Monday, 24 May 2021

When all you've got is an empty page - by Susan J Bruce

Photo courtesy of Deposit Photos


You need wise words. You must have some… somewhere. It’s your turn to blog, but your ideas don’t just fly out of the window. They do a full circle and smash into the glass, falling stunned on the ground below. Your body aches – the pain is persistent, your brain is tired, and the shop you needed that thing from closed just as you got there. You’re grumpy at your husband. No major reason, you just are. The dog is barking, the cockatiel is screeching and you wonder why it’s all so hard. 

 

A fruit rat clunks along the gutter outside your study window. Another - or possibly a very large mouse - scurries behind your skirting boards, changing direction with a clunk so loud the wall vibrates. You don’t want to put down bait – you have pets – so you shut your eyes and pray that the resident rodents won’t eat wiring. Then you survey your study and wish you could be rewired so you could have the energy to clean up the category-five-like devastation around you. With a deep sigh you check your bank balance and wonder if it’s time to give up writing and get a real job that pays the bills. 

 

Cute rodent photo by Svetozar Cenisev on Unsplash

You start typing but your words depress you. You want heart and hope to be part of your brand but it’s as if the H-words have grabbed their togs and towel and headed to the beach with a wave of a hand and a conspiratorial giggle. You tap your foot and stare at your watch: They were due back an hour ago, but they are out there somewhere cruising down the street in the little red convertible you know you’ll never own.

It’s been a while since you’ve had such a penchant for the pity-party (not to mention excessive alliteration) and the smallest smile invades your face. The corners of your lips twitch and a reluctant, wry grin reframes your countenance. You lift your gaze again. This time not to the rooftop racetrack of the resident ‘Rattus rattus’, or the cobwebs in the corner, or the dust on your desk-shelf, but you see the truth of who and whose you are. 

 

Hope pushes through the window of self-pity. Heart grapples with the gloom and casts out the word ‘can’t’. You cheer as truth squashes lies like flies. You are not alone.  


Photo by Kristopher Roller on Unsplash


There is a King. You are His.
There is a Creator. He made you in his image.
You are fearfully and wonderfully made. His. Works. Are. Wonderful.
You did not choose Him. He chose you.
You are part of his plan and purpose. 

You were bought with a price. 

You will live for eternity with him.
You are loved 
with an everlasting love.

He is with you to the end of the age.
And he can do more in your life than you can ever ask or imagine. You grin at that. You can imagine a lot.


Photo by Greg Rakozy on Unsplash

Sometimes the page before you is empty – but you are never an empty page. Eternity is written on your life with indelible ink, the colour of blood.

 

Remember.

Rejoice.

Write.

 


Reflect...


Genesis 1:27 

Psalm 139

Song of Solomon 2:16

Jeremiah 31:3

Matthew 28:20

John 1:1-5

John 15:16

1 Corinthians 6:20

Ephesians 3:20

Revelation 17:14

_______________________


Susan J Bruce, aka Sue Jeffrey, spent her childhood reading, drawing, and collecting stray animals. Now she’s grown up, she does the same kinds of things. Susan worked for many years as a veterinarian, and now writes stories filled with mystery, suspense, heart and hope. Susan also loves to paint animals. Susan won the ‘Short’ section of the inaugural Stories of Life writing competition and won the 'Unpublished Manuscript' section of the 2018 Caleb prize. Susan is the editor of'If They Could Talk: Bible Stories Told By the Animals' (Morning Star Publishing) and her stories and poems have appeared in multiple anthologies. Her e-book, 'Ruthless The Killer: A Short Story' is available on Amazon.com. You can check out some of Susan’s art work on her website https://www.susanjbruce.com.


Thursday, 20 May 2021

(To) Launch in the time of COVID? Ruth Bonetti

 I’m awed by author colleagues who run online book launches. Such enterprise. So tech savvy! How do you do it? What were your challenges?


Digital is cheaper. How can indie authors afford wine, cheese and nibbles after the expense of publishing a book? Plus, (if we want a quality product, as we do!) paying trusty editors, designers, proof-readers, cover illustrators?


Endless thanks to my esteemed creative team for your staggered invoices. Annie, Beck, Peter, I’m looking at you.


