and if so, then I will rejoice in coming home again, but if something should happen, please tell Charlie that I loved him like a brother, and I plead with him, if there is still time, to give his life to Christ. I want to meet him in heaven, and know that we were brothers on earth.
As always, tell mother and the girls that I love them with all my heart and will see them soon, in this life or the next.

Your loving son
Johnny.

 Something harsh was scratching at Charlie’s eyes, and he stood trying to blink it away. His jaw has locked with tension and his throat hurt. The emotion was boiling in the pit of his stomach.
‘How did Johnny die?’ John asked softly. Charlie’s chin began to quiver. He needed to say it, but wasn’t sure it would come out right.
‘Charlie?’
‘He died saving my life!’ The words were hardly out and the emotion came spilling out after it in deep gut-wrenching sobs. ‘Why did he do that? I’m not worth dying for!’ Following the sobs came wave upon wave of rage and Charlie felt a loud and angry cry come from deep within his being. He began to punch his chest with his fists until he fell to his knees and pushed his face to the ground.
‘Why did you do it, Johnny? I’m not worth it. You shouldn’t have done it! You should have let me die.’ Charlie was barely aware of how he must have sounded. His face was leaking—from his eyes, from his nose, from his mouth. ‘Why?’
Then he felt a hand on his shoulder. Why did Johnny’s father care so much? He should hate him.
Eventually the storm subsided.
‘How can you ever forgive me? If I hadn’t been so hard hearted, Johnny might still have been alive.’
‘You can’t know that,’ John said. ‘If it hadn’t been you, Johnny might have done the same for one of the other men. He might have been taken down in the charge on Beersheba. Johnny’s life was and is in the hands of God.’
Charlie shook his head. ‘He should have let me die. It was my own stupid fault, and I have nothing to live for any way.’
‘Eternal damnation is a serious business, Charlie. Please don’t waste my son’s sacrifice. You read what he said. There is still time. Give yourself to Christ. Meet Johnny again someday, and tell him yourself.’
‘It’s too late for me,’ Charlie argued. ‘I married a prostitute, didn’t you know?’
‘I know,’ John answered quietly. ‘And I know that you rescued Aimee from neglect and abuse.’
‘That hardly makes up for all of the wrong things I’ve done.’
‘Nothing makes up for our sin, Charlie, except the blood of Jesus Christ.’
‘I don’t understand it.’ Charlie shook his head. ‘When I studied natural science, they said I needed proof before I accepted anything.’
‘Do you need proof that summer will end and winter will begin before you plan what crop you will put in next year?’
‘Yes, but everybody knows the seasons will change, they always have.’
‘A lot of people know that God is real, and that He has sent His son, Jesus Christ, to save us from sin and death. He always has, and always will.’
‘Yes, but I can’t prove that.’
‘You can’t prove that winter will come either, and yet you plant your seed hoping that it will.’
Charlie stopped. He was spent, and couldn’t think of an intelligent answer.
‘You don’t believe with your head, Charlie. You have faith in your heart. You accept it without proof.’
‘Only fools do that.’
‘The fool has said in his heart, ‘there is no God’. There is a God all right, Charlie. You only have to look at the stars and the wonders of creation to see his fingerprints all over the world. And you only have to look at the example of your friend, Johnny, to know what Jesus has done in dying for you. Like Johnny, Jesus died for your sin, except His gift is eternal life. Johnny’s was only for a bit more of this mortal life, hoping you’d make the right choices now.’
Charlie sighed. He heard what Reverend Laslett said, and he desperately wanted to believe, but his mind kept getting in the way.
‘Is it possible to pray for my faith to grow?’ Charlie asked hopefully.
‘It’s more than possible.’ John smiled. ‘I’ll pray with you right now, and tomorrow, and every day after that, until your faith is enough to accept Jesus Christ as your Saviour. I don’t know if it is possible, but if it were, Johnny would be laughing in heaven if he knew you would do it.’
Charlie nodded. ‘He would laugh, and probably cry too. I miss him so much.’
The emotion welled up again, and Charlie saw it in John’s eyes as well as he grabbed him in a hug.
 ‘I’ll try it, for Johnny,’ Charlie said as he pulled away. ‘It really is the least I can do.’
‘Do it for yourself, and for Aimee, and for your parents, and for me as well.’ John said. ‘The angels in heaven rejoice when one sinner repents and comes home to the Father.’
Model photograph of Character, Charlie Shore

Omega Writers' President, Meredith Resce, has written and published 18 titles. This excerpt comes from her novel 'Beyond the Valley'—fifth novel in the Heart of Green Valley series.


