Showing posts with label Fantasy Fiction. Show all posts
Showing posts with label Fantasy Fiction. Show all posts

Monday, 5 December 2022

Creativity's Path

 
Creativity—reflecting and embodying our destiny as made in the image of our Creator triune God, author, artist, designer, engineer, composer extraordinaire.

Creativity - a torch lit within and fanned by others.

One of the highlights of my childhood was winning the first prize  in an art competition (in  Grade 3). I loved to draw and paint as a child. I also had a passion for reading inspired by my parents reading the the Chronicles of Narnia to my brothers and me each night.

Lewis’ imaginative stories transported me to another world, their strong symbolism and courage an inspiration. Shortly after, I discovered the school library. Reading books especially by Lewis and Patricia St John helped me understand my faith. Stories gave flesh and blood and motions to the biblical truths I’d learnt from the cradle. They helped me understand grace and God’s great love and power. They encouraged me to appreciate other people, their perspectives and motivations.

I was nine when my family uprooted and travelled to Africa – a process that took four months from leaving Mt Isa and arriving by train in Kitwe. Around this time, I began daydreaming characters and adventures in my own world. I was inspired by Narnia, Last of the Mohicans, and later, by Tolkien’s Lord of the Rings, and the many other books I read. My own inner storytelling grew and expanded from one small island and a handful of characters, to continents and peoples and various nations. It was some years before I told anyone about it, though I did draw pictures, make notes and maps and genealogies, invented an alphabet and language.




While in Zambia, one of the missionaries took an interest in my world-building and encouraged me to write my stories down. I did make a series of paintings based on my world and write a short story set in it, but it wasn’t until my late teens, early twenties that wrote my first attempt at a novel.

Creativity can have twists and turns and lay-bys

Over the next couple of years, I rewrote and edited the novel, got a nibble from a publisher, wrote some short stories, but put it all one side when my life took a different tack. Over the next fifteen years, I put all my energy into post-graduate study, lecturing, church, husband and children and the challenges along the way. Writing, apart from lecture notes, student handbooks, promotional brochures, research papers, course outlines, newsletters and articles, was decidedly on the backburner. 

I invested many years of my life, my heart and soul into theological study and lecturing. Yet, due to restructuring, other people’s decisions, health challenges, and family demands, I came to the point where I had to let it go, and I was shattered. A combination of burn-out and loss of a long held and cherished dream left me empty, depressed and my faith shaken. Always before this, troubles had thrown me closer to God. Now I felt abandoned, left on the shelf, shunned. I struggled through dark days, but in midst of that darkness, God whispered to me. At a woman's camp, He whispered ‘I have a new dream for you.’ It took me three years and an amazing God-encounter in one of my darkest moments before I could hear His words, and more to the point, accept them.

But then, one day, God had other plans.

God had called me to ‘feeding his sheep’ and opened the doors to lecturing in a theological college. Then he was called me to write the stories He’d given me. I enrolled in a Master of Creative writing and, through a writers’ conference, connected with other Christian writers. I dusted off my old novel and began writing new stories and poetry. I learned new ways of writing (styles change over time) and gained a greater understanding of how story works. Gradually, my poems and shorts stories were accepted for publication and I launched out as an Indie author. I have a half-shelf of books - anthologies and sole-authored books.



Being an author is hard work. Sometimes it feels like shouting into the abyss, desperate to hear even the faintest echo return - a sale, a review, someone inspired or comforted or entertained by what one has written. Don't get me wrong, I've had many sales, reviews and people excited about my stories - but also long periods of silence in which it is easy to allow doubts to flourish.

As an introvert (as so many of us are), the constant effort to be seen and noticed can become wearying to the soul. It's easy to lose the original motivation to write, especially when life and friends and family also brings more hard knocks and disappointments. 

I write in a genre many Christians don’t understand (despite the greats like C. S. Lewis, J. R. R. Tolkien, Madeleine D’Engle or even John Bunyan). These were stories captured my imagination as a child, that strengthened and enlivened my faith. And these are the stories I believe God has given me to write.

Being creative, being a story-teller, (or an artist or musician), pointing to the light in the darkness, are these not reflections of God, at least part of what it means to be made in His image?


Jeanette O'Hagan has spun tales in the world of Nardva from the age of eight. She enjoys writing fantasy, sci-fi, poetry, and editing. Her Nardvan stories span continents, millennia and cultures. Some involve shapeshifters and magic. Others include space stations and cyborgs.