Is a live launch self-indulgent...or masochism?

Why persist with live launches, even though it cruels the budget and mortgage? 

 

  • The PR Cookie Monster demands an Event.
  • Authors can splash photos on social media.
  • An Event may just attract a par in print media. (A few did survive Covid. Check the Queensland Courier Mail on 29 May.)

Events I made, pre-Covid.

Naïve moi hoped my first publication by a Big House, Oxford University Press, might warrant a contribution for a launch. They gave a grudging £50 to a mere minion. After all, I'd booked the then first lady of the state, Lady Flo. (Tip: Aim high and work down.)

 

Students played excerpts from Enjoy Playing the Clarinet. It was a great night but the catering cost. Queue lentils and baked beans, leftover delicacies and vino.  


 

To launch Taking Centre Stage, which later morphed into Confident Music Performance, I played demo clarinet in a slinky red dress (since donated to Vinnies when girth expanded).

 

In 1998, I steered Omega Writers to publish an anthology, Seasons of Giving. The so supportive Phil Ryan hosted its launch at his Paddington bookshop. Of course, my next book was launched at a Mary Ryan’s shop.

Hot tip: Find an audience and write/ launch a book to fit it.

Don’t Speak Out – Freak Out was a hectic rush to coincide with a national speakers’ conference.The first edition was ho hum, later improved, so it became a Good Thing.


Practice is a Dirty Word pitched to a national clarinet conference. I hoped delegates might move themselves to the State Library launch. We feasted on leftovers and wine for a week. But PR noise saved some of our bacon. 

 

The cost of a stand at a Music Teachers conference prompted me to launch another book, Sounds and Souls: How music teachers change lives. It was a lacklustre affair. With many competing options, sales were drab. But hey, I didn’t outlay food and vino!

 

To launch the first book of my Midnight Sun to Southern Cross trilogy, Burn my Letters, I enlisted a son’s gypsy band, Greshka, and Scandi delicacies from IKEA. 

For Midnight Sun to Southern Cross, a Finnish pastry cook provided delicacies, much appreciated by a live-alone relative. It broke the budget but we so enjoyed! 


(Memo: in future, delegate a minion to turn on the tea urn.)

The Art Deco Mansion in St Lucia: What drove the man who built it?  is the third book of my Midnight Sun trilogy. It will launch on 30 May at 2.30, St Lucia Uniting Church. Because my grandparents donated the organ, it will feature that in a performance of music by Dr Phillip Gearing and acclaimed singer Anne Fulton. Watch my FB space for an Illustrious Person invited to launch. (Hope and prayers!) 


Thanks to Covid regulations for ruling against food and vino. That saves my bacon!



Would you like to attend?

The launch allows capacity seating as long as I comply with COVID regulations. At the time of posting, there are still places. Please register with your name and contract tracing details to ruth@ruthbonetti.com


Would you watch a livestream?

COVID taught us to think outside our norm. If enough people express interest in a livestream, I will action and share a link.

Why a live launch when introvert authors are allergic to the spotlight? 

I’m a shy introvert released from my chrysalis by the need to promote books. (Midnight Sun tells of my transition to butterfly).


A book launch is an opportunity to 

  • celebrate all our hard work
  • thank those who helped us through the journey to print

Helpers and supporters deserve acknowledgement and thanks. 


A launch is an opportunity to thank supporters – and a stage to blow my own trumpet.



Ruth Bonetti is the author of a dozen or so books in her primary field of music which evolved into advice for confident performance of words and music. After a decade absorbed in the biography/memoir of her "Midnight Sun to Southern Cross" trilogy Ruth is tantalised by the prospect of writing in less demanding genres. The first book of her trilogy, Burn My Letters won the CALEB Nonfiction prize in 2017. 

ruthbonetti.com http://www.ruthbonetti.com/burn-my-letters/
http://ruthbonetti.musicabonetti.com



Monday, 17 May 2021

2021 Omega Writers Retreat

By Iola Goulton

As we all know, the 2020 Omega Writer’s Conference was cancelled as we all experienced the joys of working and schooling from home. Restrictions to international travel mean we can’t hold our conference as planned this year either.

