Monday 29 August 2022

Meeting God in Every Plot Twist


Photo by SIphotography from Deposit Photos


When I was a relatively new Christian, one of my favourite books was Meeting God at Every Turn, by Catherine Marshall. This book is the author’s very personal account of how God met her at every major turning point in her life. Every time something was confusing, troubling, heart-wrenching, or scary, God met Catherine with his incredible grace—even when her husband, renowned preacher, Rev Peter Marshall, died. The book had a profound effect on me at the time and encouraged me to trust God as I followed him in life and ministry.

 

But… It turns out I’m not great at trusting. I forget sometimes… God has always been there for me but nearly all the big mistakes I’ve made in my life come from my failure to trust him. Is that the case with you?

 

As writers, we love creating ‘plot twists’ in our stories, but we don’t like the plot twists life throws at us. When hard, horrible, or crazy stuff happens, do we believe God will help and strengthen us, or do we get in a flap like the hens in the Chicken Run film? 



I confess I’m often like those hens. I tell myself not to panic, then I panic. But I’d like to share something that happened last year—something that reminds me of God’s faithfulness and my own struggle to trust.

 

I’d been unemployed for a while and our finances were low. I was plodding along working on my writing and doing a little editing. I was trying to polish and publish my YA book, Running Scared, work on my website, and write the first book of a series (new genre). But I kept on thinking I had to do more to earn a living! 




 

I tried. I made enquiries about work, but no doors opened. I couldn’t do veterinary work because of my bad back. My home business wasn’t earning much. My foray into NDIS support (and art teaching) had ended when my client’s funding was slashed. 

 

And our funds were bottoming out.

 

A wise response to this would have been to trust God and rest in him. It would have been to focus on writing and thank him for every spare moment he’d given me to focus on my creative call. I could have trusted he had everything under control, rather than letting worry pull me away from this call.

 

I still wrote and was creative, but I would have been a lot more productive if I had just TRUSTED.

 

Because something happened.

 

Late November last year God spoke in that still small voice while I was praying. He said, ‘Why are you praying for provision when my word says I will give that to you. Pray instead that you can write your book.’

 

I thought it was a strange thing for God to say, until three weeks later, he gave me a job. For some reason—and for some time—I’d been thinking a lot about copywriting. While I love writing fiction, I also love how words—in short form—have power to encourage and compel. I took a short copywriting course which helped me write the copy for my website, and I began exploring what it would mean to work in this area.

 

Then, suddenly, I had a copywriting job. Not just any copywriting job, but one at marketing  company with a Christian ethos. One that used both my writing skills and my background ministry training and experience. I was thrown in the deep end while everyone else had their Christmas holidays but somehow, I didn’t drown. Probably because I have the loveliest line-manager (you know who you are 😊).

 

It was hugely tough. I’d been used to working to my own rhythm but now I had to work to other people’s timetable in a shared corporate space. It was overwhelming and my body wasn’t used to me doing that level of work. It still rebels some days. But I’ve gradually learned to swim. 

 

Thing is, I’ve found it really, really, really hard to do any of my own writing. 

 

Guess what I’m praying for 😁.


Feel free to pray too, if you like...

 

Through his word to me last November, the Lord showed me he still values my fiction writing. It’s worth fighting for. It’s worth me persevering even if it takes me all year to finish a first draft. I’m believing this.

 

I look back at the time and space I had to write last year, and I groan at the energy I gave to worry. 

 

There have been more plot twists since then—some affecting the day-to-day of life, health and work—others potentially affecting the bigger picture. The truth is, there will always be plot twists, but the author and perfecter of our faith says he will work all things to our good. Even the hard and crappy stuff.

 

The best encouragement I can bring today is to say if you are facing any plot twists in your life, delve deep into what God says in his word about these things, and believe it. 


Don't believe your own fears or the fears of other people. Write out the relevant verses and trust they are true. Bad stuff can happen, challenges can occur, health can fail, but Jesus is faithful, and he doesn’t give up on us. 

 

He doesn’t give up on our writing, either. He’s really into creating things 😃.


Image by beate bachmann from Pixabay 


Don’t waste energy on worry. God’s word is true. Worry doesn’t accomplish anything. Instead, give everything to him and do what you can. 

 

Trust him and let him surprise you!

 

And when he does come through for you, please tell us all about it so we can be encouraged too.

 

Has God ever met you during a plot twist in your life? What did he do? Let us know in the comments 😊.