She has published over forty stories and poems, including the Under the Mountain Series (5 books), Ruhanna's Flight and Other Stories, Akrad's Children and Rasel's Song, the first two books in the Akrad's Legacy series - and new short story in the Starlit Realms: Fantasy anthology.


Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life.




Monday, 16 December 2019

Christmas Stories & Fairytales



https://www.amazon.com.au/Too-Bright-stories-inspired-Dreamcatchers-ebook/dp/B07ZWN8RW2/ref=sr_1_1?crid=3COUVQXLRO564&keywords=too+bright+charis+joy+jackson&qid=1576471096&sprefix=Too+Bright+Charis%2Caps%2C438&sr=8-1

by Charis Joy Jackson

Once upon a time, I wrote a short story about a girl who wanted a Father because Father's are good at providing for their families and because the girl needed to be provided for. It was allegorical and fantastical in nature. The girl travels to Faerie and finds a Wish Box and wishes her father into existence.

I wrote it because I'd forgotten what my Heavenly Father was like as a Dad. I'd conformed to the world's idea and my relationship with Papa God was suffering for it. Especially in the area of provision.

It was winter in Alaska, and we were a couple weeks away from Christmas. I'd been lying in bed, complaining to God, when a sudden stirring filled me to write. It was already near midnight, but I crawled out of bed, and the comfort of warm blankets, pulled out a notebook and pen and began to write:

Ava watched the hail pound on the thin sheet of glass and wondered if the window would hold against the relentless assault. Far on the street below fairy lights danced in the storm, silent reminders of the Christmas season. Ava tucked herself back under the covers but couldn't lie still, the events of the day filled her young mind with worry.
Today, more than anything, she wished she had a Papa. The landlord had come and Ava heard him tell Mama that they needed to come up with this month's rent by next Friday or he’d be forced to have them evicted. She’d seen the look on Mama’s face and knew unless there was a miracle, they would be spending Christmas on the streets.

Within a short time, The Fairytale Child was finished, and I settled back under the covers, escaping the chill of the room, and fell into a deep slumber. Dreaming of my story and the revelations God had taught me in those wee hours about Him being a Father, especially one who provided for His children.

All this happened about fifteen years ago now. Strange to think I'm on a similar journey, and needing, yet again, another reminder that Papa God is a good provider. Funny how we sometimes have to learn things over and over again. I think that's why Jesus told stories because we can read them again and again and glean new lessons each time.

Other than reading The Fairytale Child aloud to a small group of women about fifteen years ago, who wept and thanked me for the powerful words, this story has been buried under a mountain of snow, aka - lost in a digital field of white and blue folders in my writing files.

That is, until one Australian winter day ...

At the beginning of the year, God spoke to me about 2019 being a year of renewing hope. Renewing my understanding, giving me hope for the Big Story He wanted, and still wants, to tell with my life and pushing me to join the adventure of hope by joining the world of indie publishing.

So, I toyed with the idea of releasing my novel, The Rose Of Admirias, as an indie author. But as I researched how to do this, I was soon lost in a world of new vocabulary and technology. And overwhelmed by how much editing my novel still needed. The whole process became daunting. Terrifying. And I found excuse after excuse to not follow through.

But Papa God was whispering to me, telling me to be brave. To hope for the future He had for me. Reminding me of little Ava and the terrifying adventure she faced one lonely Christmas.

Then a friend of mine released a short book as a means to gain more readers before they release their book next year. Something about this stirred me to action, and the next thing I knew, I was piecing together a collection of original short stories to indie publish. And Too Bright: And Other Stories Inspired By The Dreamcatcher's Journal was born.

https://www.amazon.com/Too-Bright-stories-inspired-Dreamcatchers-ebook-dp-B07ZWN8RW2/dp/B07ZWN8RW2/ref=mt_kindle?_encoding=UTF8&me=&qid=1572680241

And ...  

The Fairytale Child found a new home. A new place to shine.

As I began to edit the collection together, I was reminded of the lessons learned along the way. Co-creating worlds and characters with Papa God, weaving space operas together alongside high fantasy. Each story a creation, each story inspired by life lessons. Especially little Ava's.

The Christmas season is one filled with joy and celebration. But life's obstacles don't wait for holidays to come and go before bringing trouble, and for many, this season will be filled with hardship, tears, and heartache for the closeness of family, among other heavy burdens.

