Showing posts with label Australasian Christian Writers. Show all posts
Showing posts with label Australasian Christian Writers. Show all posts

Monday, 2 December 2019

Exploring Genre | 2019 Roundup and Master List

We've come to the end of another year of genre crossposts between Australasian Christian Writers and Christian Writers Downunder, so it's time for one final summary post.



Jeanette O'Hagan kicked off 2019 with an excellent roundup of all our previous posts.

We then moved into some exploring more genres in fiction, from well-known Westerns to newer genres like slipstream.

Jessica Kate discussed romantic comedy—the history, some writing tips, and recommendations of her favourite Christian rom-com authors.

Amanda Deed and Jeanette O'Hagan discussed fairytale retellings, which can fall into the romance genre (because every good fairytale ends with a wedding) but also have elements of fantasy.

Christine Dillon discussed women's fiction—issues-based fiction that's not just for women (and which may or may not have a romantic thread).

Roger Norris-Green discussed his prolific career writing Westerns, where the hero is a good man (or a man who is changing for the better), who treats women properly, and who always gets the girl.

Jeanette O'Hagan explored the history of dystopian fiction, and current trends in the genre in the Christian and general markets (and it's interesting how even general market dystopian often has a religious underpinning).

David Rawlings introduced us to slipstream, an elusive mix of fantasy and literary fiction, set mostly in world we know, but introducing speculative elements.

We then moved into nonfiction.

Anusha Atukorala shared an excellent post on writing devotionals, with plenty of links to some great resources.

Cecily Patterson discussed why she loves reading memoir, types of memoirs, and three tips for those writing memoir.

David Malcolm Bennett discussed writing biography, a genre that appeals to him because of his love of history.

We're currently discussing what we'll cover in 2020.

Quick Links

Meanwhile, here are quick links to all our genre posts:

Why Genre Matters by Iola Goulton 
Genre and Marketing by Iola Goulton 

Collaborative Writing by Jeanette O'Hagan 

Fiction

Short fiction: flash fiction to novellas by Jeanette O'Hagan 

Biblical Fiction by Susan Preston 

Dystopian by Jeanette O'Hagan 

Fantasy: Secondary World and Portal Fantasy by Jeanette O'Hagan
Fantasy: Steampunk and Gaslight by Alison Stegert 

Mystery and Suspense: Introduction by Virginia Smith 
Mystery: Crime Mystery 

Romance by Iola Goulton 
Romance: Novellas and novelettes by Narelle Atkins 
Romance: Regency and Historical romance by Carolyn Miller 
Romance: Rural and Medical Romance by Nicki Edwards 
Romance: Romantic Comedy by Jessica Kate 

Romance: Fairytale retellings by Amanda Deed and Jeanette O'Hagan 

Speculative Fiction by Iola Goulton
Science Fiction: Space Opera by Adam David Collings
Supernatural Fiction by Ian Acheson 

Suspense: Writing Tips by Sandra Orchard

Westerns by Roger Norris-Green 

Women's fiction by Christine Dillon 

Nonfiction

Creative Nonfiction by Nola Passmore 
Biography by David Bennett 
Memoir by Cecily Patterson

Poetry: Introduction by Valerie Volk 
Poetry: Free verse and Verse novels by Jeanette O'Hagan 

Devotionals by Anusha Atukorala 

Books by Age Range

Picture Books and Chapter Books by Penny Reeve 
Young Adult Fiction by Cecily Patterson 
New Adult Fiction by Jeanette O'Hagan

Monday, 1 July 2019

Exploring Genre | Jessica Kate introduces Romantic Comedy


Blast the glitter cannons and dance in the streets everybody, because romantic comedies are BACK!

We all have our favorites, but from Pride and Prejudice to I Feel Pretty, rom coms are one of the most beloved genres by women across the world. And whether they come in book or movie form, they’re also one of the most highly criticized.

Is this criticism justified? How can we make a positive contribution to the genre? What even IS a romantic comedy, and who are the current movers and shakers?

Pull on your fluffy slippers and grab your popcorn – we’re going to Rom Com University.