 

 

Bible verses to ponder:


Matthew 6:25-34

2 Timothy 2:13

Proverbs 3:5-6

Hebrews 12:2(a)

Deuteronomy 31:8

Romans 8:28-32

Matthew 28:20(b)

Psalm 23

Isaiah 55



Susan J Bruce is an author, artist and animal addict who writes mystery and suspense books—with heart. Susan is a former veterinarian and animals often run, jump, fly or crawl through her tales. Her writing group once challenged her to write a story without mentioning any animals—she failed! Susan lives in sunny South Australia with her husband, Marc, and their furred and feathered family. This currently includes a fat tortoiseshell cat, a rescue cockatiel, and an irrepressible ShiChi (Shih Tzu x Chihuahua) who thinks her mission in life is to stop Susan writing.
Running Scared is Susan’s first novel and was awarded the 2018 Caleb Prize for an unpublished manuscript.
Visit Susan at www.susanjbruce.com.



 

 

 

 

 

Thursday 25 August 2022

Behind the Scenes: Licence to Die by Mazzy Adams

Today we go 'behind the scenes' as Jeanette (Jenny) O'Hagan interviews the marvellous Mazzy Adams about her debut novel, Licence to Die.



Jenny: Congratulations on the release of your debut novel, Licence to Die (GRUnGE.001). What inspired you to write Licence to Die and how long has it been in the making?

Mazzy: I first met Mac, the mover and shaker behind Licence to Die, in 2012, while studying through Tabor College, Adelaide. ‘Mac’ was a mystery, first appearing in a writing exercise prompt as an image of a youth wearing earphones and, later, as a youth holding a mask, with the question, ‘What is your character concealing?’

From then on, Mac regularly visited my dreams and daydreams, insisting I discover and tell my mysterious muse’s story. By July, 2014, Mac had me engrossed in serious background research on everything from cochlear implants and hyperthymesia to ASIO’s Information Technology Traineeship Program—at which point Ben threw his hat into the game and the pair of them convinced me I’d better get on with writing their story.


Cochlear by MazArt Catie J Sercombe

To complicate matters further, Chris rocked up, insisting I include his story too. Suddenly, I had a converging narrative on my hands, a story that would not conform to genre norms, and a steep learning curve ahead. Thankfully, I also sensed God had a plan and a purpose in mind, and Licence to Die was an integral part of that.

Jenny: Our characters often have minds of their own, but it's wonderful to see how it all fits together in then end. Tell us more about the two main characters and their circumstances. What drives them? What keeps them going despite the obstacles in their way? How does this differ from your main villain?

Mazzy: The full cover shot above with blurb gives the basic circumstances. Drivers and differences? As an only son, Ben carries an altruistic notion he should follow in his father’s ‘heroic’ footsteps—be they real or imagined. He soon discovers true heroism demands a hefty sacrifice, with family and friends the first to go. Perhaps that’s why he cannot, or will not, ignore Mac’s desperate ‘need’ to be saved, and his dogged determination to identify and find Mac before it’s too late. Ben’s altruism is both challenged and fed by his growing desire to know, and be known by, Mac.

Mac is both a mystery and a paradox; a kid whose circumstances are horrendous, but whose indomitable spirit will not surrender, at least, not without a fight, which Ben discovers to his shock, amusement, and frustration!

The one thing Ben and Mac have in common, which the story’s villains lack, is the conviction to stay true to themselves, and the things they honour and value most. By contrast, the primary antagonist will sacrifice his convictions for monetary gain and self-preservation yet justify his motivation as upholding a greater good. And Ben, Mac, and Chris (who is busy finding and fighting his sense of self-worth) will all pay a hefty price as a result.

Jenny: Strong characters and high stakes. It makes good reading. Your tagline is ‘Genre Rebel’. What does that mean for you and for your readers? Where would you place Licence to Die in the genre landscape?


Licence to Die Coast Meets Ocean ‘This drown plan is foul.’ Mac (MazArt)

Mazzy: Landscape? Hmm … Combine Aussie big city sophistication, rivalries, and (deadly) underbelly with glorious (occasionally deadly) East Coast beaches, and expansive (deadly) red centre deserts.

While the short answer stems from my propensity to write various types of literature from poetry to creative non-fiction to puppet plays, drama sketches, songs, and short fiction, the ‘rebel’ arises from the way that propensity drove my non-conformist approach when writing Licence to Die. That’s where the long answer arises: 

I began my Creative Writing Degree in my fifties and realised that one legacy of the natural, experiential, and spiritual influences of my childhood, youth, and adulthood was an aptitude for stepping outside the obvious to consider things from a different perspective. I discovered words can have multiple layers of meaning and each layer can reveal hidden treasures.