While it would be easy to allow the weight of uncertainty pull us down, we can find hope in the stories around us. Whether that be in creating a new short story, novel, or watching a film. We can look for God in every word and ask Him to teach us the important lesson Ava learned:

That night after Mama tucked her in, Ava thought of Papa and his promise to take care of them. She smiled, knowing he'd shown up today. He really was faithful.

Perhaps it's because it's the holidays, but I'm reminded of the hardships another family endured long ago. A small family who shared the warmth of a stable, while a chorus of angels sang of Papa God's provision to the world. Despite their difficulties of having no room after a long journey, I like to think Mary and Joseph,  still smiled and rejoiced while shepherds came and angels sang.

Only God knew this story would end at a cross, and yet He still sent his angels to sing, still planted a star (a thousand years in advance to that day) to shine for wise men to come and celebrate the birth of the King of hope.

Whatever you face this holiday season, whether it's the joy of being surrounded by family or pushing through a season of heaviness, I hope these glimpses of stories, some true and some inspired by true things, help you find new hope and new reasons to rejoice. And new stories of your own. Imagined and dreamed and created with the Creator. Because through the thick and thin Papa God is right there and always will be, a faithful provider who gives good gifts to His children.



Charis Joy Jackson works as a full-time missionary with Youth With A Mission (YWAM) in Queensland. During the day she mentors young adults, teaches on several topics including worship, intercession, and how to makes movies. In her spare time, she spins stories of speculative fiction and captures her crazy dreams in print. 

 
FOLLOW CHARIS


Thursday, 25 October 2018

Meet Our Members: Raelene Purtill



Each Thursday in 2018 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.

Today interview:

Raelene Purtill ( writes as R.A.Purtill)

Question 1: Tells us three things about who you are and where you come from.

I have been married to Steve for 25 years. We have three children in their twenties at home which is in the northern suburbs of Brisbane.



Question 2: Tell us about your writing (or editing/illustrating etc). What do you write and why?

I have written all my life and I’ve written everything – journals, poems, plays, shorts stories, blogs and I’m now dipping my toe into the longer form of the novel. I am drawn to speculative fiction and love the imagination on which these stories thrive. As a Christian, I am aware of something greater, more than just this world and I enjoy the ability for these stories to explore the human condition. But I also like real stories too about real people and while I don’t write them, they are the stories I like to read.





Question 3: Who has read your work? Who would you like to read it?

Nobody and everybody!

Seriously, my editors and mentors and the members of writing/critique groups. My short stories have been selected for anthologies, so I must be doing something right!




Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

I like to write longhand in pencil first. This gets it all out of my brain. I also make scrapbooks with images of places and people and things, and research. This is my reference tool. Then I type up what I’ve written – I use Scrivener. I do the following edits in the same document. I don’t keep various versions until I am well into late drafts, then I print them out and work on the hard copy. I share with my writing group before sending it to a professional editor.

My challenges are that in the real world, I care for our son and my creative time is limited. I overcome this by getting up early and making the most of the ‘edge of the day’ as someone has called it.





Question 5: What is your favourite Writing Craft Book and why?

Zen In the Art of Writing by Ray Bradbury. He was my first author. He introduced me to sci-fi.



Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

I must acknowledge the input of our Omega chapter members who have nurtured and supported my writing and the lovely Christian editors who have given me advice and feedback. It’s a wonderful community and nice to know we are not only fellow creatives, but sisters in Christ too.

Question 7: What are your writing goals for 2018? How will you achieve them?

I achieved a long-time goal in 2018. I entered and was shortlisted in the CALEB prize for unpublished manuscript with my fantasy story ‘Asteros Rising.’

For 2019 I plan to continue writing my next book. An historical story based around the pearling industry of north Queensland at the time of Federation. Another ambitious project and through which I have had to deal with much Resistance – but at least the house is tidy!!



Question 8: How does your faith impact and shape your writing?

It keeps it clean. I am sure that I could easily slip into worldly thinking and writing if I did not have it. ‘Asteros Rising’ deals with a number of Christian themes: what it is to be human – there are android characters; healing and where the power to do that comes from; people of faith vs those with pagan views.

I pray and journal as part of my writing process.

----


Raelene enjoys all sorts of creative writing and she loves connecting with other writers at conferences, retreats and workshops.

She facilitates a local writing group and is a member of the Writers Anthology Group which produces an annual anthology.

She lives with her long-suffering husband and three millennial offspring in the northern suburbs of Brisbane.

Thursday, 6 September 2018

Meet Our Members - Elizabeth Klein





Each Thursday in 2018 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.

