Showing posts with label writing process. Show all posts
Showing posts with label writing process. Show all posts

Thursday, 4 January 2018

CWD Member Interview - Adele Jones


Question 1: Tells us three things about who you are and where you come from.

1)      I grew up on a farm on Queensland’s Darling Downs.  As such, I spent a lot of time fencing, horse riding and handling cattle as a girl.

2)      As a young reader, I loved animals, especially horses. Many of the books I read for years were horsey stories, both fiction and non-fiction. (And I still love a good horsey story, like those by CWD members Cecily Anne Paterson and Jenny Glazebrook.)

3)      As a young person, my career goal was to either become a vet or a professional musician. I did neither of these. 



Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

My interest in writing stems from being raised in a family that valued stories. Presently, I’m primarily writing young adult novels, and have published a technical thriller YA trilogy (Blaine Colton trilogy). Many years ago I was focussed more on writing historical fiction and I also write poetry. My coming release, Porcelain Dream, a time-slip YA science fantasy, brings together the historical and YA genres.



Question 3: Who has read your work? Who would you like to read it?

My YA novels have a fairly broad readership, but the scientific elements tend to attract readers who have an interest in sci-fi. It's probably useful to note I write near science fiction, so my stories are written in the real world, in Australia, and the technology seems like it could be feasible in our current age. (Based on the 'What if science could?' premise, some readers expect something quite different.) I aim for a target age of 13+ though the youngest readers I know of are 11 and the most mature 'young adult' reader I know of is 98. 😊 As any author can attest, the best compliment is when a reader contacts you to say how much they loved your work, and to ask when the next book is being released. My aim is to share my stories with a broader readership, and I’m currently working through a variety of online features via my blog to showcase the different aspects of my novels.



Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

I used to say a lack of quality writing time was the greatest challenge to my creative process, but lately I’ve had a great deal happening in my world. My head is overflowing with many things, few to do with writing, and when I do get those mini-writing opportunities, it’s much harder to generate purposeful creative thought to make the most of those times. Just like any other area of life, writing is also subject to seasons of change (like this current one!). For this reason I think it’s important to have a flexible approach to writing, and even if you can’t get actual writing done for a few days … weeks … keep jotting down ideas and engaging the imagination in story development. That way when an opportunity does arrive to get writing, it’s much easier to get back on track.



Question 5: What is your favourite Writing Craft Book and why?

I’ve read quite a number of quality writing craft books, and I found those by Writers Digest, Kate Grenville, James Scott Bell particularly good, but based on the conversations by other writers, there’s one book I’m SUPER keen to read: Story Genius by Lisa Cron.





Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

That’s a really hard question! There are so many amazing writers in CWD, with diverse gifts and writing styles. That said, if I were to base my criteria on the active encouragement and promotion of other writers, there are some stand out authors, including Jeanette O’Hagan, Anusha Atukorala and Nola Passmore. Not only are they talented writers, but these gorgeous humans also have a generous heart for seeing other writers succeed. I'd also love to give the 2017 Omega Writer's CALEB prize finalists a shout out. This names some fabulous writers and CWD members, including long term advocates of Australasian Christian writers (speaking of gorgeous humans seeking the success of other writers), Anne Hamilton and Ruth Bonetti. It's definitely worth checking out the authors in the 2017 prize finals. (Seriously, this shout out list could go on all day!)



Question 7: What are your writing goals for 2018? How will you achieve them?

2018 holds some exciting opportunities, including release of my next novel. Porcelain Dream, through Rhiza Press, is due out mid-year. It's been a long-term project, rewriting a story I penned over a decade ago. Much editing and revision has been needed, but it's  been satisfying finally seeing the novel come together. There are also some exciting Omega Writers events in store: the Toowoomba Chapter Writer’s Retreat in May; the annual Omega writers conference in October; and the Omega Book Fair in March. I’m also hoping to attend another pop-culture festival as a stall holder with fantasy/sci-fi authors, Jeanette O’Hagan and Lynne Stringer. We had a blast at our first ever pop-culture event, it would be a shame to not make the effort again in 2018.




Question 8: How does your faith impact and shape your writing?
Faith shapes our perception of the world, our values, and our responses to each situation we encounter in life. If a person is living out their faith, I think it’s impossible to separate those beliefs from who we are, even in our creative pursuits. Personally, my writing probes some pretty key issues of life, including self-worth, the value of life, bioethics, relationships, faith and more, and these perspectives are intrinsically informed by whatever belief system we hold. I try and put a face to these issues through my characters, and let the reader journey with them as they try and work out what they think/believe, and why.