But we know everyone is keen to meet in person and spend quality writing time together. Instead of a full conference, the conference committee have been hard at work, planning a weekend retreat from 8 to 10 October 2021.

The retreat will be held at the Peppers Salt Resort & Spa, Kingscliff, New South Wales, which is about twenty minutes from Coolangatta Airport. Attendees can choose to stay at Peppers, next door at the Mantra, or at other accommodation in the area.

Click here (https://www.omegawriters.org/conference/) for more details on the venue and to download an accommodation booking form. Peppers and Mantra are both offering great rates for the retreat dates, and for two days before and after the retreat.

The conference committee are currently hard at work developing a retreat programme and finalising costing. Registration will open in June, so watch this space for more details.


CALEB Award

The entries in the 2021 CALEB Awards are now in the hands and ereaders of our judges, and the scores are trickling in. The deadline for judging first-round entries is Friday 18 June, and we are planning to announce the finalists on 28 June.

Winners will be announced on 9 October 2021 at the Omega Writer’s Retreat.

Picture Book judges: your entries are now in the hands of Australia Post. Please let me (Iola Goulton) know if you haven’t received them by Friday.

Stories of Life

Omega Writers are proud to sponsor the 2021 Stories of Life competition.

This year’s theme is telling a faith-filled story. Tell your stories of life that point to evidence of God’s reality, and a time and place when you witnessed God’s grace in action.

Click here (www.storiesoflife.net) find out more about the 2021 Stories of Life contest. 

Entry to the Youth category (writers aged 17 and under) is free, and entry to the Open and Short categories is AUD 10 per entry. The top three entries in each category will win a one-year membership to Omega Writers, and there are additional prizes for the winners of the Open and Short categories.



Thursday, 13 May 2021

CWD Member Interview – Elaine Fraser


 

Question 1: Tell us three things about who you are and where you come from. 

1.     I used to be an English teacher and began to write seriously in 2005. 

2.     I live in Perth, Western Australia in the hills.

3.     I just published my eighth book. 



 

Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

I write non-fiction inspirational books, YA novels, blogs, magazine articles, performance speeches, and commercial women’s fiction novel. 

 

Each one of us has a purpose that’s beyond ourselves and we should use our gifts and talents to help others in any way we can. My books have a strong social justice theme and encourage kindness and compassion. 

 

Because of my teaching background, I always have a message in mind when I write. Every story, whether it’s non-fiction or fiction, expresses ideas about love, sacrifice, and redemption.

 

I hope that readers are left with the knowledge that God loves them beyond anything. No sin is too big that God can’t forgive. No problem is too small for God to be concerned with. God cares about every facet of our lives. 

I hope my readers relate to the characters in my novels. Relate to characters who may have the same questions they do and feel that they’re not the only ones who struggle. They’re not the only one who is still working things out. 

 

Question 3: Who has read your work? Who would you like to read it? 

I started out writing inspirational non-fiction and fiction for young adult women aged 13+. 

In 2014, I began writing blogs for Kinwomen, a network of women bringing together women of all ages, cultures, education, abilities and passions to share life and wisdom.

 

My women’s fiction novel is written for women in relationships and recognises the complexity of why people stay or leave. 

 

Live Your Story Promise is my latest inspirational non-fiction book and it’s directed at a more general audience–both male and female. 





 

 

Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

 

Last year, Covid threw me a little at first and my writing slowed up. I became a bit stuck. During the second half of the year, I got myself together and decided to finish all that I’d started. 

 

The best tip I can give is to never stop writing, even when you feel stuck or motivation seems to have disappeared. I kept writing little bits here and there and all of a sudden I had enough to publish. 

 

Even writing for fifteen minutes a day for two hundred days of the year at about two hundred words each session will add up to about forty thousand words. If you also include a few long days of writing, a retreat, and a few shut up and write sessions here and there, you could easily write double that in a year. 

 

Maths was never my strong point at school but numbers are helpful when quantifying your achievement or setting goals. 

 

 

Question 5: What is your favourite Writing Craft Book and why? 

I have a few key craft books, but the most helpful one is Lisa Cron’s Story Genius.  It will teach you how to frame your story using your character’s origin story. I used her model to plan my last two novels and it has saved me a lot of time. 