What Is a Romantic Comedy?

We could debate this all day folks, but for the purposes of today, I’ll keep it short and sweet – a romantic comedy has a romantic relationship at its core, and it’s told in a humorous manner.

 
What is a rom com? Jane Austen's Emma qualifies, though Anne of Green Gables still has a plot even without darling Gilbert Blythe.

That said, storytelling is generally more of a spectrum than neat boxes.

Recent additions to the genre such as I Feel Pretty and Isn’t It Romantic focus more heavily on the heroine’s journey, but I still count them. If you removed the romance from either of those stories, there would be no plot left. In Christian fiction, I’d say Bethany Turner’s The Secret Life of Sarah Hollenbeck and Wooing Cadie McCaffrey are comparable. However, I wouldn’t count a movie like Bridesmaids that focuses on the female friendship as the core story and just has a romantic subplot.

The humorous part can be tricky too—how funny is funny enough?

I’ll be honest and tell you that some readers call my novel Love and Other Mistakes a ‘romantic comedy’, while others would say it’s a romance with lots of family drama. I consider it borderline so I call it a ‘sassy romance’.

Regardless, I won’t be nitpicky. Much of the advice today will apply to your funny-women’s-fiction-with-a-romantic-subplot or your sweet-lighthearted-romance.

What’s Happening Now in Romancelandia?

In the world of romance, otherwise known as Romancelandia, romantic comedies are making a strong comeback.

 
Trends in romantic comedies have changed over the years, but the key ingredients stay the same.

Long story short, for movies at least most people consider the 90s to have been the Rom Com Golden Age (all those Meg movies), the 00s to have been the Fall of Rome, and the 10s to have been a barren wasteland. Or more accurately, this decade has seen few true rom coms, but romantic comedy elements have found their way into all sorts of other genres (including a lot of television).

But now Netflix is once again changing everything…

Over in the book universe, Bridget Jones introduced us to chick lit in the late 90s, which was followed by a boom (Confessions of a Shopaholic, anyone?) and bust by the mid to late 00s. Now general market names like Christina Lauren and Sally Thorne are bringing rom com books back in a big way. (Though to be fair, Sophie Kinsella never stopped being awesome.)

 
Writing romantic comedy in book form means an author has less scope for physical comedy, but plenty of opportunity in author voice and description.

In the Christian/sweet fiction market today, Kara Isaac, Bethany Turner, Kristin Billerbeck, Melissa Tagg, and Jenny B Jones are all major players in the contemporary category. Historicals have their share of humorous romance too, with Karen Witemeyer, Mary Connealy, Deanne Gist and Jen Turano all contributing. I’m sure there’s more that I’ve missed (add them in the comments!) and you could probably question the strict definition of whether these are rom coms, but like I said…it’s a spectrum.

Shifts in the Genre

Now that we’ve had a chance to recover from some of the less-awesome rom coms of the 00s, Netflix has recognized what we knew all along—there’s millions of people out there whose Friday nights just aren’t the same without some swooning and laughter. But this is a new generation of romantic comedy, and it’s worth noting the differences between today’s rom coms and those of the 90s and even 00s.

Questioning the premise.

Recent rom coms such as I Feel Pretty, Isn’t It Romantic and even the TV series Crazy Ex-Girlfriend (which its writers call a ‘deconstruction of the romantic comedy) reject the old rom com premise that a man’s love equals a happy ending. Sorry Tom Cruise and Renee Zellweger, but the perfect partner doesn’t complete anyone. These stories focus more on the heroine’s internal journey to self-love, with a strong serving of romance on the side. As Christian authors we believe this can go a step further—to a heroine secure in her value due to God’s love. Don’t be afraid to examine conventions in the genre and flip them on their head.

Smart is sexy.

The modern women in these romantic comedies are far less concerned with the designer brand of their high heels and far more focused on their professional careers or small businesses. These are no damsels in distress—these women kick corporate butt, and the men who pursue them must match their intelligence and wit.

Flip clichés for comedic effect.

