Showing posts with label ghost writing. Show all posts
Showing posts with label ghost writing. Show all posts

Thursday, 13 August 2026

Lessons from Ghostwriting a Book

 by Charis Joy Jackson 

 

Photo by Christin Hume on Unsplash          

The past few years, I’ve dedicated my skills to ghostwriting a book for some friends. Their life is amazing and it’s been a privilege to be a part of seeing their story told. 

From the get-go, I was clear with them that I’d never ghostwritten a thing before, but shared a few samples of my work: articles, blogs, a sci-fi short story or two. On paper, it didn’t make sense for me to take on the project, but I’m so glad they were willing to take the risk with me. 

Just this last week, I passed the project back to them. We have a complete book and we’re close to the next phase — publishing. 

All of us were learning as we went, so hopefully you can learn from my mistakes.

THE LINGO

Learn how they talk. If you’re about to start a ghostwriting project or just want your WIP characters to sound like unique individuals it’s important to differentiate between how you would say something and how they would say it. 

Early on, I’d ask investigative questions like, “How did that make you feel?” or “Were you scared?” I was often bemused by the answer because it wasn’t what I was looking for to make them relatable to the reader. 

It wasn’t until Easter of that first year, when I was sitting at the table with their whole family, that I realised why we were missing each other. One of their family members made a joke about being the only “feeler” in the family, and something clicked. 

I am by nature, very emotive, I am a “feeler.” Much of my language is around feeling words, my friends are not. They are genuinely loving and caring people, but their language and thought process doesn’t come from a baseline of feeling. I started paying more attention to how they spoke about difficult situations. My language would’ve been, “It was really painful”, their’s was, “It was tough” or “it was hard”. 

The more I paid attention to these small changes the more I was able to write from their genuine perspective.

REGULAR COMMUNICATION

In those early months, when I was recording their stories, regular communication and meetings were a natural part of the process, and some of my favourite moments. There I sat, gleaning from their incredible adventures, and I had the privilege of interrupting at any point to ask more details. What did it look like? What were you thinking then? And now that I knew better, was that tough?

As the slow trudge of transcription and puzzling the book together took over, the meetings slowed. I don’t think any of us knew what we’d discus if we met. It’d have just been a lot of, “Yup, so I’m transcribing this section and writing out this story.” Looking back, I wish this had been more of a steady rhythm for two reasons.

Reason One: To pray for the book and the process
Reason Two: Just to keep us all focused

As the months turned into a year, the book slipped from our main focus a few times. There were health issues among other things that slowed the process down. If we’d met on a monthly basis to pray, I’m convinced we’d have kept the book more front and centre.

LOGISTICS PART ONE

Oh the logistics! I’ve put this into two parts because there’s much to consider when working on a project of this scale. As, I’ve mentioned, there was a lot of transcription. I recorded those early meetings on my phone’s Voice Notes. 

When recording those meetings, it took me a while to figure out how best to label them, and how to transcribe them. There are many online platforms that will transcribe meetings for you, but I wanted to do it the long way. It helped me really sit in their story.

At first, I would sit with my phone and let it play a few seconds, pause it and then type what I’d just heard. This was VERY tedious. Then, a wonderful friend told me about this cool program that you used with a peddle. Some of you may be familiar with the type. The one I used was called Express Scribe Transcription Software. It did cost some money, but it was well worth it. 

Once your recording was uploaded into the program with a push of the peddle at your feet, you can play, reverse or fast forward. I don’t know why, but it made me feel (there goes my emotive language) very official and cool. 

Yes, I am a nerd. 

It cut the transcription time in half if not more and allowed me to soak in the stories more than just passing the process off to an online AI transcription platform, which if I’m honest, I’m not comfortable using anyway. 

LOGISTICS PART TWO

Once I began to have scenes and chapters for my friends to look over, it became a bit of a juggle to find the best way forward. At first, I was sending word documents but then we were getting lost in too many files of the same chapters. Or emails were lost.

Our workplace used Outlook, so then we changed to online sharable files. I’m sure Outlook is a blessing for many, but I loathe it. In my few years of using it, emails went missing, files didn’t actually show up right … I’m just not a fan. Neither were my friends, so I suggested we move everything over to Google Docs and try the process there. 