 

Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

I have two editors from the group who I’ve worked with for several years. Nola Passmore and Iola Goulton. These ladies give so much more than they know. The confidence I get from the encouraging comments in between the corrections has been so, so helpful when I’ve felt like giving up. Iola Goulton and Nola Passmore have become my go-to editors when I need a professional and thorough edit that is both pedantic and encouraging. 

 

 

Question 7: What are your writing goals for this year? How will you achieve them?

The first half of the year has been about getting three books out: Books Four and Five of the Beautiful Lives Series –Scarlett Love and Finding Joy and Live Your Story Promise–my latest non-fiction book. 

The second half of the year will see me doing yet another draft of a book I’ve writing for several years. It’s a women’s fiction novel and I really want to get it finished by the end of the year. 

 I’ve also got another book I’ve begun plotting and I’d like to make a start on writing it. 

 

Question 8: How does your faith impact and shape your writing?

How doesn’t faith affect my writing? My faith constantly informs my writing and reflects my relationship with God. I can trace my relationship with Him through my writing over the years. All the questions, the prompting of the Spirit, the challenge to be Christ-like, my prayers, hopes, and dreams are all found in my writing. 

 

Even my latest work in progress, a secular work, has a character named Joseph who loves a woman who has had a child by another man and he loves her as if she were the purest, most precious woman on Earth. I only just realised that Joseph had these Biblical qualities when I wrote the synopsis when I finished the latest draft. 

 

Even when I’m trying to write for another market, ideas of love, sacrifice, and redemption permeate my thinking. 



Elaine realised she wanted to be a writer at ten years of age when the words flew off the page during a creative writing lesson. 

 

She studied English and Education at university and went on to spend many years as a high school English teacher teaching others how to write.  

 

In 2005, Elaine took the plunge and began writing full-time. Since then she has published eight books and blogs at www.elainefraser.co

 

Elaine’s passion is to write about real issues with a spiritual edge. 

 

When she’s not travelling the world in search of quirky bookstores or attending writing retreats in exotic locations, she can be found in the Perth hills sitting in her library—writing, reading, and mentoring writers. 



Monday, 10 May 2021

Writing, Flights in the Spirit and ANZAC.

 

Late last year I had a fortuitous volley of writing inspirations that seemed to shoot me in a direction of character development and story telling that I simply didn’t want to go. Firstly I had come to a place in my long developed narrative where I had settled on all the core characters, plot development, character arcs and just wasn’t looking for another layer. Secondly the plot that seemed to find itself arising seemed at first antithetical to my crafted history. However I stuck to the creative process and subsequently discovered not just a fresh revelation within my storyline, I have encountered a personal witness that is still emerging within my rumination.

All this began on a flight I was taking to North Queensland. It was a ministry visit to train Chaplains and their teams to be prepared for responses in disaster scenarios. I had fallen asleep as the plane lifted off but awoke with a start as the first wave of inspiration hit. So I reached for my pen and paper and I wrote from the perspective of my main character:

The horse whisperer (his name is “cowboy”) was a quiet loner that remained a silent overwatcher in my childhood. Dad called him “ghost rider” because he seemed to always show up just at the right time. When Dad needed help. When Dad needed a mate. When I needed saving. He had  an Acubra hat, and in that hat he had a white cockatoo feather.

 


I arrived at my destination and stepped into the Chaplaincy training. To my amazement the first person I shook hands with at the training event was a quiet, unassuming man who appeared to have just stepped off a farm. He had stashed his dusty hat under his seat which I made a comment about. He smiled carefully as I asked him straight up what his nick name was. I was not surprised when he said his real name followed by “….but my friends call me cowboy”.

I had a confirmation that something was brewing. A physical manifestation of my fictional tale. There was a sense of a creative leading. But I sensed this was only the beginning. I was perplexed that this new fictional character had emerged and had materialised before my unsuspecting eyes and had become ensconced into my already developed narrative. His appearance seemed at first a rude interruption and yet also seemed so right. But I had a problem – a perception and meaning issue- in my mind a white feather seemed to mean something I wasn’t comfortable having an emerging hero-type figure having as an icon.