Man Up, Isn’t It Romantic and Crazy Rich Asians all find different ways to poke fun at the ‘run to the airport’ cliché—even just by showing how hard it really is to make a grand romantic speech on a crowded airplane. See if there’s any cliched moments that you can twist—your readers will love it!

Write Your Rom Com

Whatever decade (or century) they were written in, the great romantic comedies have the same storytelling principles that serve all genres:

Multi-dimensional characters.

Sweet Home Alabama is one of my favorite rom coms because there’s so many layers to Reese Witherspoon’s dilemma – not just the two men in her life and her flourishing fashion designer career, but complicated relationships with her parents, her friends, her future mother-in-law, her own regrets and her nostalgia. Plus, the secondary characters are more well-rounded the your average ‘best friend’ cardboard cut-out. Everyone has their own flawed lives, not just the main characters.

A strong voice.

Sally Thorne’s wildly exuberant descriptions (like an explosion of rainbows and sherbet for your brain), Janet Evanovich’s deadpan way of describing ludicrous situations and characters, Jenny B Jones’ southern sass—all essential ingredients to the success of their respective stories. Voice isn’t something you can force, but it is something you can cultivate. What tickles your funny bone in rom com books? Take note and make an effort to put your own spin on it.

Witty dialogue.

Is there a rom com in existence that doesn’t have witty dialogue? Jane Austen set the bar high and we’ve been striving to meet it ever since. Good banter takes a while to get right—the first drafts tend to come off abrasive—but seek out feedback and refine, refine, refine. And watch everything Aaron Sorkin ever made.

Comedic situations.

Get creative and see what you can make happen. Janet Evanovich has managed to destroy Stephanie Plum’s car in all 25 novels of the series so far—she even smushed it with a garbage truck once—and it’s a running joke of the series. The ‘proposal story’ one-upmanship scene between Sandra Bullock and Ryan Reynolds in The Proposal is comedy gold, as is Sandra Bullock’s interesting dance moves with Betty White. I Feel Pretty plays with cringe humor, while Confessions of a Shopaholic lets Becky Bloomwood tie herself in knots as she tries to cover up her lies.

Funny description.

In rom com books there’s extra room for comedy in your description. You could compare your heroine’s bed hair to a rat’s nest…or an electrocuted octopus. Contrast a character’s expectations (glamorous night out) with reality (strapless bra cutting off blood supply). Go crazy.

Strong romantic tension.

Stronger than in your sweet romances, these characters feel an irresistible pull toward one another—but they’ll fight it with everything they’ve got! This is why some of my favorite rom coms have characters with history (The Proposal, Sweet Home Alabama, Two Weeks Notice) because the bond of shared history really helps ramp up that magnetism.

An evenly matched hero and heroine.

Power dynamics are important. If one character has an advantage over another (in The Proposal, Sandra Bullock is Ryan Reynold’s boss) then circumstances have to even the scales (Sandy is a fish out of water in Ryan’s Alaskan hometown). Especially in stories with a love/hate trope, the characters will spend the story either fighting one another or fighting a third force side-by-side, so they need to be evenly matched with complementary strengths and weaknesses.

Know your secret spice.

There’s a magic ingredient common to all your favorite books, movies and TV shows, regardless of genre. James L Rubart calls it the theme of your life. If you can’t detect it, go back to that list of favorites and ask ‘what was my favorite moment in each of these stories?’ Knowing this helps you generate story ideas you’ll stay addicted to.

Go deep and make us feel something.

While they’re not romantic comedies, let’s borrow from Pixar’s kid-friendly comedies for a moment. While they’re known for making parents laugh, those movies deliver an emotional kick every time—who doesn’t tear up in Finding Nemo? The pain of the characters’ emotional journeys provide a strong contrast to the humor, like a diamond sparkling on black velvet. It makes us appreciate the laughter that much more!