From a genre perspective, Licence to Die has layers. On the one hand, it’s pure story: covert intrigue in contemporary fiction suitable for adults and senior secondary school-aged young adults, a converging thriller/suspense narrative where the plot and character arcs of three protagonists collide with each other and their deadly antagonists, ultimately inspiring growth and resolution—with a few non-essential loose ends left to power a sequel.

Licence to Die is tempered by my personal faith-based beliefs, worldview, and ethos, resulting in a clean (if slightly edgy) read compatible with Christian Fiction Suspense expectations. It also raises philosophical and ethical dilemmas for readers to ponder, eg how would you respond if a total stranger could read your innermost thoughts? Or you could read theirs? Does the proverb which suggests we are what we think in our hearts ring true? Challenge you? Etc.  

It’s rich with allegory for those who wish to dig deeper. Even the title, which flips a familiar espionage trope upside down, is underpinned by Galatians 2:20, one of many underlying spiritual, biblical, and metaphysical parallels embedded in the meaning of the characters’ names, themes, symbols, relationships, actions, dialogue, and contemplations. As the Holy Spirit revealed this layer, I was reduced to tears of wonder at His grace, and His ministry in revealing Himself through these words. As I wrote and edited, He ministered spiritual healing and restoration to me, and imparted the conviction and courage to publish Licence to Die. It is this realm where the Holy Spirit works that is so fruitful and exciting.

I call it ‘Upmarket’ fiction because there is scope for book clubs and/or Christian study groups to explore the underlying spiritual, allegorical, philosophical, and literary elements. I’m hoping to put together a study guide for such situations. But with its quirky, good-humoured Aussie vibe, it’s more light-hearted and ‘genre friendly’ than classic literary fiction.




Jenny: I love the layers and totally agree (from my peek preview) light-hearted and ‘genre friendly’ as well as fast paced and entertainingWhich authors have inspired you and/or influenced your writing?

Mazzy: I’ve always loved mysteries and spy thrillers—from Enid Blyton to Robert Ludlum. These days I read more Australian authors, especially those who bring Australian characters and settings to life, and I have a refreshing collection of books written by Australian Christian authors. But if I had to name an author/book (other than the Author of Life and His book) who most influenced the direction I took with Licence to Die, I’d choose Madeleine L’Engle’s ‘A Wrinkle in Time’—which I read for the first time in my fifties—and her statement that “You have to write the book that wants to be written.” She also said, “A book, too, can be a star, a living fire to lighten the darkness, leading out into the expanding universe.” Perhaps I got my genre rebel tendencies from her.

Jenny: Good company to keep :) You’ve joined the ranks of enterprising Indie authors. What challenges and joys have you found in the process of publishing your book baby? Any advice to others aspiring to do the same?

Mazzy: 

Challenges: In Licence to Die, one of my minor characters says, “Don’t strain your brain.” That’s not an option if you want to Indie publish!

Joys: You have time to re-evaluate, time to seek wisdom from God and from others with relevant experience, freedom to set your own deadlines—or break them if you need to—and the opportunity to discover God really does do exceedingly abundantly above all we can ask or think.

Advice: Don’t cut corners; if it’s worth committing yourself, your resources, and your energies into independently publishing your book, it’s worth doing all things well both for your own sake and the sake of your readers.

Jenny: Great Advice! What do you know now about the craft and business of writing that you didn’t when you started?

Mazzy:

Craft: Don’t use the word suddenly! (As I did earlier in this interview ;)) Or expect the process of producing a quality novel will be fast or easy. Hire (and learn from) a good editor. Be willing to recognise the gemstones in positive and negative critiques.

Business: Be willing to wear the pragmatist’s hat while daring to pursue the dream.

Jenny: Now that you’ve released your first novel, do you have any plans for other books or projects in mind? Will they be connected to Licence to Die or do you plan to venture forth into a new genre or story?

Mazzy: Yes, yes, and yes. I have a roughly outlined sequel demanding attention and two other standalone thriller/suspense novels outlined, so I’d better get my pen into gear. A potential anthology and several other projects hover in the wings.  

Jenny: Fantastic. More great reads to look forward to. TThanks for giving us a peek behind the scenes, Mazzy.  All the best with the launch of Licence to Die


Mazzy: Thanks, Jenny, for the opportunity.

Images by MazArt Catie J Sercombe

Book Launch Details: Save the Date!

If you’re within cooee of Toowoomba, the Quirky Quills are plotting and planning Licence to Die’s book launch.

When? 2:00pm Saturday 24th September 2022
Where? Danish Flower Art and Café Complex, 10347 New England Hwy, Highfields QLD 4352
(Bonus: that’s the middle Saturday of the Qld school holidays, following Toowoomba Carnival of Flowers week so Toowoomba will still be abuzz with floral beauty.)
How/where can you get Licence to Die (GRUnGE.001)?