Today's interview Elizabeth (Lizbeth) Klein

Question 1: Tells us three things about who you are and where you come from.

Good question. I was born in Mudgee, New South Wales, after my mother almost died carrying me for too long. My parents were refugees from Hungary who settled under the hills of a small village called Charbon. When I was in primary, I didn’t speak English very well and my schoolwork suffered terribly. In those days, there was no outside assistance for kids with language problems like there is nowadays. But it was during those early years that my love for the written word grew with a fierce desire. I loved reading—just couldn’t do it very well—and I would borrow truck-loads of books from our tiny, local library. Ironically, I ended up becoming a primary school teacher and taught in Sydney for nineteen years. I also tutored at four learning centres for nine years and lectured at the Jannali Community College, which I loved. A little over three years ago, we bought a caravan, a new car to tow it with and left that old life behind. Sorry, I think that’s more than three.

 Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

I started writing seriously after I married Malcolm because he generously allowed me great swathes of free time. Plus the Lord kept directing me to leave full-time work, which I eventually did. I began attending the Sutherland FAW and a Monday morning writing group which met at the library. It was at these meetings that I began to connect with others of like mindedness, especially a friend called Jodie. We encouraged each other and as a result, we soon began to publish articles. These small, wonderful steps led to larger successes until finally, lovely Rochelle from Wombat Books contracted two of my young adult fantasy books. At present, she has a third.

Book 1: Firelight of Heaven


 Now, having travelled for just over three years, I’ve published lots of plays, short stories, poems and articles. This year I was contracted by Five Senses Education for my book: Comedy Theatre for Upper Primary, with provision for two more books for lower high school and lower primary, which I’ve almost completed. I’m also occasionally contracted by Blake Education to write for them. 

Writing is in my soul. God placed it there as a seed and it’s growing.

Question 3: Who has read your work? Who would you like to read it?

Although my two novels were written for young adults, surprisingly, many adults love reading them as well as children as young as ten years old. But I would love more Christians to read them and not reject the genre of fantasy. I see all fiction as someone’s fantasy; mine merely incorporates elves and fantastical worlds and amazing characters that aren’t always human. Fantasy is a lovely language, a language of the deepest part of me. Perhaps I’m dreaming, but it’s impossible to dream without myths and wonderment. 

Tolkien said it this way: “the Gospels contain … a story of a larger kind which embraces all the essence of fairy-stories. ... But this story has entered History and the primary world; ... It has pre-eminently the "inner consistency of reality."

Book 2: Greenheart of the Forest



Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

Generally, I set my eyes upon finishing one text at a time—however long and laborious that may be—before starting a new project. Scenes become ‘large’ inside me before I write them or move onto the next scene or chapter. By that I mean that what I wish to write has to be ‘seen’ in my imagination first. I must see my characters, hear their emotions in their speech, feel the terrors and ecstasies of their journeys and perils. I must become one with them before setting out. 

Challenges? There are some. Because we are modern-day pilgrims living in a caravan and travelling all the time, weariness hampers the writing process. Computers, modems and cords all have to be packed away from my tiny workspace here in the van.

                     

Question 5: What is your favourite Writing Craft Book and why?

One book that springs to mind which has been like a gold nugget when, as a young, inexperienced writer, I wanted to know how to show, not tell. That book is called, How to Self-Edit (To Improve Your Writing) by Di Bates. It’s wonderfully filled with practical, step-by-step activities to help a budding, novice writer understand his or her craft. I can’t recommend it highly enough.


Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

One writer I admire is Jeanette O’Hagan, fantasy writer and fellow lover of far-flung places. She has written some excellent fantasy books. Paula Vince’s stories are wonderful too.

Paula Vince



Question 7: What are your writing goals for 2018? How will you achieve them?

My present goal is to complete the lower primary book of plays that I am currently writing for Five Senses Education. I have so many fresh ideas for future projects that I’d love to write, but time and circumstances keep them at bay. I’d love to write a children’s book about Merlin, who is such an enigmatic historical figure of myth and legend. But writing is such a slow process. One must be patient.

Question 8: How does your faith impact and shape your writing?

Actually, my love for Jesus is woven easily through my Bethloria series like a red woollen thread of His sacrifice for us all. Writing fantasy allows that thread to be seamlessly melded with other themes that non-Christians can enjoy without being struck by an overly Christian feel. The Holy Spirit can work with the offerings we present. He is in us after all. 



