Will this scene offend my reader? Jo Wanmer's dilemma.

As Christian writers, in editor mode, there are many questions that challenge us and our manuscripts. Today, I want to look at one set of those questions. 

'Will this content be acceptable to my readers?'

'Will this passage offend? ’

‘Should I draw a veil over the stark reality of this scene?'

The answer is determined by another question. Who are my readers? 
I write for the mature adult market, for mostly women who are interested in seeing life’s big issues discussed and resolved. But am I writing for the Christian market?

I try to write every word with the writer’s mantra, ‘show, don't tell’ in mind. I can visualize the action as I write. The settings are so clear I know when the character turns right or left. My hope is the reader can see it as well. But I also want my reader to relate to, if not experience, the protagonist’s emotions, the raw pain and the deep joys. Here in lies my dilemma. In my efforts to 'show' is my writing still acceptable to the Christian market?

Recently I followed an interesting, online post discussing acceptable content in Christian writing. Readers stated that, once offended by content, they will never read that author again. How concerned should I be about that comment? Can I afford to lose a section of my potential readership? 

Because the Christian readership in Australia is so small, should I try to be inoffensive to every sector of the market?  But if I write to satisfy the lowest common denominator, I fear my book will lose its impact. Surely it is tragic to gloss over the most compelling scenes, missing the opportunity for powerful writing, risking frustrating one half of my readership to avoid offending the other half.

Take for instance the tricky area of sexual abuse. Some readers don't want such obscenities to be mentioned, considering it unnecessary content for Christian fiction. Others can cope, providing the book only details the shaking of bushes in the park, or the resulting emotions. Francene Rivers, in her excellent book, ‘The Atonement Child’, shows a stranger grabbing the protagonist in the dark. The next scene is written from the police's POV. The reader is protected from the experience.  That method works well in this instance, but is it right for every occasion? 

 'A Novel Idea', a book of advice on writing inspirational fiction, tells the author to shut the bedroom door. Let the reader know what is happening, but please, spare the details. In others words, 'tell, don't show’. This is my dilemma. If we are honest, many of life's big struggles revolve around sexual issues. I want to be able to talk about them. I want my writing to bring God into these areas, bringing healing and wholeness. 

I believe we can go there without being explicit or obscene.  But where is the balance? 

Wendy Francis commented about this topic, when speaking at the launch of Though the Bud be Bruised.  She thanked me for showing her reality without leaving behind yucky feelings and images. This comment has been very helpful to me. 

A couple of years ago I wrote a short story for a competition. The setting was the year 2032 and the theme was social issues.  I told God I would enter if He gave me a really good idea. And He did. The story fell into my mind about two days before the deadline. The judges weren't impressed but I love the crazy, edgy story. It speaks of bravery, war, seduction and subterfuge. I sold a few rough copies at the book launch of Though the Bud be Bruised. Some people loved it, but another reader asked how I could call myself a Christian and write such content. She refused to read my book. Yet I know God was happy with that writing!

  

A few Christian readers don't want to read 'Though the Bud be Bruised' because it deals with sexual abuse. Many others have written letters thanking me for bringing healing to their lives. Of course, every reader makes their own choice, but it shows me, the writer,  that I can't keep everyone happy.

I have written a second book in the same genre as the first. 'El Shaddai' follows Milly's struggle to hold her family together after she is separated from Dan by a natural disaster of massive proportions.  There are life and death issues. Her adventures aren't sanctified or pretty. It exposes the raw reality of life and an active, relational God. 

But is it what my readers are looking for? My two committed Christian friends, who have read the first draft, love the story and have no objections to the content. Yet, I understand the risk a publisher will take to produce it.

Should I soften my writing to make the book safe for the Aussie Christian market? I've pondered this question long and hard. But I can't bear to weaken the powerful scenes, or remove the theme that relies on the graphic action. Having said that, I believe this book still 'shows' without leaving nasty images or feelings behind. 

Maybe I'm not a Christian writer but a Christian who writes for the general market. Maybe they will enjoy the story? God is not talked about much, but He is shown on almost every page. He has a lot to say. Maybe the world would like that?

So, my fellow writers, what should I do?

How do you navigate these questions? 

Jo Wanmer is a writer of challenging fiction. As she edits her second book, it's sequel is demanding attention, yet it is even more controversial. She lives in Brisbane with her long suffering husband, Steve, who never reads fiction.

She is so in love with her new book, that her good judgement has departed and she can't see its flaws! Hence she is looking for a limited number of critical readers for El Shaddai. If you are interested please contact her through the comments below or via Facebook..