Online purchases can be made via the following links to your preferred retailer through Booklinker  or Books2Read . You can also follow the arrows to either link from my website’s landing page at https://mazzyadams.com/

Or ask your local bookstore and/or library to order Licence to Die for you; it’s readily available through IngramSpark’s Distribution network:

Title: Licence to Die
Series: GRUnGE #1
Author: Mazzy Adams
Publisher: Zest N Zenith Creative & Academic Group
Publication Date: 22-07-22
Paperback ISBN: 978-0-6489726-0-0
eBook ISBN: 978-0-6489726-1-7


Mazzy Adams, Author, Genre Rebel -- Intrigue and Inspiration with an Upmarket Down Under Vibe

Mazzy Adams wrote (and performed) songs, Aussie bush poetry, puppet plays and drama sketches for several years before graduating with a Creative Writing Degree through Tabor College, Adelaide in 2014.

With a growing portfolio of published works in multiple anthologies and formats, Mazzy happily identifies as a bona fide genre rebel. Her picturesque, tongue-in-cheek writing style injects a quirky Down Under vibe to intrigue and inspiration alike.

Mazzy also employs her think-outside-the-box neural pathways and passion for words, pictures, and the positive potential in people to guide students through the perplexities of English written expression.

Best of all, her wonderful husband, amazing children, and delightful grandchildren make Mazzy’s otherwise ordinary life most extraordinary. For that, she is eternally grateful.

Discover more and connect via:

Website: https://mazzyadams.com

Email: maz@mazzyadams.com

Facebook: https://www.facebook.com/intrigueandinspiration





Thursday 18 August 2022

One Size Does Not Fit All

Mazzy Adams

I’m drafting this blog on what happens to be my birthday. If you’re old enough to remember the birth of the current millennium, you may also remember the controversy—no, not the one about the Y2K bug, but the debate as to whether January 1st 2000, or 2001, marked the millennium’s actual beginning. While context is needed to decide whether a millennium, or a century, or even a decade begins with a year ending in a zero or a one, let’s just say this birthday’s ability to mark a new decade for me is unequivocal.

Where did the years go? I saw a Facebook post the other day asking people to name something they’d had as a teenager that they didn’t have now. Quick as a flash, I thought, (but did not say) a size 10 figure. The clothes I wore then would not fit me now. Time and circumstances do influence the choices we make.




Likewise, back then I had no idea I’d become a creative writing student decades later, or an author, or an independent publisher; no idea I’d need to research, debate the merits of this option or that (or the other), weigh the benefits of one divergent path over another, appreciate (or baulk at) the wealth of information available to help writers make choices (or confuse them even more). Here's just a few of the choices I had to make:

Study at a local uni or study online?
Focus on poetry and creative non-fiction or write a novel, or do it all?
Adhere to strict genre expectations or write the story that wanted to be told?
Use a standard narrative structure or tackle a converging narrative?
Hire an editor or hire an editor? (Simples; no brainer; hire an editor.)
Follow the traditional submissions route or …

Discover the path to publishing was no more a case of ‘one size fits all’ than my teenage wardrobe choices were compared to those I make now. Back then, I also ‘had’ … 

Absolutely no idea where God would take me in the forthcoming decades. Now I have the benefit of hindsight, the blessing of experiencing his unfolding plan, and a greater measure of confidence that God’s plan is the perfect fit for each of his children—even if his plan leads us along the road less travelled, as it did for me.

Pixabay Image by Woong Hoe

Last night, God reminded me that one of my early tasks as a creative writing student was to write a free verse interpretation of The Road Not Taken, a rhymed and metered poem penned by Robert Frost decades before I was born. I’d forgotten all about that! I searched my old files to find what I had written (over a decade ago) and realised, yet again and to my joy, God not only knew the right direction for me to take, he’d organised signposts for me ahead of time:

All the Difference – Mazzy Adams

Mid trees with leaves of stars and sunshine shades,
Two roads diverged,
Each beckoned and implored I tread their ground.
Regretting I must choose one path
Or tear myself in half, I stood
And vacillated …
Waited, wondered,
Strained to see beyond the bend
Of one that rested ‘neath the ferns,
The other, eiderdowned in moss, appealed
As equal to the first,
Yet it called louder from
Its lonely, cloistered comfort.
‘I need the wear,’ it said.
Perhaps it lied; each claimed emprise with equal flair,
Each offered opportunity …
Apologising to the first,
And promising I’d come again—
‘Your future is unknown!’ my conscience quipped,
‘You cannot guarantee you will return to try again!’
—I took the mossy path and ventured forth.
Future unknown, the present tense,
Yet in the past I made a choice:
Two roads diverged beneath the trees.
I chose
The road less travelled …

What’s the takeaway in all of this? Hopefully, reassurance that God can be trusted to show us the way we should go, and confidence that his plan for each individual is a perfect fit. Why settle for some generic ‘one size fits most’ way of living, when God’s plans for us are so, so good?