Here is a lovely quote by Tolkien I found today:

“And in that very moment, away behind in some far corner of the city, a cock crowed. Shrill and clear he crowed reckoning nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.”


Oh, please check out my website: bethloria.com.au






Elizabeth (Lisbeth) Klein is an Australian author who writes for children and young adults. She loves life, laughing, lounging and lumpy chocolate. Also, fantasy movies that make you cry at the end because they're beautiful. She is the author of the Bethloria series, the first two books Firelight of Heaven and Greenheart of the Forest published, as well as plays, poems and short stories.


Thursday, 21 June 2018

Meet Our Members: Jeanette O'Hagan




Each Thursday in 2018 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.
Today's interview – Jeanette O’Hagan

Question 1: Tells us three things about who you are and where you come from.


I was born in Mt Isa and spent my childhood in Mt Isa, Sydney, Kitwe (Africa), Melbourne and Hamilton (Victoria) – but mainly in Mt Isa and Kitwe, before coming to Brisbane to start Uni.

With my dad (1928-2018) and two brothers


My forbears were adventurers and immigrants; my grandparents came from three continents (Europe, Africa, Australia) and four countries (Ireland, South Africa, England, Australia). Nevertheless, after moving round so often, I am now firmly planted in Brisbane with my husband and two children.

My brother used to joke that I’m getting better by degrees (medicine, arts, theology, TESOL and now MA writing). I love to learn facts, knowledge, all sorts of titbits across the arts and sciences, but I’m abysmal at trivia about music and sports.

Question 2: Tell us about your writing.  What do you write and why?


I mostly write fantasy (with a dash of sci-fi), poetry and blog posts. I fell in love with books early on and was a voracious reader as a child. About fourth or fifth grade I began telling myself stories, and these extended daydreams grew into a world (Nardva), with characters I loved having thrilling adventures. I write to bring that world and the characters and adventures to life.  It’s exhilarating, fun, a wild ride. I also hope God’s love and grace shines through my world and words.



With the poetry, it’s more an expression of life as I experience it — moments, strong emotions, reflections, cameos, events. While blogging is a way of musing about stuff and passing on the things I’ve learned along the way.

Question 3: Who has read your work? Who would you like to read it?


Who has read my work — my family, other writers and reviewers, and some keen readers – in Australia, New Zealand, USA, Canada, UK, maybe even France and Germany — still a fairly small and select circle at this stage, but I’m hopeful it will continue to expand.  I was thrilled at Gold Coast Supernova earlier this year when a couple of times, strangers stopped by to enthuse about reading my books and wanting more stories.  But even more special was when my mum asked me to read to Dad a couple of poems I’d written from experiences growing up – Thunderstorm & Floating (in Inner Child, Poetica Christi).

As to who would I like to read my books – I write for the general market, in the hope my books might seed the imagination with divine possibilities, to inspire faith, hope and love in my readers.  


Question 4: Tell us something about your process. What challenges do you face? What helps you the most?


Each story is different. My first novel started from a lucid dream and was completely pantsed (Finding Elene – yet to be published). Some I’ve daydreamed for months and years, allowing the characters a lot of freedom, before I’ve set out to write their stories (Akrad’s Children).  Other stories have I written from a theme, with the characters and plot emerging out of the setting or concept (eg Heart of the Mountain). I usually have some idea where I’m going – with major incidents or turning points or the ending in mind, but not always.

Challenges are getting time to write (not getting distracted) and sorting out the structure, especially with books that are part of a series.

What helps me most is writing consistently. I’m much more creative and in the flow if I write every day (or every other day). And second, getting feedback from critique partners, beta-readers and editors.

Question 5: What is your favourite Writing Craft Book and why?





It’s hard to keep it to one. I think two of the most helpful and freeing has been Stephen James’ Story Trumps Structure and Stephen King’s On Writing.  I do appreciate the more prescriptive books and the insights they give, but I find it hard to be creative with strict formulas, I am suspicious of ‘one size fits all’ approaches (especially when touted as revolutionary) and I like to understand the why behind the rules so I know when I can bend them 😊 .






Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?




Without a doubt Nola Passmore (our illustrious former CWD coordinator) who has been a huge encouragement and who has wrangled me along to courses like Year of the Novel and Margie Lawson immersion, as well as been a great beta reader and editor. Plus, she is an amazing writer and I love her work. Though of course there are so many others, Paula Vince, Anusha Atukorala, Lynne Stringer, Adele Jones, Adam Collings, and many, many others. 



Question 7: What are your writing goals for 2018? How will you achieve them?