Don't forget registrations for Omega Writers Conference will be coming up soon. Save the date: October 26-28th in Adelaide.






Thursday, 13 April 2017

In the Light of Easter

by Jeanette O'Hagan



On this eve to arguably the most important festival in the Christian calendar - Good Friday followed inevitably by Resurrection Sunday, I thought I might meditate on Christ figures and forgiveness in literature and Western culture.

Forgiveness, redemption and Christ-figures are common motifs in much of Western story-telling and this is not an accident. Many of the concepts and values our secular humanist culture takes for granted arise out of the Judaeo-Christian heritage - including concepts of grace, unconditional love, the inherent value of each individual regardless of their position in society, and the concept of loving even the haters and the terrorists in this world or our neighbourhood.

A Christ-figure is a character that reflects in some way the mission and nature of Jesus. Sometimes the similarities are explicit, at other times they are veiled or partial. They have the potential to mislead or to awaken the reader to the possibility of God's love and grace.

In Lewis' Narnia, Aslan clearly represents Christ. He is the son of the Emperor Beyond the Sea, 'not a tame lion' who both creates Narnia through his song and brings it to an end. He is good, beneficent and powerful, yet attracts the ire of the White Witch and ultimately gives his life for the traitor, Edmund, thus saving the son of Adam and all of Narnia from the White Witch. Death is unable to hold him due to the deeper 'magic' of his Father.

In Tolkien's Lord of the Rings, three characters are often said to represent Christ's three roles of priest, prophet and king - Frodo who takes the ring to Mount Doom, Gandalf the Grey who guides the fellowship with wise counsel, dies in the battle with the Balrog but is brought back to glorious life, and Aragorn, the scorned and humble man who becomes King.

In Paul Gallico's The Man Who Was Magic, Calvin Miller's The Singer trilogy and Peter McKinnon's The Songs of Jesse Adams, Christ's story is retold in allegorical terms, as it is also in Anne Elizabeth Stengl's Heartless.

Others might include Superman, sent to this world as a baby, who is powerful and invulnerable and uses his powers to save others. Or Neo in the Matrix who, advised by the Oracle and accompanied by Trinity, gives up his life to destroy the enslavement by The Matrix. Or Jean Valjean in Les Miserables - first as the recipient of grace given by the bishop he stole from, and then he himself sparing his relentless pursuer Javert's life and risking his life for the sake the man his daughter loves.

 Here are some parallels that may be present.

1. May have mysterious, supernatural or prophesied origins.

2. Is usually a good, pure person who doesn't lash out at others and treats all people as worthy.

3. May be tempted to use his or her power unwisely or to forsake his mission.

4. May suffer deeply, not because of his or her own flaws or weaknesses, and often because his seemingly unnatural goodness incites backlash by those who feel inadequate and challenged.

5. Ultimately, he or she is willing to sacrifice his life for the sake of others.

5. His sacrifice is not pointless but radically changes the circumstances, perhaps for one or two people or for a village or a nation or the world.

6. Despite dying, he comes back to life and triumphs over evil.

Rarely does a Christ-figure include all of these motifs, unless he (or she) is an allegory for Jesus. Aslan is always a lion, or at least a cat. Tolkien uses three figures to represent different aspects of Christ's life and work. Unlike Jesus, who takes on our humanity in full measure, Superman is invulnerable (apart from kryptonite). Jean Valjean is more like the Christian, who loves others because God loved us. Valjean extends the forgiveness he himself, a flawed and lost man, experienced from the saintly bishop.

One blogger, Erik cited by Nina Munteanu suggests 'Western culture’s “concept of Redemption has invariably separated from the Grace that created it.”

Perhaps this is seen in a variant of the flawed redemptive figure who has often done dark or radically evil deeds. However, at some point, this person is willing to lay down everything for the sake of someone or something he or she loves.

I'm sure we can all think of examples - from Darth Vader (Anakin Skywalker) who turns to the dark side and does countless violent deeds for the evil Emperor, including the massacre of innocents, only to save Luke and be reunited with the good. Or Severus Snape, a cruel and sarcastic teacher who torments Harry and seems to be on the side of Voldemort until its revealed (spoilers) that out of love for Lily Potter, he was working to defeat this tyrant and courageously pays the ultimate price to do so.  Perhaps, this fascination with dark, redemptive heroes,  is taken in the extreme with a character like Dexter, a serial killer how turns his deadly compulsion to 'good' - by killing serial killers more evil than himself.