What signposts has God organised in advance for you?



Mazzy Adams ~ Author ~ Genre Rebel

Intrigue and Inspiration with an Upmarket Down Under Vibe.

A published author of poetry, fiction, and creative non-fiction with a passion for words, pictures, and the positive potential in people, Mazzy's debut thriller, Licence to Die (GRUnGE.001) has just been released. 

Discover more at https://mazzyadams.com/


Monday 15 August 2022

Omega Writers | Top 10 Tips for your First Writing Conference

By Iola Goulton

Do you live in Australia or New Zealand? Are you signed up to attend the Omega Writer’s Conference near Gold Coast from 7 to 9 October?

If you are, great! (If not, click here to sign up now!)

Some of you might be nervous about attending. Don’t be—there will be writers of all levels and all genres at the conference. The two things we all have in common are that we all write (or want to), and we’re all Christian. For those who are a little nervous, or who don’t know what to expect, here are my top ten tips based on what I've learned attending previous conferences:

1. Go for the whole weekend

It’s tempting for first-time attendees—especially those who live near the venue—to attend only for the Saturday. Yes, you’ll still learn a lot even if you only go for the day, but you won’t have the opportunity to get to know people as much as if you stayed for the whole weekend.

2. Most authors are introverts

Sure, some authors (and conference attendees) are extroverts. Most are not. We might not look like it at conference time, but we are. We have a fabulous extroverted time reconnecting with old friends and making new friends … then retreat into our introverted writing caves until Christmas (when our families demand we come out and pretend to be extroverts again).

3. Yes, we do know each other

When you arrive at conference, it can feel like everyone already knows everyone else. That’s partly true—but most of us only know each other from previous conferences, or from online writing groups such as the Australasian Christian Writers or Christian Writers Downunder Facebook groups. If you’re going to conference for the first time, join one (or both) of these groups and start interacting with the regular commenters. Then, when you get to conference, people will know you. I’ve formed real friendships from my online connections.

4. Arriving at conference

If you’re flying in, plan to arrive an hour or so early and take the conference bus. You don’t want to be stressing because you’re rushing. The bus passengers meet at a convenient coffee shop, so you have time to have a drink and a bite to eat. It’s also a great opportunity to meet and get to know some of the other attendees before arriving at the venue.

5. You are a writer

One of the questions you will be asked is “what do you write?” I remember Simon Kennedy asking me this at my first writer’s conference. My answer? I said I didn’t write—even though I was writing 150+ book reviews a year, plus dozens of blog posts on writing, editing, publishing, and marketing. To anyone else, that looked like I was a writer. But it took me three or four years before I was able to admit to myself that yes, I was a writer, even though I wasn’t writing novels or screenplays or something “big”. Believe in yourself. You are a writer. Don’t buy into the lie that what you’re writing (or want to write) isn’t “real” in comparison to what X or Y is writing.

6. Be prepared to learn

This year's keynote speaker is Steven James, award-winning fiction author and writing instructor. I haven't heard Steven speak before, but I've read enough of his work to know I don't want to miss the opportunity to learn from him. No matter whether this is your first conference or you've been to more than you can count, you'll learn something ... whether that's from the presenters or your fellow attendees.

7. No one knows it all

We are all at conference to learn. No one knows everything there is to know about writing. The trick is to know what we know, to know what we don’t know, and to be teachable.

8. Don’t be intimidated

Really. Don’t. The only difference between you and the multi-published award-winning authors is BISFOK time. That’s Behind In Seat, Fingers On Keyboard. And your writing doesn’t have to be perfect—as an editor, I can assure you no one produces a perfect first draft.

9. Bring money

There is a conference bookstall, and you will want to buy books (especially when there is the opportunity to get author autographs as well!). To buy books, you need money. Don’t worry about your airline luggage allowance—you can arrange for your new purchases to be posted to you.

10. After-conference care

If you’re anything like me, you’ll eat too much, drink too much coffee, talk too much, and won’t get enough sleep (I blame those native Australian birds which sound like screaming, not my inability to go to bed on time). That’s all okay. Plan for it i.e. don’t schedule anything important for the next few days after conference. You’ll want some time to decompress, and to prayerfully consider how you’re going to apply what you’ve learned to your writing. And to your life.