Adele Jones is an award-winning Queensland author. She writes young adult and historical novels, poems, inspirational non-fiction and fictional short works, along with juggling family responsibilities and a ‘real job’ in the field of science. Her first YA novel Integrate was awarded the 2013 CALEB Prize for unpublished manuscript. Her writing explores issues of social justice, humanity, faith, natural beauty and meaning in life’s journey, and as a speaker she seeks to present a practical and encouraging message by drawing on these themes. For more visit www.adelejonesauthor.com or contact@adelejonesauthor.com

Thursday, 23 July 2015

Medieval Mars: Behind the Scenes of my Journey to Authorhood

It was about a year ago that I first heard about Medieval Mars. I was looking at the blog of Christian science fiction author Travis Perry. He often posts about interesting story ideas. That particular day, he shared an idea about a future world in which humanity had colonised the planet Mars, but civilisation had fallen, plunging society back into a medieval culture. This was all very cool, but what really grabbed me was the very first sentence of his post: “I've built a new story world and I'm inviting other authors to come explore it with me.”

I was immediately hooked. I could do this. I had been working on my writing craft for years. Travis would provide editing and would publish submissions of suitable quality in an anthology. This would be a very cost-effective way of taking my first step. Despite my lack of any previously published works he was willing to give me a chance.

My first step was to read the original novella written by Travis, which set up the world and introduced some core characters. The next step was to come up with a story idea of my own.

I wanted to write a fantasy quest story - the medieval settings seemed to lend itself to that. I would send a character on a grand adventure in search of something valuable. Hours of playing King’s Quest in my youth doubtless fuelled this particular fire.

My thoughts drifted back to high school history classes. I remembered learning about the manors that served as the heart of medieval life, with the Lord living in the manor house, and the peasants, or serfs, in the attached village, working the lord’s lands. This was my starting point. My protagonist (Alastair) would be a serf (called a hand in the medieval mars world).

Next, I needed something to serve as the object of Alastair’s quest. The setting provided some fascinating possibilities for that. This wasn’t just a medieval world - it was a medieval world in our future. These people look back on their technological past as “the time of magic”. My hero would be looking for a magical relic possessing scientific powers he wouldn’t begin to understand. I raised the stakes and added extra heart to the story by putting the life of Alastair’s beloved (Lynessa) on the line. Without this magical relic - she would die.

The last thing my story needed was a spiritual theme and character arc. The one thing that sticks out to me about the medieval church is that very few people were able to read the Bible. This lead to a lot of misunderstanding and falsehood. It seemed believable, in a medieval society, that the thing threatening Lynessa’s life would be viewed as a curse - sent by God as punishment for some unknown sin. (Yes I’m being coy - no spoilers here.) This leaves Alastair disillusioned about God. Why would he put his trust in a god who chose to curse the woman he loves?

As he embarks on this dangerous quest, through the jungles of Argyre Planitia, populated with giant beasts and genetically-engineered dragons, he also has to come to terms with the concept of grace, and gain a truer picture of God’s relationship with mankind.

The photo below, taken at the Sydney Botanical Gardens, inspired my description of a tree Alastair uses for shelter in the story.

Along the way he faces an antagonistic force in the form of a native population who will do anything to protect the magical artifact from treasure hunters like Alastair. At the suggestion of Travis, I made these people descendants of colonists from Indonesia. This allowed me to give them a few words of their own language, and some historic weapons specific to their tribe.

Needless to say once my manuscript was written it needed edits. I got it as good as I could, and then submitted it. Travis came back with some issues - some important story problems that needed to be fixed. With his help I got the story into shape and the rest is history.

Medieval Mars: The Anthology went live on 12th of July 2015. It is available in both Kindle and paperback formats. The contract allows me to self-publish my story as a stand-alone, which I plan to do. Hopefully it will serve as a product-funnel to drive interested readers to the full anthology.

So now I’m an author. I get to do all those fun things like set up my goodreads author profile, and add “Author” to my linkedIn, but this isn’t the end. This is the very beginning. I’m hard at work on my next project - a series of novellas set on a cruise ship in space, and I have a novel manuscript that I continue to edit.

I am thankful to Travis for giving me this break, I am thankful for all of you at Christian Writers Downunder who have given me much encouragement, and treated me as an equal, even though I was a wannabe, and I am thankful to God for giving me a gift and an opportunity to use it. May he get the ultimate glory.


Learn more about Medieval Mars at adamdavidcollings.com/books/medievalmars/ or find it in Kindle format or Paperback.

Conjectural map of a mediaeval manor. William R. Shepherd, Historical Atlas, New York, Henry Holt and Company, 1923
Martian Background in author photo by Stuart Attenborrow.

Adam David Collings is an author of speculative fiction. He lives in Tasmania, Australia with his wife and two children. Adam draws inspiration for his stories from his over-active imagination, his life experiences and his faith.

Adam is a great lover of stories, enjoying them in books, movies, scripted TV and computer games. Adam discusses these on his own youTube show – Stories with Adam Collings.

Find him at adamdavidcollings.com or sign up to his email list for a free short story.