CWD Member Interview - Hannah Currie

Most Thursdays in 2019 we will be interviewing one of the members of Christian Writers Downunder – to find out a little bit more about them and their writing/editing goals.

Today interview: Hannah Currie

Question 1: Tells us three things about who you are and where you come from. 

I’m Hannah, I’m from Brisbane (born, raised, and still here ☺) and I’m mum to three amazing kids (and wife to a pretty cool husband too!). 

Question 2: Tell us about your writing (or editing/illustrating etc).  What do you write and why?

I write Young Adult Contemporary Christian Romance novels (aka YA princess books, which is way easier to say!). 

As to why…short answer, because it’s what I love to read. Longer answer, because the YA age is such an incredible time of personal growth for people – they’re coming out from under their parents’ umbrellas and discovering who they really are and their own purpose in life. Add in the rules and expectations of royalty, a few tiaras, a bit (lot) of romance and I can’t think of anything I’d rather write more. Christian fiction – especially Robin Jones Gunn’s Christy Miller (and co) series – had a huge impact on my faith as a teen and if God could use my books to encourage and grow someone like Robin did me, I’d be absolutely stoked!

Question 3: Who has read your work? Who would you like to read it?

Currently, those who’ve read it are family, a bunch of publishing professionals and editors (including Roseanna White and Dina Sleiman at my publisher, WhiteFire), and some authors who are endorsing it. 

Who would I like to read it … everyone? ☺ Well, everyone who loves Christian romance or princess stories. The vast majority of my readers so far have been a decade or two (or three…) past the Young Adult age group, which is amazing because it thrills me that so many ages are loving it, but I’d really love for lots of young adults to fall in love with it too. 

Question 4: Tell us something about your process. What challenges do you face? What helps you the most?

Heart of a Royal (my debut novel) was actually a really different writing process to every other story I’ve written. Where usually I skip back and forth and write whichever scene is in my head at the time and take between 6-9 months (sometimes longer) to finish the first draft, with this story, I wrote it from start to finish in three months, sending a chapter a week to my teenaged sister to read like a serial story.

In general, my first drafts are very similar to the finished product because I edit a lot as I go. Once the first draft is finished, I’ll read through it a few more times, adding in more ‘atmosphere’ – description, setting, what’s going on between the words. I tend to forget them when I’m writing because I get so caught up in the dialogue! 

My biggest challenge is turning off the inner editor so I can actually get words on paper. Doing word sprints has really helped with that. I set the timer on my phone for fifteen minutes and challenge myself to see how many words I can get written in that time. 

Question 5: What is your favourite Writing Craft Book and why? 

A Novel Idea: Best Advice on Writing Inspirational Fiction in which heaps of multi-published Christian authors  - like Robin Jones Gunn and Jerry B Jenkins – share their advice on (surprise surprise) writing inspirational fiction. It was one of the first writing books I read and was so incredibly helpful in those early days, not only to read about their processes and passion for writing but to learn all about POV, Show v Tell and all those other writing terms you hear wherever you go. An amazing book and whether you’re starting out or have been on the journey for a while, one I’d highly recommend.  

Question 6: If you were to give a shout-out to a CWD author, writer, editor or illustrator – who would they be?

Penny Morrison, author of all the Hey! books that my kids absolutely giggle themselves through every time we read them. There’s something so heart-overflowing about hearing your child laugh as you read together and these books always have them – and subsequently me – in stitches. Brilliant books, gorgeous photos and totally my kids’ humour. Keeper shelf forever. Thanks Penny!

Question 7: What are your writing goals for 2019/2020? How will you achieve them?

My writing goal for 2019 has been to do the absolute best I can do with releasing my debut book, Heart of a Royal, including connecting with readers in both the US and Australia through my social media accounts and newsletter. Also, to finish Book Two of the series (oh boy, did that main character misbehave! I think I have almost an entire book (definitely a long novella) of words and scenes cut from it because she wouldn’t do what she was told). 

2020 is then all about finishing Book Three and starting the edit/release/launch process all over again for them. 

Question 8: How does your faith impact and shape your writing?

Like most Christian authors, so much of my faith and what God is teaching me comes out in my writing. In many ways, the characters’ stories are my story – of finding hope in dark places when life just seemed too much, of discovering that God will always be enough, of fighting anxiety and the pressure of expectations, of holding on to faith when God leads me through the impossible, of finding love in unexpected places and trusting that God has that in his hands too… Sure, the situations are different – I’m certainly not a princess or royal of any kind! – but the heart is the same. The journey. The challenges, hopes, doubts, prayers. 

I don’t think I could leave faith out of my writing if I tried!

