Most Thursdays in 2019 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.
Today's interview:
Brian Maunder
Firstly, thank you for giving me the opportunity to share. I
have been a part of the CWD online community for many years now, and it has
been a constant source of encouragement and inspiration.
1.
Tell us three things about who you are and where
you come from.
I was born and still live in Adelaide, South Australia. I am just nigh over 50 winters of age, married
with two children, and work on a casual basis for Torrens Transit Adelaide as a
bus driver, sometimes driving the O-Bahn circuit. Most of my time is devoted to
home-schooling my two children and to the myriad of tasks involved with family
life. I am a keen musician and like to busk when I can (guitar and singing),
though my main instrument is piano. I had
a conversion experience when I was about 20 years old and my early Christian years
were within the Salvos. Sailing the turbulences of life, I was a pilgrim for a
while, traversing various Pentecostal and Charismatic denominations. I now call my local Anglican Church home, and
have been a part of the community there for over ten years. I also love to attend Catholic services
whenever I get the chance.
2.
Tell us about your writing. What do you write
and why?
My journey into writing is all due to a painting, which I
created abstractly about 12 years ago. At that time, after sploshing colours
upon a canvas, then crazily attacking it with obscure brush mayhem, I created
something that looked, to me, like large ocean waves. To stimulate surrealist ideals,
I thought to paint an image in the sky. Initially, I intended to draw flowers,
but then changed my mind and drew a kite instead. This was all done just prior
to Easter.
True to the season, and with the thoughts of Christ’s Passion
upon my mind, I noticed that the kite was essentially built upon the framework
of a cross. Whilst I gazed at the painting, questions crossed paths with my
imaginings and meditations. I asked myself: “What would it be like to fly over
that turbulent sea? Who created the kite? Did the kite know it was held
together by a cross?” Suddenly, an idea of a story popped into my mind, and believing
it to be too important to ignore, I set to work. What resulted was a children’s
picture book which was published seven years ago (2012).
During the crafting of that simple book, whilst
contemplating the theology hidden within the narrative, I realised that there
was far more to this story than most people would perceive at a quick first
glance. At some point I thought: “Wouldn’t it be great to read this as a novel.
Maybe I should try and write it out in words.” Crazy me then went ahead and
tried to actually do this… and I am still at the plough. Since then, this has been the sole aim of
writing: to try and complete a novel based on my picture book. I really had no
idea what I was getting myself into.
3.
Who has read your work? Who would like to read
it?
“Polly’s Little Kite” was distributed internationally from
the US publishers, and it only takes five minutes to read, so I presume many
people have read it. It has been used in church services, especially during
Easter, as a way to teach the message of the cross. It is also available in
many libraries across SA.
My new story, the one still being pummelled upon the anvil
of intention, hasn’t been published yet, so no one, except my editor Nola
Passmore, has read it. Who will read it when it is? Well, that’s something that
still perplexes me. It’s not aimed at a genre, so I’m not actually sure. It is
in fact three stories, layered one upon another. The first story, set in England
1919, involves a boy who, after making a tree-house with his dad, loses both
his dad and family home to the war. The second story, involves an Australian
father, who after losing his son in the same war, can’t make sense of life and
faith. These two stories merge 20 years later when the Australian receives a
letter from his deceased son, couriering knowledge of the English boy’s tree-house,
and the special treasure within it. Woven through and around these two stories,
intertwines the tale of the kite. All three stories combine and resolve at the
end.
Though the narrative is for young readers, it isn’t really a
book for children, as it is too complex. However, mature readers may not like
the childish elements of the kite, and the innocence of the main characters. So, it’s not for kids and not for adults…
(sigh). I know my own children love the story, even though they don’t fully
understand every nuance of language and idea within it. I suppose I live in
hope that it will be prove to be accessible to young and old alike. When it is
published I want to dedicate it to “Fathers and Sons”.
4.
Tell us something about your process. What
challenges do you face? What helps you the most?
This book has mostly been written at 2am, as this is when I
would wake up with that inspirational spark that just has to be fanned into
written flame. I always write things with pen onto paper first, and those
scribbles and scratches are then deciphered and typed onto the PC.
My greatest challenge is that I am untrained and unskilled
at writing. I would have the idea, and it would burst forth, but whilst inking
down the words, I would fail to write in such a way as to incorporate the new
idea into the larger narrative. This is one reason why editing has taken so
painstakingly long. The story is complete, but it has been written with too
many varying “points of view”. Now, in this final drafting, all this editing
seems to be taking the life out of the original manuscript. After all the efforts,
I believe there is a danger it could become like an overworked mosaic of ideas.
I’m hoping and praying this won’t be the case when viewed from fresh eyes.
