Indie Publication – A Study in Patience and Pitfalls

Last month I released my first indie novella, Flare Up (yay! 🥳). In so doing, I joined the body of authors who have dipped their toe into (or for some, plunged right in!) hybrid publishing. Hybrid refers to an author who has some books released by a traditional publishing house, and some independently (self) published.

Some readers were super excited—not in the least because there was finally a story featuring Jett Faraday, a much-loved character from my Blaine Colton trilogy.

Various writing peers offered encouragement for venturing into the brave new world of indie publication. (And those with wisdom beyond my own kindly answered panicked questions as I stared at yet another gatekeeper option blocking my goal.)

I also had questions of whether I’d abandoned traditional publishing. Er, no. But I can assure you this process has given me renewed respect for my publishing house’s team.

So why go indie?

Simply, Flare Up as a novella wasn’t a suitable length for my traditional publisher. So, I decided to embark on the journey of indie publication. Sounds breezy, right? But no. This story had been latent in a file for a while, waiting for me to decide what to do with it. It took a lot of mustering for me to pluck up the grit to launch down this path.

The indie publishing market is growing incrementally and I can appreciate the appeal, especially for those who have a story that doesn’t quite fit with the majority of publishing houses. However, I can also see the pitfalls of temptation that could lure a writer to release their work too early or launch out without taking upon themself sound advice, such as a need to kill one’s darlings or restructure etc.

Image Credit Hermann Traub, Pixabay

As for the indie publishing process, I’ve bumped up against the “how hard could it be?” attitude. I’d even tiptoed down the self-publishing road a few times before, but swiftly found myself with more questions that I knew how to answer. For every step forward, there seemed to be even more blind stumbles back and questions I’d have to go away and dig into further.

It was only after my fourth (or was it fifth? 🤔) workshop on self-publication and after talking to numerous writing friends that I finally felt competent enough to at least give it a shot. Was it what I expected? Yes and no.

After my most recent self-publishing skills training, I felt reasonably confident I could bring a book to market—as to what quality it would be, well … The advantages I had included having my manuscript professionally edited and a beautiful cover designed by my talented friend, Kirsten Hart. However, on launching in, I was promptly required to consider production, distribution and market-related aspects I’d not even heard of, let along thought about.

I had no idea about distribution restrictions based on book dimensions, which also dictated the production options of paper type and finish. If releasing the book on multiple platforms, you could inadvertently double up on distributor for certain regions, and if the wrong box was ticked, it would make other distributors unhappy. (Insert stern emails about said book.) For example, agreeing to make your book available on Kindle Unlimited on Amazon means you cannot have it released on Kobo or other such e-sites. I also learned there were different breakpoints for pricing in relation to royalty rates.

Photo Credit: Bruno, Pixabay

My experience with traditional publication had at least given me knowledge of key words, catalogue descriptions and category codes (BIC, BISAC, Thema). Yet, just when it seemed I'd succeeded and the book was published, I’d receive a notification that something wasn’t right. For example, one time the cover wasn’t the correct dimensions—yet it was. The difficulty was that the way the layout is done means the file is not centred. Would it not make sense to centre a document designed to align from the mid-point out?

I’m still wrangling with Ingram Sparks, but slowly, slowly I’m creeping through the minefield of braille-like learning points. What I do know is I’ve figured out a lot and made some notable mistakes. Successful indie publication is not as straightforward as it sounds, but I’m certain with practise the process will get smoother. Most of all, I have a deeper appreciation for my wonderful traditional publisher. Thanks Rhiza Edge team!!! 💗💗

Adele Jones writes fringe and near young adult "Science fiction for the real world". Fuelled by her passion for family, faith, music and science, she tackles complex teen issues including self-worth, disability, loss, domestic violence, youth crime and more. To learn more visit: www.adelejonesauthor.com

Pillow Talk – Sleeping Clean

This is not the blog I was preparing for today. I was going to bring my vulnerability and talk to some of those doubts we writers can wrestle. Instead, as I was reflecting on the content of my post, the wise words of a friend came to me: “Get some sleep before you make a decision on that.”

(You would be surprised how closely related my decision and the content of my blog were.)

It occurred to me that my greatest challenge recently has not been self-doubt, but sleep deprivation. Given my constant nemesis doesn’t appear to be going away, I thought I’d share some advice frequently dispensed by my also wise husband. Maybe we can all learn a thing or two about sleep hygiene while we’re at it. Somehow, I don’t think I’ll be the only writer out there in need of some reminders!