Why are such figures so popular? Maybe because all but the most narcissistic among us relate to a flawed character. We are aware that we are far from perfect and are encouraged that redemption is possible if we are just inspired enough by love. Somehow, we can find it inside ourselves to change and need not be beholden to a higher power to do so.

Another approach is to see forgiveness as a personal choice for the sake of one's own mental health. We forgive because holding on to a grudge is not worth it. This is an idea more akin to a Buddhist or Hindu concept than a Christian or Hebrew one.

The forgiveness God offers through Jesus's life, death and resurrection is not about His peace of mind, but ours. His father-heart is broken and aching because we reject and spur His love and goodness, preferring our own facsimiles, much to our own detriment. The Triune God, Father, Son and Holy Spirit, reaches out in a costly love to turn our lives around, to change us to the core, to make us anew. It is this ultimate sacrifice and sublime love that we remember at Easter (or Pascha).

Does all Christian fiction have to have a Christ-figure or redemptive themes? Not necessarily. Yet, perhaps we should write explicitly or implicitly in the light of the Gospel even when we don't shout it out in bold letters.

I do hope that our lives and our writing may express the wonderful truth of Easter in many and various ways as our fitting response to Him.

***

Jeanette O’Hagan first started spinning tales in the world of Nardva at the age of nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users.
Recent publications include Heart of the Mountain: a short novella, The Herbalist's Daughter: a short story and Lakwi's Lament: a short story. Her other short stories and poems are published in a number of anthologies including Glimpses of Light, Another Time Another Place and Like a Girl. Jeanette is also writing her Akrad’s Legacy Series—a Young Adult secondary world fantasy fiction with adventure, courtly intrigue and romantic elements.
Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life and communicating God’s great love. She lives in Brisbane with her husband and children.

Links
Jeanette O'Hagan Writes http://jeanetteohagan.com/

Email sign-up:  http://eepurl.com/bbLJKT



Friday, 29 July 2011

Writing Faction

I've heard it argued that trying to combine true facts of history with fiction doesn't work. Well I'm doing it anyway and loving it! My writing began with quite a few years of researching my family history and discovering that my ancestors in Australia go back to the First Fleet. I learned so much about my family, my roots, and the beginnings of our nation of Australia - facts I didn't take in at school and wasn't that interested in. However, the stories contained in our history are not only interesting but inspiring and challenging. They are stories I believe we need to be reminded of. And so it was in early 2000 I decided to begin to write some of these stories into historical fiction; combining all that I learned from my family research and historical research with my understanding of human nature and relationships, to produce stories about people's struggle to survive hardship, loss and change, their determination to overcome, start again, forgive, love, find faith and make something worthwhile of their lives. 

I now have five of these stories on my shelves in print, with a sixth to arrive soon. I have had many people tell me that they have been inspired, they have learned about our Australian history, and they have been challenged to grow in their own lives. That alone makes writing worthwhile.

Recently I was holidaying in England and stayed a couple of nights in Lincoln, where two of my ancestors were charged with theft in the 1770s and sentenced to be transported to Australia on the First Fleet. There I was able to walk the cobbled streets of the old part of Lincoln where William and Mary would have roamed, attempting to survive by picking pockets. I went through the old goal where they were held before they were transported. I met a woman in the bookshop there who is part of a group of local historians who was thrilled to take a copy of my book 'Mary's Guardian', and read about two of the convicts who were expelled from her hometown so long ago and who found a new life on the other side of the world. I felt that in some small way I had taken William and Mary home where their story could show that out of terrible situations sometimes comes wonderful blessings.

This experience reminded me of the power of the written word. I'd started with some barely legible handwritten documents about transported convicts in 1788, and ended with a story of survival, faith and redemption that can now be read or downloaded on a Kindle anywhere in the world.
But the power of the written word is not new, is it? This journey for me has helped me appreciate once more the power of God's word. Thousands of years ago, men inspired by God began to write down the stories of their people and what God was doing in their lives. These stories were brought together in what we know as the scriptures so that the central message of God to the world can be seen through these stories and passed down from generation to generation. We should never ceased to be amazed at this power of the written word! It's lifechanging! In a time now when the written word can be transported around the world in seconds and can be used for such evil manipulation, corruption and abuse, I'm so grateful that as Christian writers we can still use the power of words for good, for inspiration, for challenge, and to bring glory to God. I want to encourage all of you who write to show God's love and power. Let's not give up doing this good work! We can trust that God's spirit will use it for His purposes in the lives of peope He loves. What a blessing!