I wrote :

“In the memorial box they found a white cockatoo feather. How and why it was significant they did not know. It remained a mystery….”

To me a white feather resounded with meaning that represented cowardice or conscientious pacifism; as in A. E. W. Mason's 1902 book, "The Four Feathers". In Britain during the First World War it was often given to men out of uniform by women to shame them publicly into signing up for war service. In  the first-ever collection of Biggles stories (The Camels are Coming (1932)) Biggles (who is out of uniform in civilian wear) is handed a white feather by a young woman. She is later taken aback to find that he is one of the Royal Flying Corps' leading pilots.

I had a problem with this newly acquired problematic character and his white feather. In a narrative that was depicting heroism- especially in the light of bravery, self-sacrifice, mateship, and perseverance as core tenets of my synopsis that reflected ANZAC sensibilities I just couldn’t resolve this semantic difficulty. And then I flew to Canberra and visited the Australian War Memorial.

I had written several more aspects to this new character. This included a dream sequence that revealed a memory of my main fictional character:

“ His ruddy complexion reddened further as the exertions of moving with his mount increased. He rode on bravely as his horse flew down the smoldering mountainside. The rider wore a soldiers acubra. She was startled when she saw the white feather stuck into the hat. It was the “cowboy”. Then she realised she was there too. Drapped over his legs held by one of his big hands, as he held the reigns in the other. Then suddenly the bush exploded into flames….”

I was reflecting on all this and taking time out to honour our ANZACs as I sat at one of the outside memorials in Canberra. I prayed. I questioned. I wondered how this might be resolved. Then one of the noisy birds that frequent the eucalyptus flew down within reach of where I was seated. A sulphur crested cockatoo. He sat looking at me. Quiet. When he flew off he made one gentle sound. There where he had alighted, he had left a single, solitary white feather. I cried. And a fresh meaning came.

After visiting other ANZAC memorials, discovering other cockatoo feathers on several adventures, and having completed some research I have come to a powerful revelation. That the white feather rather than just being a symbol of cowardice, is expressed in some jurisdictions to signify extraordinary bravery, excellence in combat marksmanship, and self-sacrifice. It has been utilized by some pacifist organizations as an icon of abstinence from violence, but where this is the case, these references are usually towards a mark of justice and bravery in face of insurmountable threat. So I wrote about how my main character relayed what the white feather meant :

“Suffer like The Servant.  Ride like the wind. On the breath of the Creator. The wind of the Spirit . Go where the Spirit goes. Do what the Spirit does. Creator’s Love. His heart. Creator’s breathe. Sacrifice. No greater love has anyone than they lay down their lives for their friends. ”

As I prepared to write this article I served as padre at our local cenotaph dawn service for ANZAC day. A story was told of a local doctor who was captured in Malaya by the invading forces during World War II. He along with hundreds of others met their fate in the horrific events that became known as the Sandakan Death Marches. The thing that impacted me was how when he was afforded the opportunity to escape he chose to remain with his weaker and less able mates. He chose an act of love over his own freedom.  

Sometimes I pause to be thankful of the freedom we have that was paid with so great a price.

This causes me to not take my liberty for granted. To make it count. Perhaps even to aspire to some level of bravery within my life - even my writing craft.

Late last year my fortuitous volley of writing inspirations took me in a direction of character development and story telling that simply has been life changing. Firstly my long developed narrative has a deepening of its core characters, plot development, character arcs and a depth I had not anticipated. Secondly the plot that seemed to at first to be antithetical has actually become a meaningful  mythology that weaves many other aspects of my narrative together.

Finally, I hope to convey some inspiration for us all that sometimes as writers we just need to ride the wind of the Spirit. Follow His inspiration. Stick to the creative process. But most importantly let Creator’s inspiration breathe afresh on all we do.

 

There is a fresh revelation within my own storyline.  




By Shane Brigg. 

Author. Chaplain. Story empowerer

I hope you find this too.

Monday, 3 May 2021

Do you finish every book you read?