If you’re a more experienced conference attendee, what are your tips for first-timers?

Monday 8 August 2022

IT IS ENOUGH- A HANDFUL OF FLOUR AND A LITTLE OIL by Marion Kilchester

             

A call had been made from our Pastor, to come to the front of the church if we needed prayer. Being the independent soul that I am, I remained seated. There are many with greater needs than mine. So, I sat, but tears welled in my eyes, and I couldn’t hold them back. I stood and made my way to the front.

      My very close friend of thirty-four years, Eileen was dying in Toowoomba, and I made the three-hour trip to spend time with her and her family. She was the third very close friend, as well as my beautiful sister-in-law who had all recently passed away.

      A telephone call came, asking me to play for the funeral of the father of my hairdresser. She was also the mother of three students who I had taught over the years, one of them to diploma level. I said ‘yes’. My two nieces and nephew had lost their parents recently, and now called on me in hard times. Vikki’s husband had just undergone eight hours of heart surgery, the day before I found myself in tears at the front of the church. He was not expected to live, and then my next-door neighbour died two days before Eileen’s funeral.

      I knew they all needed me, but I was overwhelmed. It was too much.

      My Pastor held me by my shoulders and began speaking. I don’t remember everything he said, but one thing he told me seemed to me, as though it was written in neon lights.

     ‘Marion, do you remember the widow at Zarapeth?’ He then went on to recall the story. There was famine in the land. She had gone out to gather a few sticks to make a fire and cook a meal, the last meal, for herself and her son and then they would die for that was all she had left. She had come to the end of what she had and was at that place of desperate need.

      Elijah had turned up and requested some water to drink and a piece of bread.

      She replied, ‘I don’t have any bread, just a handful of flour and a little oil, just enough to make a meal for my son and myself’, but Elijah told her to go, make a loaf for him, and then prepare for herself and her son. He told her, ‘The flour and oil will not fail, until the rains come.’

      She was overwhelmed already, but she was asked to give more. She had to exercise faith, she had to be obedient. She chose to do both and made the bread for Elijah. God came through for her and there was still enough for her to prepare bread for herself and her son.  Day by day she took from the jar of flour and the jug of oil and prepared a meal for the three of them, as God provided the requirements needed to do so.

      If she could do this, then I also could do what I needed to do. No longer overwhelmed, I was able to meet the demands on me. I was at peace. My nephew received a miracle and lived. I went to all three funerals in the space of about ten days.

      I know that many of you are struggling with life’s obstacles, while at the same time, striving to be obedient to your calling to write and whatever else.

 

     Marion Kilchester published her first book, 'Though the Storms Rage, yet I will dance in the rain'. Her second book, 'Ludmila's Story', is in its final stages.  As she is nearly seventy-five, technology really bamboozles her. There are many experienced writers here . She feels she's not qualified to  talk about how to write to many with far more expertise than her in these areas. So she has shared from her own faith walk.

      Her webpage is called ‘www.leavesof hope.com.au’ bringing hope in a loving God and His faithfulness, which she can give.  She loves to encourage other writers and runs a small writer's group.

Marion lives in the northern outskirts of Caboolture with her littel dog, Hope. She is surrounded by family and friends.

                                                                                

                                                                                 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     Marion Kilchester is a mum and grandmother. At 75, she loves spending time with family and friends and her little dog, Hope.

    

     Having taught classroom music and piano, now in her retirement, she published her first book, Though the Storms Rage Yet Will I Dance in 2021. Marion has just completed her second book, a biography about her mother-in-law, Ludmila, who grew up and survived in The Ukraine, under the rule of Stalin, before finding herself transported in a ‘cattle-train’ to a forced-labour-camp in Germany, under the rule of Hitler. At the end of the war, Ludmila made another epic journey, this time by boat, to Australia where she made a new life for herself and her family.

 

     Marion’s books are about hope, positivity, and resilience in the face of huge obstacles.

 

Her website is leavesofhope.com.au

 

      

    

 

Thursday 4 August 2022

Beauty and Short Stories - Writing 'Touching the Sky'

Rosanne Hawke

My work in progress is a middle-grade novel. I’ve had the idea for this story for a while and even wrote a short story about the character with a different name, Zander. That short story is called ‘Touching the Sky’ and will be published soon in Dust Makers, an anthology of climate-change stories from Rhiza Edge. This is not the first time I have written a short story, then written the novel. This time I started with the idea for the novel first but wrote the short story as I began the draft to get to know my character and his voice better. I find I can’t really start writing until I know a lot about my characters, e.g. what they are like, what they want, and especially how they sound.