Tired Woman Computer_Photo Credit: Sutprattana

So here are some of the top hygiene tips frequently given:

1)      Turn off devices at least 1-2 hrs before bedtime

This is probably my greatest challenge as I have quite limited writing and computing time available at home. By the time the humans have been fed, homework down and small human put into bed, the night is gone. (The small canine is also somewhat time consuming, but rather less demanding most times!) Much of my writing happens at night. It’s also when my brain is most active. Sometimes the ol’ afternoon nap has been my saviour, but during the working week, this isn’t an option. Devices keep our brains active, so device-free time is pretty important for good sleep. (Another recommendation for improving sleep is trying to make a regular bedtime. This helps with the device off factor, as if you know when you're aiming to sleep, you have an actual time to aim for.)

2)      Avoid energy drinks, high caffeine or high sugar drinks after mid-afternoon

My husband and I have a little night routine where we stop for 15 minutes to reconnect over a caffeine-free drink—usually herbal tea. Not only is this relationally beneficial, it’s also a great way to calm the mind in preparation for sleep. Unfortunately, often my husband will go onto bed while I remain up doing things, but when I can go to bed, this is definitely helpful. (It’s also great when purchasing gifts, as there are so many wonderful tea blends out there, and you get to share the present night after night, for weeks.)

3)      Avoid having devices in your room

On this I am a TOTAL hypocrite! My phone is my alarm. To be fair, I do activate quiet mode and usually put the phone face down, so my sleep isn’t interrupted by texts or calls. On the other hand, I’m notorious for browsing online after bedtime, especially if I’m researching something for work or my writing. My peak brain time is 10pm to 2am, so often if I’m trying to figure something out this is when my brain’s working overtime on it.

In the pre-device days, when I was a university student, I used to manage this by working until around 1 or 2am, and if I could sleep in past 8am I was fine. (Not the best morning person!) In the workforce this is unsustainable, so it’s probably worth still having that hour or so of device-free time, just later. If I can print something out and read on paper, that is another way to avoid devices, but still glean the facts while my thoughts are clicking.

4)      If you can’t fall asleep initially (after 20-40 minutes) get up and sit in a quiet part of the house with no devices and low/no light, then try again

Sometimes this works for me, sometimes it doesn’t, but I figure it’s better to get up than lie on a bed with growing frustration over your lack of sleep. Unfortunately I’m one of those gifted souls who can do the get up, go back to bed, can’t sleep, get up etc routine for several days … well, nights. (It’s really annoying!)

5)      Try relaxation breathing techniques

Elaine Fraser gave this tip at one of the Omega Conferences. If you’re struggling to sleep, this can really help bring down anxiety levels and there’s probably a heap of resources out there on the most effective ways to use breathing to our benefit. (Maybe I should look them up. LOL)

6)      Sleep with a pen and notepad beside your bed

Whether you’re worrying about something or struck with a brilliant writing idea, keeping a pen and paper beside your bed means you can write it down. This helps get it out of your mind and aid in reducing anxiety. I’ve found this technique particularly useful over the years.

7)      When using devices after sundown (or within those hours leading up to sleep) activate the night-shield function or equivalent to reduce stimulating blue light exposure. (This is that orange-yellow tint you can activate on your screen.) Blue light suppresses the production of melatonin, which can really mess with our circadian rhythm.

8)      Stretch before bed

This one is my own advice. Because physical discomfort is a significant factor in my inability to sleep, I’ve found stretching with a physio roller or such a key way to relieve discomfort and enable a longer opportunity to get to sleep before the unsettling tossing and turning starts. (And if the stretching doesn't work, another thing I've found helpful is a hot shower just before sleeping.)

If you want to know more, there are heaps of resources out there on sleep hygiene and quality, including managing devices and sleep (they really are having a significant impact on our quality of sleep), but these suggestions are a good place to start. You might want to try essential oils or other ways to wind down. This is just a starting point. I truly believe the world would be a happier place if we all just got a few more hours sleep each week. I think our writing and family would also benefit. Let me know if you have any other great tips to add to the list!

Adele Jones is an award-winning Queensland author. She writes young adult and historical novels, poems, inspirational non-fiction and fictional short works, along with juggling family responsibilities and a ‘real job’ in the field of science. Her first YA novel Integrate was awarded the 2013 CALEB Prize for unpublished manuscript. Her writing explores issues of social justice, humanity, faith, natural beauty and meaning in life’s journey, and as a speaker she seeks to present a practical and encouraging message by drawing on these themes. For more visit www.adelejonesauthor.com or contact@adelejonesauthor.com

CWD Member Interview - Adele Jones

Question 1: Tells us three things about who you are and where you come from.

1)      I grew up on a farm on Queensland’s Darling Downs.  As such, I spent a lot of time fencing, horse riding and handling cattle as a girl.