Aussie author, Hannah Currie, loves God, family, people (in small numbers, let’s not go crazy here!) and writing. She and her husband live with their three adorable kids in sunny Queensland, where it really is beautiful one day and perfect the next. Except, maybe, during heatwaves. They’re not so fun. 

Exploring Genres - Picture Books & Chapter Books

by Penny Reeve

Picture books and middle grade – invitations to the world!

I was in conversation with my daughter the other day and, as is fairly common at our place, the
conversation turned to books, children’s books in particular. She related how, upon sharing her
excitement at discovering the children’s books section of her university library, none of her young adult friends understood her enthusiasm.

‘They don’t understand,’ she commented. ‘They think, just because they’re grown up now, they should leave children’s books behind. They don’t realise some of the best books written are children’s books.’

Of course, I agreed. I’m a children’s book writer!

But, feelings of successful parenting aside, I do believe she has a point. Somehow our society has decided that children’s books, picture books and middle grade novels and the like are simple. But I’d encourage you to go browsing, next time you’re in a library or a bookshop, and take a closer look.

Children’s picture books and novels can be fun, silly, hilarious, rebellious, challenging, heart breaking, tear jerking, thought provoking and altogether beautiful in a way that no other genre can imitate. AND they have the incredible ability to do all of this, frequently at multiple levels (so each reader – despite their age and experience – can connect with the text in their own way).

So what exactly are the features of the genre that allow for such depth and, in my opinion, treasure worthy pieces?

Picture books

A picture book is a book in which illustrations carry a significant (if not majority) role communicating a story. A picture book cannot exist without it’s artwork, but some can exist without text.

The conventions of writing a picture book are very strict and they are known, for good reason, to be some of the hardest pieces of writing to pull off. Here’s why:

- A picture book needs to fit within 32 pages (and this includes the title page and imprint pages). So it’s typically 14-15 page spreads.

- Picture books are typically only 600 words long. (So that’s the WHOLE story in 600 words, or less if possible)

- The text of a picture book must be written in a way that allows an illustrator to extend, enhance and fulfil the storytelling.

- Many times illustrators and authors never meet, so the text must be as perfect as possible, often richly poetic (though not necessarily rhyming) with absolutely NO wasted words.

It is this mysterious interplay between words and pictures in great picture books that is the wonderful strength of the picture book genre.

Some highlights in the genre:

Check out the illustrations of Jesus as a child in Mighty Mighty King (Penny Morrison and Lisa Flanagan)

Notice the powerful role of illustrations in When I See Grandma (Debra Tidball and Leigh Hedstrom)

See the gentle communication of emotion and personality in Same (Katrina Roe and Jemima Trappell)

Children’s novels

Children’s novels are another genre that’s worth dipping into for us ‘grown ups’ but also for sharing with kids. 

From a literacy training perspective, they bridge the space between picture books and young adult novels. Whereas picture books assume an adult reader and child listener, children’s novels assume a child will, at some point, approach the book alone. This inevitably creates child friendly structure for the book in terms of:

- Word count. At the lower end of the scale are ‘Chapter Books’, these are a child reader’s first foray into the novel genre and word counts can be as low as 1000. The upper level nudges closer to 40 000 words for what is considered ‘Middle Grade’.

- Chapter length. This can vary, but is usually kept shorter than YA to encourage a fluid, realistic reading experience for young readers.

- Child protagonists are usually at a similar age to their intended reader.

- Plot complications, characterisation and description. Although these must be heavily worked by the author to make for authentic writing, they are communicated sparsely and with precision. Young readers aren’t going to tolerate long descriptive passages of the view from the cliff top, and yet (especially if that cliff top is important to the theme/setting/plot) they need to know what it looks and feels like. So a light touch is required.

- Illustrations. Many children’s novels include illustrations of some sort. The occasional black line illustration etc. The longer the novel, the smaller a role such illustrations play.

Some highlights in the genre:

The Grand Genius Summer of Henry Hoobler (Lisa Shanahan) is a beautifully written story of friendship, bike riding, courage and family.

My Tania Abbey novels tackle issues of faith, friendship and responding to poverty amid a setting of everyday life.

Kelsey and the Quest of the Porcelain Doll (Rosanne Hawke) is a lovely adventure story for young readers and considers topics such as belonging and learning about different cultures.

Author bio:

Penny Reeve is the Australian author of more than 20 books for children, including the CALEB Children’s Category award winning Madison picture books. She writes to empower children to engage with - and respond to - the world around them. Her most recently published books are Camp Max (a children’s novel for 6-10 year olds) and Out of the Cages (a YA novel about human trafficking). You can learn more about Penny and her books by visiting her websites:

www.pennyreeve.com and www.pennyjaye.com