Naomi: Thanks, Jenny; it’s such a big personal accomplishment to have the Dragon Calling series completed. And the audiobook of Kin Seeker is a long-desired dream come true! As for inspiration, I was actually working on a completely different story at the time (it still had dragons in it though, ;) ). While world-building for that story (establishing creatures, traditions, lore and the like) a legend of a dragon began to unfurl; a dragon famous in history for … something. At the time I didn’t know why this dragon was famous, and what deeds he accomplished that made him a legend. But I was super curious, and soon my desire to find out more about this dragon outstripped all my ideas and aspirations for the original story. I wanted to follow this dragon, and write his story. And an entire five-part series grew from that.
Jenny: Wow, our stories can have minds of their own. Such fun to see where they take us :) Tell us more about the series. Which book was the hardest to write and
why?
The series follows similar veins as Emily Rodda’s Deltora Quest, Peter Beagle’s The Last Unicorn, Tui T. Sutherland’s Wings of Fire series, and Tolkien’s
works. Its intended audience is the Upper Middle Grade bracket (ages 10+). I
wanted the story to be accessible to a younger audience, whilst offering a
meatier literary experience than standard chapter books, but keeping the
overall experience wholesome.
Jenny: I remember similar challenges with my Book Five, Caverns of the Deep, pulling all the threads together to a satisfying series finale. What do you enjoy most about writing fantasy fiction?
Naomi: I love how I can write about any and all of the universal motives and themes found in other genres, but I can also have monsters, mythical beasts and magic, and such things be a perfectly reasonable addition.
Jenny: Yes! I'm with you with fantasy. How did you go about making
Kin Seeker into an audiobook? What challenges did you face?
Naomi: First, I did a lot of research into the methods and
avenues available for creating audiobooks. There’s a smorgasbord of instructive
information found via blogs and websites, and all of it free! Research is vital
for something like this. Also, knowing exactly what you want for your audiobook
project; listening to audiobooks in genres similar to your own can help with
inspiration and ideal narrator accents and styles etc.
For Kin Seeker, I wanted two narrators, male & female, and I wanted them to dual narrate the story (alternate between chapters) but be assigned specific characters. I also wanted thematic music added to the start of each chapter, for atmospheric effect.
If I was going to have an audiobook done, I wanted a dynamic, professional,
cinematic feel. It was the main reason why it’s taken years to get it done—it was going to be an expensive
project!
I was listening to one of Merphy Napier’s (a book/ reader influencer) vlogs and
discovered her top five audiobook narrators. From there, I researched them
myself, before getting in contact with Kate Reading & Michael Kramer (a
juggernaut duo of fantasy audiobooks). And while Kate considered that she and
Michael might have voices too mature for what I wanted, she proposed I contact
their son, Henry Kramer and his girlfriend, Jenna. I began correspondence with
them, received voice samples, and realised I’d found the perfect duo for my
story!
While I didn’t do the hardest part of the project (the voice acting), there was
still a lot to be involved with. I needed to provide breakdowns of character
profiles and voice ideas, as well as samples and suggestions. I also needed to compile
pronunciation guides for all the fantastical terms and names.
I think the trickiest part was working out the contracts and
payments. Both narrators are American, so there were conversion rates to
content with, as well as Henry being part of a union, while Jenna wasn’t. The
payments being large also required going through a specific international money
transfer company—which required additional rigmarole. We’d also agreed to a
Shared Royalty between the three of us to help lessen the initial commission
costs (on my end); this required an additional contract made and signed.
Then there was the music; I eventually went with the AudioHub to acquire extended licenses for exclusive music pieces. That required dozens upon dozens of hours searching and listening, compiling, and assigning to chapters.
Finally, I chose an Australian audiobook studio to do the
full audio editing (to save on having to go through more conversion rate and
bank fiascos). Luckily a found a company relatively quickly; Brisbane-based,
that specialised in music editing too!
It was definitely a much larger and more involved project
than I originally thought (and took around 11 months from start to finish). But
the final project is absolutely fantastic
and worth every hour and effort poured into its creation. Now … to find the
time and funds to do the rest of the series!
Jenny: I don't generally listen to audiobooks, but now I want to hear Kin Seeker. It sounds fantastic. All the best getting the rest of the series done. You are also an accomplished
artist as well as a wonderful writer. How does your art intersect with your
writing? Which is the hardest to do? Which is the most fun?
Naomi: Thank you for the compliments! My art and my writing are like two sides of the same coin; both are an integral part of my creative expression. I am able to bring my characters (and scenes) to life through illustrations—in addition to descriptions—which is quite advantageous, especially since my artistic style tailors toward the same audience as my series (people who love anime and animations as much as written fantastical stories).
As for which is the hardest? Well, I suppose more often than not writing is the harder of the two. Although I’ve done comics before, and they’re definitely the hardest since they’re essentially a combination of the two. And the most fun? Probably the art—since the projects take less time to do and so the ‘gratification buzz’ turn-over is more regular. But in saying that, writing probably gives me the most satisfaction, once completed.
Jenny: I love how the two talents work together, complimenting each other. Now that you’ve finished your series, do you have any other books or
projects in mind? Will they be related to the Dragon Calling world or a different
fantasy world or maybe even in a different genre?
Naomi: The way Dragon Calling ended left the possibility of a sequel story taking place. And one of the underlying arcs within the story offers the opportunity to expound upon an important historical event (in the form of a prequel). But I don’t feel the need to touch the world of Valadae and its timeline at this stage. Leaving it as a possibility is enough for me.
As for other projects, I do have an extensive illustrated Companion Guide I
want to finish for the series, but it’s a slow WIP (and a big one) so I’ll be
working on other things in and around it.
I do have plans to start a new story next year! It will be completely separate from my Dragon Calling series. In fact, it will slot into a completely different genre; at this stage it’s shaping up to be a supernatural thriller/ mystery. I’m really excited to see how it unfolds and am especially enamoured with the characters, even though I’m still only at the concept and pondering stage of the writing process.
Jenny: Something to look forward too :) Thank you, Naomi, for taking the time to share about your books and experiences.
Naomi confesses that the best word to describe her is: whimsical. Forget about “the girl next door” and think more along the lines of “the girl from the next galaxy over” and you’d be closer to the correct personality categorization. She is an unequivocal day-dreamer, anime enthusiast, partisan of fantastical things, and unshakable devotee to story-telling.When not immersed in her written and illustrative projects, Naomi can be found wandering the worlds created by others, either between the pages of a book or across the sweeping digital scapes of console games. Part geek, part monster-slayer, with a heart for the pure and the wondrous, Naomi endeavours to remind us that a little bit of beautiful strangeness is a good thing to have in this crazy world.
Currently, she lives on the Gold Coast, Australia, with an assortment of cats and family members.