Whatever brand of romantic comedy you love best, the guiding principles of storytelling remain the same. Study those who tickle your funny bone the most, layer in strong character motivations and whack in some seemingly insurmountable obstacles. And have fun with it! 😊

About Jessica Kate

Australian author Jessica Kate is obsessed with sassy romances.
She packs her novels with love, hate, and everything in between—and then nerds out over her favorite books, movies and TV in the StoryNerds podcast. When she’s not writing or discussing fiction, she’s hunting the world for the greatest pasta in existence.

Her debut novel Love and Other Mistakes releases July 2019, while A Girl’s Guide to the Outback hits shelves in January 2020.

Receive her sassy short The Kiss Dare FREE when you sign up for her newsletter at jessicakatewriting.com, and check out the StoryNerds podcast on Spotify and Apple Podcasts and at www.storynerds.podbean.com.

About Love and Other Mistakes

Jessica Kate’s hilarious, romantic debut novel proves that some mistakes—including love—are begging to be made again and again.

Natalie Groves once had big dreams. But soon after her fiancé, Jeremy Walters, inexplicably broke off their engagement and left town, her father was diagnosed with cancer. Now tasked with keeping her family afloat, Natalie’s grand plans have evaporated . . . and God feels very far away.

Fast-forward seven years, and Jeremy is back in Charlottesville with an infant son and years of regrets. When his niece, Lili, lands on his doorstep in need of a place to stay, Jeremy needs help—and fast.

An internship opening finally presents Natalie a chance at her dream job, but she needs a second income to work around it—and the only offer available is Jeremy’s. They could be the solutions to one another’s problems, provided they don’t kill each other in the process. When they join forces, sparks fly. But they both know there’s a thin line between love and hate . . . and that love will turn out to be the best decision—or the biggest mistake—of all.

Click here to find Love and Other Mistakes at your favourite online retailer.

A Girl’s Guide to the Outback

Romance author Jessica Kate explores the hilariously thin line between love and hate in her heartwarming new novel. Kimberly Foster needs help from the last man in the world who would give it.

She and Samuel Payton fought so much during their three-year stint as colleagues that they now reside in different halves of the globe. She’s still the business director of the Virginia-based youth ministry that Sam founded, while he’s back at his family’s farm in rural Australia.

But Kimberly can’t find a suitable replacement for Sam, and the ministry is in trouble. She needs him back. What she doesn’t know is that the Payton farm’s finances are scarier than statistics on Australian spider bites.

She and Sam strike a deal: if she can use her business savvy to save the farm, he’ll return to Virginia and recruit and train his replacement.

Soon Kimberly’s on the edge of the Outback, working more closely with Sam than ever before. Can she protect his family’s legacy, the ministry, and her heart?

Click here to find A Girl’s Guide to the Outback at your favourite online store.

Monday, 3 June 2019

Exploring Genre | Christine Dillon Introduces Women's Fiction

We're continuing our series of joint posts with Christian Writers Downunder. Today, author and missionary Christine Dillon is discussing Women's Fiction (which, despite the name, isn't just for women).


Introducing Women's Fiction

According to Wikipedia, Women's Fiction includes layered stories about one or several characters, often multi-generational that tackles an adult character's struggle with world issues resulting in emotional growth. It may include elements of mystery, fantasy, romance or other subgenres, but is not driven by these elements.

The Women's Fiction Writers Association says:

the driving force of women's fiction is the protagonist's journey toward a more fulfilled self.

When I started writing fiction I hadn’t yet heard of women’s fiction. I called my books ‘contemporary inspirational’ or ‘issues-based Christian fiction’ (a label I invented).

At the same time I was reading a lot of Christian fiction and getting frustrated at the huge number of romance stories out there which just weren’t my thing (with a few exceptions). I started asking around, saying, “You know, books like Francine Rivers writes, tackling an issue like abortion or divorce. Issues that people face in their daily lives.”

“Oh, you’re looking for women’s fiction,” I was told.

My thoughts on Women’s Fiction

My initial response was lukewarm to having my books labelled ‘women’s’ fiction because I hoped men would read them too. There doesn’t appear to be an equivalent genre for men.

When people ask me about my books I still use my own definition of ‘contemporary Australian Christian fiction that tackles issues that Christian’s face in their daily lives.’