2)      As a young reader, I loved animals, especially horses. Many of the books I read for years were horsey stories, both fiction and non-fiction. (And I still love a good horsey story, like those by CWD members Cecily Anne Paterson and Jenny Glazebrook.)

3)      As a young person, my career goal was to either become a vet or a professional musician. I did neither of these. 

Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

My interest in writing stems from being raised in a family that valued stories. Presently, I’m primarily writing young adult novels, and have published a technical thriller YA trilogy (Blaine Colton trilogy). Many years ago I was focussed more on writing historical fiction and I also write poetry. My coming release, Porcelain Dream, a time-slip YA science fantasy, brings together the historical and YA genres.

Question 3: Who has read your work? Who would you like to read it?

My YA novels have a fairly broad readership, but the scientific elements tend to attract readers who have an interest in sci-fi. It's probably useful to note I write near science fiction, so my stories are written in the real world, in Australia, and the technology seems like it could be feasible in our current age. (Based on the 'What if science could?' premise, some readers expect something quite different.) I aim for a target age of 13+ though the youngest readers I know of are 11 and the most mature 'young adult' reader I know of is 98. 😊 As any author can attest, the best compliment is when a reader contacts you to say how much they loved your work, and to ask when the next book is being released. My aim is to share my stories with a broader readership, and I’m currently working through a variety of online features via my blog to showcase the different aspects of my novels.

Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

I used to say a lack of quality writing time was the greatest challenge to my creative process, but lately I’ve had a great deal happening in my world. My head is overflowing with many things, few to do with writing, and when I do get those mini-writing opportunities, it’s much harder to generate purposeful creative thought to make the most of those times. Just like any other area of life, writing is also subject to seasons of change (like this current one!). For this reason I think it’s important to have a flexible approach to writing, and even if you can’t get actual writing done for a few days … weeks … keep jotting down ideas and engaging the imagination in story development. That way when an opportunity does arrive to get writing, it’s much easier to get back on track.

Question 5: What is your favourite Writing Craft Book and why?

I’ve read quite a number of quality writing craft books, and I found those by Writers Digest, Kate Grenville, James Scott Bell particularly good, but based on the conversations by other writers, there’s one book I’m SUPER keen to read: Story Genius by Lisa Cron.

Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

That’s a really hard question! There are so many amazing writers in CWD, with diverse gifts and writing styles. That said, if I were to base my criteria on the active encouragement and promotion of other writers, there are some stand out authors, including Jeanette O’Hagan, Anusha Atukorala and Nola Passmore. Not only are they talented writers, but these gorgeous humans also have a generous heart for seeing other writers succeed. I'd also love to give the 2017 Omega Writer's CALEB prize finalists a shout out. This names some fabulous writers and CWD members, including long term advocates of Australasian Christian writers (speaking of gorgeous humans seeking the success of other writers), Anne Hamilton and Ruth Bonetti. It's definitely worth checking out the authors in the 2017 prize finals. (Seriously, this shout out list could go on all day!)

Question 7: What are your writing goals for 2018? How will you achieve them?

2018 holds some exciting opportunities, including release of my next novel. Porcelain Dream, through Rhiza Press, is due out mid-year. It's been a long-term project, rewriting a story I penned over a decade ago. Much editing and revision has been needed, but it's  been satisfying finally seeing the novel come together. There are also some exciting Omega Writers events in store: the Toowoomba Chapter Writer’s Retreat in May; the annual Omega writers conference in October; and the Omega Book Fair in March. I’m also hoping to attend another pop-culture festival as a stall holder with fantasy/sci-fi authors, Jeanette O’Hagan and Lynne Stringer. We had a blast at our first ever pop-culture event, it would be a shame to not make the effort again in 2018.

Question 8: How does your faith impact and shape your writing?

Faith shapes our perception of the world, our values, and our responses to each situation we encounter in life. If a person is living out their faith, I think it’s impossible to separate those beliefs from who we are, even in our creative pursuits. Personally, my writing probes some pretty key issues of life, including self-worth, the value of life, bioethics, relationships, faith and more, and these perspectives are intrinsically informed by whatever belief system we hold. I try and put a face to these issues through my characters, and let the reader journey with them as they try and work out what they think/believe, and why.

Adele Jones is an award-winning Queensland author. She writes young adult and historical novels, poems, inspirational non-fiction and fictional short works, along with juggling family responsibilities and a ‘real job’ in the field of science. Her first YA novel Integrate was awarded the 2013 CALEB Prize for unpublished manuscript. Her writing explores issues of social justice, humanity, faith, natural beauty and meaning in life’s journey, and as a speaker she seeks to present a practical and encouraging message by drawing on these themes. For more visit www.adelejonesauthor.com or contact@adelejonesauthor.com