This worked much better for all of us, but in the processes we were losing some of their edits because we hadn’t fully established turning on “Suggesting” aka Track Changes. A few chapters were such a slow process for me to incorporate back into the original Scrivener project that if it had been a race with a snail, well, let’s just say, I wouldn’t have won! 

Still, once we started really working with it, things got better and communication around edits became clearer. In the end, we got the project there. 

 

ONE LAST THING ...

If I ever tackle another ghostwriting project, these tools will definitely help me for the future. Who knows, maybe some of them can be helpful for you too, even if you’re not doing a ghostwriting project. Using what I learned for “The Lingo” can definitely help build a strong voice for characters, and when looking for an editor, maybe some of my mistakes with logistics can be something you avoid, at least that’s my hope. 

I’ll end with this, whether you’re writing non-fiction or the next epic fantasy, who do you have praying for your work? 

I’ll never forget being up in Toowoomba, for the Omega Writers Conference, sitting with lovely writerly friends, when one of them said, “Tell me what you’re writing, and I’ll tell you what you’re struggling with internally.” 

This prophetic woman was so right.

At the time, I’d been writing a retelling of Beauty and the Beast, and my MC, Averie was struggling with forgiveness. The theme of my take on the fairytale was, can you forgive even the worst offenders? And, lo and behold, I was struggling to forgive some people in my life. 

What an eye-opener and, for me, all the more reason why it’s good to cover our projects with prayer. This ghostwriting project has come with hurdles and I was able to find the energy to get over them with the help of a wee group of friends who’ve prayed at every step of the process. 

Why not reach out to a few friends and see if they’d pray for your WIP? And then, get typing!

Happy writing all!


______________________________________

 

 
Home is one island or another. Sometimes on a collection of Isles (Hawaii), once on a GIANT one (Australia), & now on the quaint Island of the Mighty, aka Britain. 
 
 
I potter, I film things, & I write. 
At the heart of it all, I am a Storyteller.


Monday, 3 December 2018

Exploring Genre - Collaborative Writing

by Jeanette O'Hagan





We often imagine writing as a solitary pursuit - the writer huddles alone in his or her attic, putting words on paper (or computer file) with a big do-not-disturb sign on the door.

In fact, while there are long stretches when writing requires peace or at least lack of interruptions, producing a book most often calls for a team of people from critique partners, beta-readers, editors, proof-readers, graphic artists, formatters, publishers, booksellers, and publicists. 

But there is another way, that writers can collaborate and that is in the actual writing itself in collaborative works. There are in fact quite a range of opportunities.


Types of Collaborative Writing



Ghost Writing



In ghost writing, an experienced and capable writer is employed or invited to write a story on behalf of someone else, often a celebrity or someone with a unique and fascinating story or both. This is most often done with memoirs, but can happen with fiction. In many cases the ghost writer is paid and his or her name does not appear on the cover or may appear but in a secondary fashion (eg Deva Star with Jane Smith).



Jeanette Grant-Thomson has done some ghost-writing, in addition to her own fiction and non-fiction.  For instance, Healing Song was co-written in connection with Merrilyn Billing and tells Merrilyn's story.


Illustrators



In picture books particularly, the illustrator contributes as much to the story as the writer. There are many wonderful examples of this synergy between image and word such as Wombat Books' Same by Katrina Roe and Jemima Trappel, Can God See Me by Penny Reeve and Shannon Melville, Do You Remember? co-written by Kelly O'Gara and Anna McNeil, and illustrated by Kelly O'Gara.



Though I do confess a particular affection for Colourful Memories, written by Catherine Bauer and illustrated by my daughter, Kathleen O'Hagan.

Partnerships



In some cases, a more established well known writer might partner with a newer writer with fresh ideas.

In other cases, two or more writers may combine together to write the one book or series of books.  In fiction, each writer may be the primary writer for one of the main characters.  Of course, the writers need to agree on a range of things like settings, the plot, the subject, the themes, characters etc and may need to write the other writer/s character in their own character's scenes.

Meredith Resce, Rose Dee, Paula Vince and Amanda Deed worked together to write The Greenfield Legacy together, each one writing one of the characters to produce a great story about the legacy of past decisions.

