Meet our Members: Ian Acheson

Each Thursday in 2018 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.

Today's interview is with Ian Acheson

Tell us three things about who you are and where you come from.

Hi all, I’m Ian from Sydney. I’m a strategy consultant and author. I’ve released one supernatural fiction novel, Angelguard, many moons ago. The second in the series, Wrestling with Shadows, is written and ready to be published (I say recognising it will need another round of edits, ideally by an editor from a publishing house).

I’ve also started work on a non-fiction project that explores the topic of ‘Intimacy’ and how there is a genuine lack of it in the modern world starting with our relationships with God who desires it for every one of us.

Tell us about your writing (or editing/illustrating etc).  What do you write and why?

I write fiction to answer questions I have on the Christian walk. So in Angelguard I was led to explore the thin veil that exists between the natural and supernatural as I genuinely believe it exists. Angelguard was a plot-based story and in “Shadows” I wanted to go deeper with Jack Haines, the hero, and how he grapples with his own darkness (ie, his shadows). The third in the series, which I’m researching now, I’m looking to have Jack on “fire for the Lord” and to see what this looks like in a fictional context of good up against some pretty mean bad guys.

Who has read your work? Who would you like to read it?

A bunch of kind of readers who gave up a few hours of their time to meet Jack. I’d like a lot more readers to do similar.

Tell us something about your process. What challenges do you face? What helps you the most?

With Angelguard I started with two words: “It’s time.” That’s it and some vague notion of having angels and demons battling while humans went about their day. I sat and wrote 2,000 words a day (because Stephen King did it) for 9 months and produced a monster of a manuscript of 707 pages. Yes, you guessed it, I didn’t know what to leave out.

Having gone through a laborious process of edits and more edits and some more edits I didn’t want to repeat the process with “Shadows” so I tried a bunch of plotting techniques which just didn’t work. Eventually I gave up and trusted in Jack to take me on a merry ride once again. A dear editor friend of mine helped me re-work the first 50 pages and reviewed my overall story. And I’m planning on doing similar with the third one.

What is your favourite Writing Craft Book and why?

King’s “On Writing” was the only book I read before starting out on Angelguard. I figured I better see if I really do have a story in me before I spend time reading more books.

Since then I’ve found I have a love/hate relationship with craft books. I’ve bought dozens of them, read the first 50 or so pages and then moved on. I think I work better with a coach. My first editor who, yes, read most of the 707 pages of Angelguard, taught me how to write and since then I’ve enjoyed working with two others, the one I mentioned above, and Jan, who my publisher, Lion Fiction, engaged for me. I go in with any editor with the attitude that I have so much to learn and in so doing find it very easy to take on board their recommendations, no matter how gentle or severe they may be.

One craft book I have finished is Story Engineering by Larry Brooks which I found really useful and I still refer back to it. Here’s my review on ACW. 

If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

I’d like to shout out to Simon Kennedy on his Safe Harbour success. It was a bit of a treat to hear his name mentioned last week on the Logies. Simon, did you get an invite to the night?

What are your writing goals for 2018? How will you achieve them?

I have two: find a new publisher for the two Angelguard novels. Lion Fiction went through a hard time a year or so back and in the end gave me the rights back to Angelguard. My second goal is to get a wriggle along on book three so I can demonstrate to a prospective publisher that the third one is not too far away.

How will I achieve them? Write, write, write and then contact two agents who I know to see if there is any interest from them to representing me.

How does your faith impact and shape your writing?

I can’t separate it as the premise of my stories is to explore a question I have on the Christian experience. My challenge is to minimise the “telling” in the message.

I think writing great Christian characters is hard. To be able to show the intimacy of a relationship with God in all its facets is challenging without “telling”. It also creates a new layer of challenge in demonstrating the fruits of the Spirit alongside the “story” and all the while showing characters having a vibrant or otherwise relationship with an invisible God. It’s what makes writing Christian fiction so much fun.