My goals for 2018 is to finish writing the last two novellas in the Under the Mountain series, edit the first draft of Rasel’s Song (sequel of Akrad’s Children), and start on a dragon novel (Dragonspite) and/or my cyborg trilogy (The Chameleon Protocols). I’ll achieve this by making time to write, keeping focus, and a big dose of God’s grace.



Question 8: How does your faith impact and shape your writing?


My faith is the bedrock and source of my writing. I believe God has given me the desire, the passion, the abilities, and this time, this moment, to write. I trust that He will continue to provide those opportunities, though He is sovereign, and I commit my plans and the outcomes to Him. Because I write for the general market and because I write fantasy, my stories aren’t usually ‘in your face’ Christian. But I believe they are consciously written from a Christian worldview, informed by Christian values, and threaded through with Christian themes and references, though perhaps subtly at times as in many of the parables. I’m grateful to my Maker in whose steps I attempt to follow.


Jeanette O’Hagan first spun tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fantasy, science fiction, poetry, blogging and editing. Her Nardvan stories include a mixture of courtly intrigue, adventure, romance, and/or shapeshifters.

Recent publications include Akrad's Children—a Young Adult kingdom fantasy; Heart of the Mountain and Blood Crystal— the first two novellas from the Under the Mountain series; plus Ruhanna’s Flight and Other Stories. She has stories and poems in seventeen other anthologies, including The Quantum Soul, Tales From the Underground, Like a Woman and Futurevision.

Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life. She lives in Brisbane with her husband and children.


Links:

Sign up to my Newsletter http://eepurl.com/bbLJKT and receive a copy of Ruhanna’s Flight: a short story.


Thursday, 24 May 2018

Meet Our Members: Charis Joy Jackson



Each Thursday in 2018 we will be interviewing one of the members of Christian Writers Downunder
– to find out a little bit more about them and their writing/editing goals. 

Today's interview Charis Joy Jackson

Question 1: Tells us three things about who you are and where you come from.

I am a missionary filmmaker, author, and actress. I am from the US and grew up in several places, but have lived in Australia for ten years - which is actually the longest I’ve lived in one place my entire life.

Question 2: Tell us about your writing (or editing/illustrating etc). What do you write and why?

I love to write anything in the speculative genre. My novel, The Rose Of Admirias, is a fantasy. But I also have several sci-fi and dystopian books in the works too.

I've also started a little blog called The Dreamcatcher's Journal, where I capture all the crazy adventurous dreams I've had. I started it because I used to show up to work and tell everyone about my dreams. They couldn't believe how well told the stories were - like full novels or movies, so I thought, I've got to start keeping these written down somewhere. 




Question 3: Who has read your work? Who would you like to read it?
 
Friends and family that I know of, but my novel was just released at the beginning of this month as part of a limited release of 22 novels in an ebook box set called On The Horizon. Besides the fact that I’d love EVERYONE to read my novel ;) I’d love for two of my favorite authors to read it. Robin Hobb and Stephen R. Lawhead. These two have really inspired my own work and I’d love to get their feedback on my writing because I want to keep growing as an author.

Question 4: Tell us something about your process. What challenges do you face? What helps you the most?
 
I’m the worst when it comes to having a process. Each story I write seems to have a process of its own. Most of my stories I know where I want my characters to end up, but I don’t often write out a whole process of how they’re gonna get there. I have a vague idea of where I’m going, but there are a lot of things that happen along the way that surprise me and that’s my favorite. If I can surprise myself, then hopefully I can surprise the audience.

Because I am one of those writers who doesn’t plan a lot this can sometimes be an obstacle I need to overcome. I’ve written myself into holes I don’t know how to get out of, but thankfully I’ve always been able to find a way out in the end. I think a big reason for that is that I am co-creating my story with the Creator or story. With God there’s no such thing as writer's block - instead, they are the adventures we get to find our way out of. 

I think it was C.S. Lewis and Tolkien who said they wrote what they wanted to read. I’m the same, I write what I want to read and that is the thing that helps me the most. It keeps the passion of the story alive and I hope that translates better to the reader too.

Question 5: What is your favorite Writing Craft Book and why?

I really enjoyed Stephen King’s On Writing. While it didn’t cover as much story craft as I thought, it actually opened my mind up to more stories and possible adventures in the future. It taught me a lot about living the life of a novelist and not just dreaming about being one.

Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who
would they be?