There are excellent cases for both sides of this question. I was conditioned not to read every word during my English degree at Uni when we were given way more books in the syllabus than we could possibly read. It became impossible to cram in one per week, when we were talking about novels the size of Little Dorrit, Bleak House or Middlemarch. The staff admittedly knew we'd focus on our essay topics and skim through the rest, and they instructed us to cherry pick. But was it a good habit they were encouraging students to take on board? Here are some pros and cons for both sides.



I Finish Every Book

These are people who grit their teeth and plow through no matter what. They believe being faithful in small commitments makes them more likely to be faithful in larger ones. 

One friend of mine says that she can't count the numbers of times she was bored at the beginning of a novel and wowed by the end. Sticking to a book, in her opinion, is its own reward. She makes a valid point. I can think of numerous times I've loaned books to people who I'm sure would have greatly loved them if they'd only persevered. Instead, they ditched the attempt after a few chapters because it didn't hold their interest. I've no doubt I've done the same, although I may never know. 

J.R.R. Tolkien wrote, 'I've only abandoned three books that I can remember, preferring to soldier on through unmemorable chapters than to let an unfinished plot clutter my thoughts.' He'd probably claim to be aghast by the superficial skimming era we find ourselves in, and perhaps he'd have a point. Nicholas Carr, the author of the book entitled 'Shallows' would surely agree with him. What can be more shallow than making snap judgments about any given book based on first impressions?

I Don't Bother Finishing Every Book

These people may be aware of statistics. Google says there are nearly 130 million books in circulation in the world, and 4500 are published in the USA alone, daily. A person who commits to completing 50 books in a Goodreads challenge each year, would have to read for a century to tap into 0.00004% of them.

As the years are short and fly by so fast, and there are many books we'd enjoy far more just waiting to be discovered, what is the point of slogging on with a book which isn't engaging us? Not every story is to everyone's taste. Doggedly persevering simply wastes the precious time we could be spending on books which could be a far better fit.

Librarian and author Nancy Pearl addresses this in her book entitled, 'Book Lust.' She suggests her 'Rule of Fifty.' If you're 50 years old or younger, why not commit to reading the first 50 pages before deciding whether to read on or give up? If you're over 50, she recommends subtracting your age from 100, and that's the number of determining pages you should read. 

My Point of View

I admit I've reached a certain age which makes me more inclined to side with the non-finishers. I believe in giving books a fair, fifty page, or even 100 page trial, but by then, I've probably developed a fair idea of whether I should keep going. Over the years I've stuck to books I've been forced to study or have committed to review for blogging programs or authors. This has been enough to show me that the first third of any given book is usually a sound indicator of whether or not I'll enjoy the whole.

If it's a novel, and the characters are flat and the plot creeps along like a tortoise, it probably won't get much better. I've read many of books in my lifetime, and generally find that if I'm going to like them, I'll be engaged right from the start ninety percent of the time.

Did you ever complain about having to read books you hated at school, just so you could churn out painstaking essays about them? Some of these school novels left us with bad after-tastes about perfectly good authors for years. Well, the good news is that in most cases, nobody is forcing us stick with unpalatable books any more. I like to encourage readers to appreciate and utilise the freedom of no longer being in school.

If you need somebody to give you permission to quit a book you're finding tedious, maybe I can be that person. Although books may feel like people, it helps to remember they are only books, and won't get offended (although the person who wrote or recommended it might). But in general, leaving a library book unfinished is not as hard as breaking up with somebody you're dating. If you're procrastinating rather than hugely anticipating your next spare moment when you can pick up the book, it might be wiser to drop it. If you don't daydream about it and sense it calling you back at every opportunity, then it probably doesn't matter if you don't finish it.

I don't share Tolkien's experience of unfinished plots cluttering my thoughts. If I'm finding books to be a drag and put them aside, they're more likely to burst like bubbles and disappear from my thoughts. Especially when a better fit comes along.

So take it back to the library, donate it to a Goodwill shop, delete it from your kindle and get on with something good.

Now, I'm aware that this is just me, and perhaps my current DNF exhilaration is the result of many years of having to read books I didn't enjoy. I'd be very interested to know where you stand on the subject. 



Paula Vince is an award-winner author of Australian Christian fiction. She has been a student and homeschooling parent and is always an avid reader. She lives in Adelaide's lovely coastal suburbs, a beautiful place for inspiration.