Women’s Fiction tends to be contemporary but some historical stories have women’s fiction elements. Think Redeeming Love by Francine Rivers, or biblical fiction—Pearl in the Sand or Land of Silence by Tessa Afshar.

Elements Found in Women’s Fiction

  • A crisis issue like abortion, divorce, spouse having an affair, accident, or unemployment, that triggers emotion and eventually life change.
  • A focus on the emotional and thought-life of the character. It is a spiritual (if it is Christian fiction) and emotional journey for the lead character(s).
  • Nil or minimal romance. If there is romance, it is not the focus of the story. After all, it is pretty hard to avoid any romance if you’re writing about real people.
  • Women’s fiction doesn’t need a ‘happily ever after’ ending, which is something romance readers seem to expect.
  • Character-driven stories rather than action driven.
  • The main characters are often women, but in my opinion don’t have to be. Otherwise my third and fourth books in my ‘Grace’ series are not going to be the same genre as the others.
  • Readers can often say, ‘I’ve experienced that’ or ‘I wonder what I would do in that situation?’ These stories often prompt discussion.
  • The book often ends with a reflection from the main character about what they’ve experienced and how their life will change.

Women’s (Christian) Fiction I’ve enjoyed:

  • Deborah Raney - she specialises in putting people in situations
  • Ginny Yttrup - especially Words
  • Brenda S Anderson
  • Catherine West
  • Francine Rivers - I especially like And the Shofar Blew
  • Ann Tatlock

Here's a question for men:

Have you read books that are labelled ‘women’s fiction’ - what did you think? What did you like or not like?

So which stories have you enjoyed that could possibly fit into this genre?

P.S. Christine has been delighted that many men love her books and she even has younger teen boys who can’t wait for the next.

About Christine Dillon

Christine never intended to become an author. She started with non-fiction but is currently publishing a series of contemporary, Australian Christian novels. In daily life she is a Bible storyteller and trainer working mostly in Asia and Australia. Besides reading, Christine loves the great outdoors especially hiking and cycling. You can find Christine at http://www.storytellerchristine.com

Thursday, 8 March 2018

All for One, One for All

by Jeanette O'Hagan






Remember the image of a lonely, starving artist struggling in the garret, unknown and unrecognised until after his or her tragic death? Okay, some of you will, and some will be saying, 'What's a garret?'

According to that wise source of the hive mind, Wikipedia, 'A garret is a habitable attic or small and often dismal or cramped living space at the top of a house or larger residential building. In the days before lifts (elevators) this was the least prestigious position in a building. In this era, the garret often had sloping ceilings.'

So most of us don't live in garrets and most of us are not literally starving - though we might be if we tried to feed ourselves from our royalties (if we get royalties). And being seen and heard in a noisy, crowded book market can be daunting. So the struggles of artists and creatives maybe haven't changed that much over the decades, but one thing we don't have to be is lonely.



But, but ... we all know artists, particularly writers, are introverts (mostly). And writing is after all a solo pursuit - right? We sit down in our cave (or garret) with the door firmly closed and tap, tap, tap away at our keyboards composing masterpieces, engaging with our recalcitrant characters, patching up plot holes or wrestling with section headings, or daydreaming (hey, that's working) or reading, researching, (w)riting. Unlike musicians, scriptwriters and dancers - we do things alone and are responsible for set design, costumes, lighting, tempo, special effects, make-up, music, camera angles, and the gaffer's boy (whatever he or she does?!)- and also refreshments.

Well, yes, true the actual writing is often a solitary pursuit (though few strange writers like me don't mind writing in cafes and public places). Even so, it takes a team to bring a book into the world --- not just all the writers that have fed your imagination and inspired you to write, but also critique partners, beta-readers, editors, proof-readers, formatters, cover artists, publishers, printers, street team, reviewers and promoters. So yes, even writing is a team effort.



But what I really want to say today, is that we don't have to do this by ourselves. We don't have to be isolated and alone. We don't have to feel like we are stranded on a coral island in the middle of the Pacific Ocean.