Ian Acheson is an author and strategy consultant based in Sydney. Ian's first novel of speculative fiction, Angelguard was recognised with the 2014 Selah Award for Speculative Fiction.You can find more about Angelguard at Ian's website, on his author Facebook pageand Twitter

Writing to Discover Truth … and Yourself

Photo courtesy of moggara12/FreeDigitalPhotos.net

Golly gosh, I’ve struggled writing the sequel to Angelguard. The basic story of Angelguard fell out of me. I was a complete novice (well, I still am really) but the story just kept coming. I’d turn up to the blank page and out it would come.

Nine months later it was done. The first draft. Not to be read by any one, oh, except, Fiona my wife who egged me on and kept giving me new ideas and lots of names for my supernatural beings.

Many years later it was finally published. Even though there had been many many changes to that first draft the essence of the original story of that first draft remained.

Angelguard was a very plot-driven story with a relatively simple premise focused on how the supernatural interacts with the natural world and the significance of prayer in dealing with the darkness.

Second time around I’ve found to be a completely different experience. Where Angelguard was dealing with the supernatural at the “macro-level” I wanted to move to the micro for the sequel. What role do angels and demons play in the daily life of individuals in, for example, their thought life?

Plotter vs Pantser

As you will have gathered Angelguard was definitely written by the seat of my pants. I started with two words (which actually survived the many re-writes and edits) and a general idea about involving angels and demons in it.

But I figured plotting would help shorten the production process. Sure, there’s more work up front, but the actual writing should take less time if you do a reasonably detailed outline.

Well that's what all the books on plotting told me.

I started out with an outline for a story that I thought I loved. Tried a couple of “outlining” methods that seemed to work okay and then started to draft the story.

But the story just wouldn’t come out.

So I shifted gears and worked on another angle, and then another, still grappling with outlining while struggling to bring the essence of the story (what I mentioned above) into it.

I gave up outlining and went back to pantsing. I handed the story back to my characters to see what they’d come up with. Slowly but surely, the story began to get legs and eventually it came out.

Hooray!

Wrestling with Shadows

During the course of the last couple of years of struggling with the story I was also grappling within myself. Sorting through my own mess, my light and dark.

Having completed the first draft early in the year I was able to reflect a little on the process. What become apparent was I needed to go through my own season of discovery about myself to be able to write the story.

I recently read an article Francine Rivers wrote in a recent Christianity Today where she talked through how most of her novels came out of her “questions of faith.”

“But questions of faith kept rising up and with them, characters, to play out various points of view.”

Similarly, I’ve started doing a course Ted Dekker has created (”The Creative Way”). One of the opening comments he makes about his own journey is similar to Francine’s:

“All of my novels began with a question I was wrestling with. A doubt or struggle in my life that I wanted to explore in the context of story.”

I recall other authors sharing similar things and I believe that’s why the latest story is often the hardest one even if you’ve written fifty of them. Because you don’t know what you’re going to learn about yourself when you’re writing it.

We write stories to discover the truth. And in so doing we discover more about the Lord and ourselves.

Yes, the sequel has always had the title, Wrestling with Shadows. To write it, I’ve discovered I needed to do just that myself so I could take my characters through their own transformation.

Did I envisage it being such a struggle when I set out? Never. Sure, I knew getting the story would be challenging enough but I had no inkling the personal battle would be so strong.

If you’re presently struggling with your story be gentle with yourself. Spend more time with the Lord and His Word. Simply hang out and talk to Him not just about the novel but the stuff inside you. He’ll help you sift through it (and others may help as well) and in so doing free you to take your characters on an even better journey in the story.

Grace and peace.

Ian Acheson is an author and strategy consultant based in Sydney. Ian's first novel of speculative fiction, Angelguard, is now available in the US, UK, Canada and Australia. Angelguard was recognised with the 2014 Selah Award for Best Speculative Fiction. You can find more about Angelguard at Ian's website, on his author Facebook page and Twitter