The joy I have when I contemplate some of the ideas within
the story, is one of my greatest motivations. I often look up at some grand old
tree and imagine the climb to the top, (a critical element of the narrative)
and sense again the freedoms and exhilarations of those wonderful experiences
that I had when I was a boy, which included moments of fun activities like tree
climbing and cubby-house making. This reliving and imagining is so refreshing
it just keeps me alive to want to tell of it. Occasionally someone will ask how
the writing is going, and that’s a real encouragement as well. What helps me
the most, is that spiritual desire to “climb into that sanctuary” and experience
that wonderful purity and freedom, that childhood innocence, to be myself as I
spend “time with the Father” who loves me as far as the East is from the West,
and farther than the heavens are above the Earth.
5.
What is your favourite Writing Craft Book and
Why?
I have two books that I regularly refer to.
“Grammar Rules”, by Craig Shrives, actually makes learning
and reading about Grammar enjoyable. Written
by a man with years of experience penning and compiling papers and reports for
military use, this brilliant book is concise, easy to understand, thorough and
full of witty and thoughtful quotes to keep you happy.
“Writing Tools”, by Roy Peter Clark, lists 55 strategies, or
tools, to equip and assist writers. Just reading a chapter now and then, can
help ignite inspiration, hone skills, cultivate motivations and spur you
forward, not just in what you write, but as a person passionate about writing. From developing “useful habits” to adding
pizazz and special effects to your work, the book offers solid useful ideas,
though it does sometimes take some mental effort to think through what is being
discussed.
6.
If you were to give a shout-out to a CWD author,
writer, editor or illustrator – who
would that be and why.
There’s no doubt that Nola Passmore (through her business
“The Write Flourish”) would be at the top of my “shout-out” list. She was
willing to edit my first draft, green as I was, and helped me see things from
her experienced and trained eyes. Her honest (and gracious) critique, though
crushing at times, was exactly what I needed. She counselled me through the numerous
things my first draft lacked (and there were many) whilst at the same time,
encouraged and praised those things she deemed laudable. The main thing for me,
was that she was not trying to tickle the truth. I needed thoughtful, honest
and guiding feedback… and this is what she offered.
Consequently, when I approached her again with my second
draft, I knew I was dealing with someone whose work had integrity. Her final
evaluation rang as sweet music to my ears when she wrote, “I think you have a
really good story now and I encourage you to pursue publication.”
Other “shout-outs” for CWD people who have helped and
encouraged me include; Rhonda Pooley, Marilyn Simpson, Anusha Atukarola, Mazzy
Adams, Morton Benning, Paula Vince,
Karina Hudson, Melinda Jensen, Rosanne Hawke and Lesley Turner. Also Jo’Anne Griffiths, Jeanette O’Hagan and Adam
Collins, who were also fellow Nano-Wrimo camp mates.
7.
What are your writing goals for 2019/20. How will
you achieve them?
Along
with lighting a candle, kneeling and reading, writing has become a practice that
accompanies my devotional times. It helps me focus and stops my mind from wandering.
Often, I like to write a scripture or meditation, word-for-word verbatim, into
my diary. Like music appearing upon a page, the letters curve and twist and camber
into words and thoughts and themes, and as I watch my pen, and follow the flow
of the ink, I slow down, and pause and pray. I listen. The act of writing
becomes an act of worship. I am not skimming over things. I perceive and hear
with greater clarity. So, with this in mind, my number one goal for writing is to
make it help me pursue the Lord.
I
do have ideas for other stories, but honestly, after the efforts required for
“Little Kite and the Compass Tree”, I’m not sure if I have the resources to
write another novel. I have too much happening within family life and work… and
time is of the essence. My writing goal
for 2018 is to finish this penultimate draft and then send it for editing
again. This process will probably happen a few times, as I will only commit to
publishing until a number of people are happy. I will also send the manuscript
to students and some church leaders, for their thoughts (and hopefully
blessings) as well. Since the search for a publisher is, for me, a complete
waste of time, and I am wearied of “knocking on doors” and “filling out forms”,
I intend to publish this work myself. I don’t care about literary success. I
just want to finish the job as best I can, so I can share the story with
others.
8.
How does your faith impact and shape your
writing.
To answer this question I will quote from Henri Nouwen’s
classic book “The Return of the Prodigal Son”.
He writes: “I have a new vocation now. It is the vocation to speak and
write from that place... I have to kneel before the Father, put my ear against
his chest and listen, without interruption, to the heartbeat of God. Then, and
only then, can I say carefully, and very gently what I hear.”
Probably, one reason why it has taken me so long to complete a written work, is
that life gets so extremely busy for me. Chores and tasks, obligations and
responsibilities can crowd in and seemingly take over. Consequently, to my shame,
I can neglect the call to intimacy that God invites me to. Prayer and meditation
is put on hold, and I cease to drink from those beautiful “streams of living
water”. I literally cannot write, nor do I want to write, if my heart is far
from the Lord. The first port of call for any creative manuscript, for me, is
always prayer and confession, which then merges and moves into meditation and contemplation.
When I feel that I can hear and sense the heartbeat of God, it is then that I
want to pick up the pen.