I also wanted to see what would emerge as a most important time in my character’s life, for this is where stories and novels most differ, I think. A short story is a slice, a moment, exploring one main event and idea in a character’s life, whereas the novel can develop many such moments into a journey the character embarks upon for months or more. I started writing with short stories – we all do because at school that’s all there is time for. One of my stories was published in a high school magazine, but my writing career began with novels. That’s what my kids wanted to read. Once I’d discovered the full canvas of a novel, I decided short stories, though beautiful, were harder to write. Rather than fine miniature painting with water colour, I think I’d prefer slapping oils on a canvas. Guess that’s not the best analogy as novels also need to be polished and fine-tuned to be beautiful – but they do give room to move with all the ideas growing from a central one. 

So why can I write a short story about climate change? I grew up in a drought in Outback Central QLD. When I wasn’t at our one teacher school or on the hour-long bus run in a converted cattle truck, I walked with my kelpie-cross dog, climbed windmills, fell off horses and was last in the bath. I learned never to waste water. 


When writing ‘Touching the Sky’ I was rereading Frederick Buechner’s books and like his father, I realised that Zander’s dad had suicided. The death of Buechner’s father affected him all his life – it is present in most of his work. Mental health is a huge problem in our rural areas, especially with the effects of climate change where crops can’t be seeded since rain doesn’t come, bushfires occur and burned animals need to be shot, and now the effects of covid on the farm business. These events have affected the most resilient of farmers. 

When writing I always hope the story will be beautiful in some way, that it will touch a reader. But what could be beautiful when a dad dies in a story? We could think of the form, the words, the way the character heals, but I’m wondering if beauty has more to do with light. There is a story about the famous Dutch artist Vermeer where he was unhappy with a painting. The character was portrayed well, the composition correct, but he knew something vital was missing. He finally realised there was no light. He painted in a window so light could shine on the side of a face, on the folds of a dress – subtle use of colour to show beauty. In our writing where does the beauty originate? From the Light of the World. I’m learning that a thing is beautiful not because we deem it so, but because Christ Jesus has made it so.

In a story, this beauty and light will shine in the way the theme is treated, the form of the story, the setting, choice of words, images, that phrase which paints a picture without even using an adjective, the arresting verbs, the light shed on the face of the character and in his heart. May this Light in our stories become God’s way of wooing a reader into a loving relationship with him. 

The anthology Dust Makers will be released in October by Rhiza Press

Pre-order at http://wombatrhiza.com.au/Dust-makers 

Image credit: Ailsa Green, Dust Storm near Hawker, South Australia, used with permission.


Rosanne Hawke is an Australian author from Penola, South Australia who has written over 25 books for young adults and children. She teaches tertiary level Creative Writing at Tabor Adelaide. She has a PhD in Creative Writing from the University of Adelaide.



Monday 1 August 2022

Highlight on Writing Craft

 by Jeanette O'Hagan



Writing aphorisms abound and like most aphorisms you can usually find one to suit your purpose.

W. Somerset Maugham  — 'There are three rules for writing a novel. Unfortunately, no one knows what they are.'

Mark Twain  — There are but three rules for writing, namely, first, write, second, write, third, write.

James Scott Bell - The three rules for writing, Don't Bore the Reader, Put the character in crisis. Write from the Heart.

James goes on to say in his blogpost 'The Three Rules for Writing a Novel' "These, then, are the three rules for writing a novel. You can break them if you like, but do so and they will break your chances of success."

And that's the thing.  In one sense, there are no rules to writing. Writing, especially as personal expression, can be what we want it to be. We can write for healing or for entertaining ourselves or perhaps our close and willing friends and family. There is nothing wrong with that. 

But, and this is a big but, IF we want to get out writing out into the wild, for others to read then we need to be aware of the expectations of those others - of editors, publishers and, most of all, of our readers.  And in that sense, there are indeed rules - probably more than three. And those rules can change - what worked for most readers two hundred years ago - or even twenty years ago - may not appeal to the modern reader. 

I should say, the rules are more guidelines. And the more you know what they are, the more you know when you can break them. And the more you write, the more you learn, the more you develop your own voice and style. A journey that is never really finished. In the end, it's your story, your book, your choice.

Rather than tell you want the rules are, I thought I'd share things that have shaped my own development of the craft.  

Be a Reader. 


One of Stephen King's ten top rules for writing is "Read, read and read some more!"  Certainly, for me, one of the major influences has been a voracious reading habit since I was seven years old. Reading has gives an intuitive knowledge of story - the rhythms, the notes, the themes, the grace notes. Clinging to clichés can become a problem. Other's superb prose can be daunting. But overall, reading widely can give us a good feel for what works and what doesn't. 