 
There’s several I’d like to give a shout out to - but Jeanette O’Hagan is definitely someone I want the world to know about. Her books are phenomenal. Excellent storytelling and amazing world building. She’s a huge inspiration to my own writing and has been one of my champions. My novel wouldn’t be published yet if it hadn’t been for her. It was because of her encouragement that I finally finished The Rose Of Admirias after writing it for four years! Please read her books. You won’t regret it!

Buy all her books!!!

Question 7: What are your writing goals for 2018? How will you achieve them?
 
My writing goals for the rest of 2018 are to publish The Rose Of Admirias as a paperback. I’d love to write the sequel this year and also finish up the novel I’ve been writing based on the film I produced in 2016 called Out Of The Woods.


Question 8: How does your faith impact and shape your writing?
 
As I mentioned earlier it’s a huge factor. I consider every story I’ve written to be co-written by the ultimate Creator. When I get stuck, I talk to God about how to get the character out of a situation. Sometimes, the best ideas come to me during a time of worship, so I often bring a journal so I can write them out. My passion, tenacity, and creativity are a gift from the Lord and I want to honor him by using it to the best of my abilities.


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Charis Joy Jackson is working as a missionary with Youth With a Mission (YWAM) a non-profit organization & is part of The Initiative Production Company. She loves creating stories & her first novel, The Rose Of Admirias, was released this May in a limited release box set called On The Horizon - 22 authors, 22 novels.

Here's to a life lived in awe & wonder.
Welcome to the adventure.

www.charisjoyjackson.com

Monday, 3 April 2017

Exploring Genres: Portal and Secondary World Fantasy

by Jeanette O'Hagan

This year, the cross posts between Christian Writers Downunder and Australasian Christian Writers are focussing on the subject of genre. In February, Iola Goulton gave a great overview of the importance of meeting genre expectations. Last month Adam Collings explored the subgenres of space opera and superhero within the science fiction genre. This month, I will be exploring portal fantasy and secondary world fantasy.




What is Fantasy


The fantasy genre covers a wide scope of different subgenres - from stories that include supernatural elements (like the Christmas ghosts in Charles Dickens' The Christmas Carol), talking animals (The Wind in the Willows or Beatrix's Potters' Peter Rabbit), magic and/or mythological creatures such as unicorns, centaurs, mermaids or dragons. It may occur in the past (the 'once upon of time' of most fairy tales), in our present (urban fantasy and many paranormal stories) or occur in an alternate reality (Alice in Wonderland) or an entirely different world separate from our own (like Lewis' Narnia or Tolkien's Middle Earth).

Much of children's literature includes fantastical elements. And while fantasy can be escapist, it often uses analogy and metaphor to explore genuine issues in the real world in subtle and illuminating ways. Maybe because we know this is not the world we live in, we are more willing to explore those issues without the prejudices of our own world.

With the rise of modernism, fairy tales and the fantastical was falling out of favour for a more materialistic approach to literature, especially by the mid-20th century. Arguably, it was the influence of two Christian authors that rebooted the interest in fantasy - C S Lewis with his heart-warming Narnia series and J R R Tolkien with his iconic The Hobbit and its sequel The Lord of the Rings. It just so happens that Lewis wrote a portal fantasy, Tolkien a straight secondary world fantasy.

Portal Fantasy

Sky Bridge, water colour by Jeanette O'Hagan 2016
(inspired by Rachel Sutherland)


In portal fantasy, someone from our normal world stumbles upon a 'portal' or door to an alternate reality where fantastical beings, powers and objects exist.  A classic example of a portal fantasy is Alice in Wonderland - when Alice chases the white rabbit down the rabbit hole and finds herself in Wonderland (a place that defines the laws of logic) or The Wizard of Oz (in this case the tornado becomes the portal). Similarly, in The Lion, the Witch and the Wardrobe, Lucy Pevensie hides in a old wardrobe and finds herself in the land of Narnia.

Portal fantasy has been quite popular as it allows the reader to see the strange new world through the eyes of an ordinary person. Imagine Wonderland without Alice. Alice helps the reader discover this strange, contradictory world through her eyes, through her questions, through her confusion. In a way, J K Rowling uses this technique with Harry Potter, who has been brought up in the mundane world with no knowledge of the magical. Portal fantasy keeps a tenuous link between the fantasy world and our own. It is possible to travel between the worlds, and each world may effect and shape the other. The journey to the other world often becomes a journey of self-discovery and heroism.

