Lifting the (Writing) Bar by Ruth Bonetti

Confess I’m challenged. After a lifetime writing nonfiction my foray into fiction forces me to explore character arcs and hero journeys. Sure, I’ve long known these concepts, but I’m stretched to action them. To show-not-tell.

 The editor of an anthology has challenged me to lift my game. 

‘Please take onboard this feedback and resubmit.’ 

 

After editing thirty-odd Mosaic of Grace submissions, I hastily resubmitted my rework. It was apparent my brain was fried. But I’m grateful that she sent back my story several times, for objective eyes see what our own misses. 

 

Anne Hamilton had taken the lion share of editing the first two collections, Palette of Grace and Symphony of Grace, even rewriting some stories. As 2-i-c editor, I felt guilty that thus far my easy ride had been to rubber stamp her decisions. Last year Anne returned from an interstate tour exhausted and unwell. So I hesitated to moot a third anthology. 

 

‘Sleep and pray on it first.’ But I couldn’t resist adding, ‘Remember those writers whose confidence blossomed since Palette of Grace publication? Our collections eased them through the pain threshold into print. Isn’t this our goal, to offer such opportunities? Promise, I’ll take the active role to save your time and effort.’ 

 

So many submissions! Thirty contributors, some of whom submitted several pieces. I realised that editing is rewarding but challenging. Sometimes difficult. For some borderline instances, I enlisted second opinions from Rosemary New as beta reader. A few text exchanges directed her to Review>Track Changes, which she embraced. Her insightful responses gave me tactful angles to suggest how writers might improve stories. By the time our tired brains reached final decisions, Rosie had earned her way up to co-editor. Justifiably.

 

‘Sorry, I can’t come to tonight’s service,’ I told a colleague who’d submitted to Mosaic of Grace. ‘I must do another rewrite of a story.’ Did I overwhelm him with a flurry of brainstorming to bring his character to life? ‘What’s the back story? How can you express his culture in senses like taste, smell, clothes? Describe!’ 

 

Subtext: ‘Show don’t tell’. 

Sub-sub-text: ‘It’s not just you—it’s me and all of us! I teach what I needed to learn.’

 

He took a while to respond but his final was far more engaging. 

 

Writers enjoy a wonderful opportunity: expert editing, free publication with no submission charge, an entrée into print with a couple of free copies thrown in. What a great deal! As her ministry, Anne (‘Annie’) shoulders all costs of design and printing. 

 

Each anthology, I buy fifty copies to offer as a fundraiser at church. Birthday, Mother’s and Father’s Day presents are at the ready. Contributors can also support this ministry by purchasing additional copies at 45% off the RRP. This not only defrays the cost of publication, it brings us closer to the goal of being able to release a family of brick-kiln labourers from slave bondage in Pakistan.

 

I’d hesitated to ask friends and colleagues to rewrite, but was encouraged by that anthology editor’s example. She insisted that I cull teenage slang and portray the senses using active verbs—aspects I knew but needed to put into practice. We teach what we need to learn. With the help of my trusted home editor, Rosie. We are blessed to form working relationships with fellow authors!

 

Contributors Rev. Robin Payne, Ruth Bonetti and Terry Hatfield 

By asking similarly of other writers, we encourage fledgling authors to embrace the learning process and lift their game as writers. Together, we can all polish our gifts to greater glory. Working together, we, the fellowship of writers lift each other up. What a blessing!

Mosaic of Grace will launch on May 2, at CASQ Don’t miss it! 

Christian Authors Showcase Qld returns for the fourth year —an inspiring program awaits us! 

ROCHELLE STEPHENS of Rhiza Press is keynote speaker and we look forward to her wealth of experience and insight. As traditional publisher who has gained respect in the mainstream market, she knows the Kids Lit to YA marketplace inside out. 

 

Who could forget Grammar Grinch? His/her cousin Grammar Grouch will return. Speakers will be announced by fanfare but in a tight two-room program, they will be hauled off with the shepherd’s crook. As is the norm in the popular Pop Up ops which means 90 seconds to tout your book(s)—(so start rehearsing NOW) and hope readers look for it on the book table. BOOK NOW!

We look forward to seeing you there! https://www.casq.online/event

RUTH BONETTI 

Ruth’s career in classical music became a passport to the world. Destiny led her to Sweden and Finland where she researched her grandfather's story and those of Finnish relatives, resulting in her award-winning Midnight Sun to Southern Cross trilogy (historical biography/memoir). 

Her passion to chronicle fighters against oppression has opened an exciting new vista, researching Finnish, Estonian and Russian history. Ruth’s vision is to write a series about Musicians Who Changed History, as she resonates with the healing power of music in the lives of those who fought against oppression.

Ruth's many publications (by Oxford University Press and her imprint Words and Music) cover both historical biography, and titles to motivate and inspire confident performance of words and music.