Be a Writer


As Mark Twain's rules suggest - to be a writer you need to write. Just as the best way to learn to swim is to get into the pool (under supervision), the best way to learn to write is to write, and write some more. And as you write, think about what you doing - what works and what doesn't. 

For me, my first NaNoWriMo (National Novel Writing Month) transformed my writing habits. The goal is to write a novel (specifically 50,000) words in a month.  

What this taught me is to give space to my writing brain while my editing brain takes a short break. In other words, allow the words to flow, don't worry too much have good they are, just keep going - and come back and edit them later. (The only downside to this is now I have nine almost complete novels that need editing, lol). 

The other thing it taught me is, don't wait for inspiration before starting to write. If I make a habit of writing regularly, the inspiration finds me - and the more regularly I write (or edit) the more I find myself in the 'flow' or the 'zone', the more inspired and creative I am. 

Taking Time to Study


Writing courses can give a deeper and more profound knowledge of the writing craft. It broadens our horizons at the same time as giving a better understanding of how story works and how to bring all the elements such as narrative, characters, setting, plot, writing style together successfully.

I certainly have found this to be so. First, with a study of literary theory and communication in an Arts degree, following by a Masters of Arts (Creative Writing). What I liked about this was it didn't just give rules but ways of understanding the why and the how.




Courses don't need to be academic. They can be as simple as a workshop or short course. One of the most transformative and empowering classes I did on writing style was Margie Lawson's Immersion Class.  And many of the workshops and presentations at the Omega Writers Conferences over the years have also been a great help in understanding a wide range of issues. 

In addition, several websites have also been of a great help.  Both Christian Writers Downunder and the Australasian Christian Writers have a wealth of information on almost any area you could imagine about the writing craft.  Katy Weiland's Helping Authors Become Writers is a great resource, particularly in understanding structure and character development.

Be Brave. Get Feedback


Another resource is feedback from beta-readers, critique groups, fellow authors and editors. I've learned to love feedback, even negative feedback. Some of the most devastating feedback I've received has been, in the end the most helpful (once I've picked myself up from the floor, bandaged my ego and talked myself out of giving up writing forever and a day). Of course, feedback doesn't have to be devastating - hopefully, it is kind and constructive. And we don't need to accept all of it - trust your own judgement as well. Feedback is pure gold.


Back to Books.


Books on writing have also been a great help to me - both in understanding the writing journey and in understanding the writing craft.  Here are a few I've particularly loved.

The Word Loss Diet by Rayne Hall


Rayne Hall has a series of small books focused on various aspects on writing. Her book on Writing Vivid Descriptions is also brilliant as are others. But The Word Loss Diet helped me tighten my prose - and it gives helpful and practical examples. 


Self-Editing for Fiction Writers by Renni Browne and Dave King


A great introduction to some modern expectations in writing style. 
This book h as three parts - the first and last are autobiographical and personal, while the middle a clearly written, practical look at a writer's journey from starting out, craft issues, publishing and more. In my book, well worth the read.

Stephen James proposes an alternative approach to detailed planning based on a precise formulaic three-act plot structure. He is a pantser and his organic approach draws on the unfolding of the story based on certain story dynamics or principles and reader expectations.  I loved the books - and by the way, Stephen James will be at the Omega Writers Conference this year.




Story Genius by Lisa Cron


A look at how the emotional inner journey of the character drives the story. To be honest, this isn't my favourite book. I personally found K M Weiland's work (webpage and book) on the character's narrative arch and emotional journey more helpful but I know many have loved this book. 


Save the Cat by Blake Snyder

Actually written for screen writers, it's a succinct explanation of story structure and many practical tips. 


Bird by Bird by Anne Lamott


Another autobiographical book on the writing journey will some great insight and helpful hints.

Other books have also been insightful on different areas such as point of view, making the first page sing, writing blurbs and pitches, mistakes to avoid in writing fight scenes, or about horses etc.  

So where are you at on the writing journey - and what resources have you found helpful, insightful or inspiration in developing your skills as an writer? Drop a comment below - or on the CWD facebook page. It will be great to hear from you :)


Jeanette O'Hagan has spun tales in the world of Nardva from the age of eight. She enjoys writing fantasy, sci-fi, poetry, and editing. Her Nardvan stories span continents, millennia and cultures. Some involve shapeshifters and magic. Others include space stations and cyborgs.


She has published over forty stories and poems, including the Under the Mountain Series (5 books), Ruhanna's Flight and Other Stories, Akrad's Children and Rasel's Song, the first two books in the Akrad's Legacy series - and new short story in the Starlit Realms: Fantasy anthology.

Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life.