Some limitations of portal fantasy can its focus on the traveller to the new world than the world itself, and its often linear plot (the hero's quest to return home, for instance, as with the movie version of The Wizard of Oz), but this certainly isn't always the case. For instance, in Anne Hamilton's Daystar, the plot is more complex.

More recent portal fantasy by Australasian Christian authors include Paula Vince's Quenarden series, Anne Hamilton's Merlin's Wood and her award-winning Daystar and also A Swirl of Purple of Jessica Scoullar. One could argue that US author Ted Dekker's The Circle series is portal fantasy (the portal being Thomas' transition between waking and sleeping).

Secondary World Fantasy

Strange Visions, water colour by Jeanette O'Hagan
(inspired by Rachel Sutherland)


In secondary world fantasy, the world is that is separate or other than our own. (In a way, portal fantasy is a subset of secondary world fantasy - but there is still that connection between the two realities.) Classic examples include Tolkien's Middle Earth (The Silmarillion, The Hobbit, The Lord of the Rings), Ursula Le Guin's Earthsea, Emily Rodda's Deltora Quest or Terry Pratchett's Discworld. The secondary world may be very different to our own (for instance, Discworld) or it may have stronger parallels with our known reality (Tolkien's Middle Earth). Sometimes, it's easy to trace the correspondence between the real and imagined worlds. George R R Martin's Westeros has clear echoes of Eurasia, specifically Great Britain - a popular choice also seen in Patrick Carr's Cast of Stones and John Flanagan's Ranger's Apprentice.  The TV series, Avatar: The Last Airbender and the follow-on, The Legend of Kora echoes Asian cultures (Japanese, Chinese, Tibetan and Inuit).

Good alternative world fantasy makes a strong investment in world building, with many aspects covered (geographical, cultural, political, technological, metaphysical, historical, magical). Plots and themes are often complex and/or epic in scale. They usually blend the strange and astonishing with the familiar, so that the reader has something to relate to.  Perhaps more than any other genre, secondary world fantasy can whisk us away from the ordinary world into a world of wonders. The degree of magic and the tone (uplifting, heroic or cynical, dark or satirical) varies. Westeros is a very different place than Middle Earth.

Some readers can find secondary world fantasy confusing or overwhelming. Sometimes the investment in world building and plot leave characterisation wanting  - though this is obviously not always the case when one remembers Frodo and Sam on Mount Doom, or  the narrative arcs of Ang and Zuko in Avatar: the Last Airbender.

Recent secondary world fantasy by Australasian Christian writers include The Firelight of Heaven by Lisbeth Klein, Brockwell the Brave by Jenny Woolsey, 'The Last Blood Moon' by Charis Joy Jackson,* 'Stone Bearer' by Kirsten Hart,* and my own fiction set in the world of Nardva such as Heart of the Mountain or Lakwi's Lament or 'Ruhanna's Flight'*.

* Found in Glimpses of Light anthology.

Not all fantasy contains epic battles, strange names or sword & sorcery. In fact, most people have read or watched fantasy, maybe without realising it (Peter Rabbit, A Christmas Carol, Alice in Wonderland, The Neverending Story etc). Fantasy (like historical fiction) is a genre in which the place of religion, faith, and the supranational is not usually questioned (though religion is not always presented positively). It also has a great capacity for symbolism, of inspiring the imagination. While I can understand that some people prefer realism (of sorts), I can't help but think they are missing out on something wonderful.

***
I take a more thorough look at fantasy here and here. This post has also been published on ACW.

Images: 1) Gate; 2) Sky Bridge & 3) Strange Visions © Jeanette O'Hagan 2017


Jeanette O’Hagan first started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing.

Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users.
Recent publications include Heart of the Mountain: a short novella, The Herbalist's Daughter: a short story and Lakwi's Lament: a short story. Her other short stories and poems are published in a number of anthologies including Glimpses of Light, Another Time Another Place and Like a Girl. Jeanette is also writing her Akrad’s Legacy Series—a Young Adult secondary world fantasy fiction with adventure, courtly intrigue and romantic elements.

Jeanette has practised medicine, studied communication, history, theology and a Master of Arts (Writing). She loves reading, painting, travel, catching up for coffee with friends, pondering the meaning of life and communicating God’s great love. She lives in Brisbane with her husband and children.

Find her at her Facebook Page or at Goodreads or on Amazon or on her websites  JennysThread.com or Jeanette O'Hagan Writes . if you want to stay up-to-date with latest publications and developments, sign up to Jeanette O'Hagan Writes e-mail newsletter.