Anthologies


In anthologies, authors can contribute short stories and/or poems that may centre of a theme or subject matter, or genre, or setting.



Glimpses of Light (published in 2015, the International Year of Light and edited by myself and Nola Passmore), includes a range of short stories, non-fiction pieces, flash fiction and poems on the theme of light. Contributions were from both new and more established writers, including Jo-Anne Berthelsen, Jo Wanmer, Adele Jones, Lynne Stringer, Nola Passmore, Adam Collings, Paula Vince, Anusha Atukorala, Ellen Carr, Jeanette Grant-Thomson and others.



The science fiction and fantasy anthology, Medieval Mars, has stories set in a futuristic Mars conceived by Travis Perry, that is a Mars that has been terraformed, settled and then regressed to a medieval level of technology. Each story is set in different spots in the world and written by different authors, including Adam Colling's Lynessa's Curse. The stories were published both as the collection Medieval Mars and individually as short stories by the authors.

Book Bundles



In book bundles, multiple authors contribute their books (either full length novels or novellas) usually of similar genre, theme, or setting.

Narelle mentioned some romance book bundles in the November genre post



I've participated in two - On the Horizon - which involved 22 authors writing sci-fi & fantasy set in low technology worlds. Akrad's Children was included in this and the aim was for volume of sales over a short period. Over 900 copies were sold over the three month period the bundle was available.  The boxed set continued in an altered form in Limited Horizon - with 12 Fantasy and Science Fiction Novels, Novellas, and Short Stories from 12 authors, including my Heart of the Mountain. Many of the authors in this series are secular, but write in the same or similar genres to me.


Book Series



This year, I was part of a group planning on writing a series of full length novels set in the same world. Initially we had maybe 10-12 people involved. Three or four of the authors got together and formed a premise, setting and timeline of the world. I wasn't initially that keen on some of the elements, but after much thought, come up with a premise for a storyline that fitted into the world & which I liked.

We set up a calendar of publication for 2019 on a monthly basis (I had May), with the idea that each author would bring out a novel set in the world (and consistent with each other's works). We started with a lot of enthusiasm and I was quite excited about the idea though I had other writing projects to finish before I could get started. 

Then over time, one by one, people began dropping out for various reasons. Much to my disappointment, the main organisers decided to pull the plug on the project. I have still got my plot synopsis, which maybe one day I will write.

I think multi-author book series a great concept and would love have another attempt at something like this (novel or novella) again, hopefully with better success.

It has been done. Again, Narelle mentioned the Tuscan Legacy book series, romance novels with a common setting and plot thread.  There's also the Jane Austen project - in which various well established authors were invited to write modern adaptations of the different Jane Austen novels in a contemporary setting.


Pros and Cons


Advantages



Writing in partnership with other writers may spark imagination and creative energy. It may draw on the strengths of each writer and add depth to characterisation or setting. Plus it builds in feedback and editing on each other's writing.

Sometimes the more established writer/s brings visibility and connection with a larger fan base while the newer, up and coming author can bring new ideas and inspiration and a freshness to the stories or a particular insight (if, say from a particular demographic or culture).

In much collaborative writing, authors can be introduced to the fans of the other authors. While readers, attracted by an author they know and love, may discover new authors with similar writing styles, themes or genres.

Different forms of collaborative writing often enables authors to pool or share marketing efforts, thus allowing a bigger splash or more impact per buck.

Disadvantages


With partnerships, the partners may have different understandings of what needs to happen or want the story to go in different directions. So there is a potential for disagreement which may derail the project.

Logistics may be a problem; for instance, finding the time to plan, to share segments for feedback or  different writers may write at different paces etc. Finances, copyright, royalties, costs must all be worked through and agreed upon and then held to.


The bigger the group, perhaps the more likelihood that either the project may take a long time or fall apart altogether.



There are pitfalls to consider in collaborative writing, but such projects can be both fun and worthwhile.

Have you ever been involved in such a project or considered doing so? What advantages and disadvantages did you find? Would you do it again?




*****



Jeanette started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing.

Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users.

She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children and Ruhanna's Flight and other stories.

Her latest release, Stone of the Sea (the third novella) is now available. .


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