For one thing, God understands. And chances are, if He has placed the passion in your heart, He has a purpose for it - maybe not always exactly how we envision it, but for something even better than we can imagine.

And in addition to that - you are not alone.

In fact, you are part of a crowd. And it's in banding together, in helping each other, in lifting each other up that we can flourish.  And how is that done?

  • Groups like Christian Writers Downunder (and Australasian Christian Writers, Faith Writers and Omega Writers) can provide encouragement, support, advice, inspiration. 
  • Critique groups and chapter groups.
  • NaNoWriMo  through buddies in November and cabins in April and July (we are forming one now), or Month of Poetry or other writing challenges.
  • Conventions, camps and retreats.
  • Courses, workshops.
  • Giving feedback, reading and reviewing others' works (though be wary of review swaps on Amazon). 



And if you are at the start of this journey or anywhere along the way - there are four events coming up that may be of interest:

Omega Writers Book Fair (Brisbane)

This Saturday (10 March).  We have over 25 local authors, editors and publishers with their books, plus a great workshop by Gary Clark on Inspiring Humour and - we praying for a big crowd of book fans :) FB Event page here.

Omega Writers Retreat (Toowomba)

4th-6th May
Week-end retreat with great seminars and a relaxed program - time to network and to write. Read more here.


CALEB prize

Opportunity to receive feedback as well as recognising the talents of aspiring and established authors. Read more here.

Omega Writers Conference

This year run in conjunction with Tabor College in Adelaide with fantastic guest speakers, workshops and networking.  This October 2018. Read more here.

And then there are smaller more focused groups.

Omega Writers chapter groups - as well as some online groups (check the webpage). 

Brisbane group - meets first Sunday of each month (2 pm) at St Francis College, Milton (next one in June - due Easter & May Retreat). Contact Judy Rogers.
Toowoomba - meets on the third Thursday of each month for some writing (7-9 pm), but also have other events on through the year.
Sydney group - next meeting is 7th April, from 2.30pm to 4.30pm at St Joseph's Centre for Reflective Living, Baulkham Hills. Contact Raewyn Elsegood.
Wangaratta group.  Meet every second month. Contact Susan Barnes.
Screenwriters group - Screenwriters meets via Skype on the third Monday of the month. People can join the FB group to stay up to date on the areas covered.
Sci-Fi/Fantasy group - meet via Skype once a month.

Other groups are in the Gold Coast, Toowoomba, Geelong, Adelaide, New Zeland - or include special interest groups in Writing for Children and Young Adults (COWS group) and non-fiction group.

There is sure to be other groups around - both Christian and secular - and if not, why not start one up yourself?




I wrote in isolation for some time - until I enrolled in a Master's Course on writing and then, almost by chance, went along to an Omega Writers Conference (it was run by Rochelle Manners and called World Word Fair at the time). That lead to me joining Christian Writers Downunder and then, in time, Omega Writers. I can't tell you how much the encouragement and inspiration of other writers -- like Paula Vince, Anusha Atukorala, Nola Passmore, Adele Jones and so many others -- has meant to me. I love being part of the Omega Writers Sci-Fi/Fantasy group - with a monthly Skype call. I'm also a member of a secular Spec Fic group and Month of Poetry.

When burning coals are scattered the flames go out. Bunched together and they can set the world on fire.



Jeanette has just released her latest book, Ruhanna's Flight and other stories, a collection of short stories in the world of Nardva. She started spinning tales in the world of Nardva at the age of eight or nine. She enjoys writing secondary world fiction, poetry, blogging and editing. Her Nardvan stories span continents, time and cultures. They involve a mixture of courtly intrigue, adventure, romance and/or shapeshifters and magic users. She has published numerous short stories, poems, two novellas and her debut novel, Akrad's Children. Find her on Facebook or at her webpages Jeanette O'Hagan Writes or Jenny's Thread.



Monday, 5 February 2018

Exploring Genre: How Genre Impacts Book Marketing

By Iola Goulton | @IolaGoulton




Australasian Christian Writers and Christian Writers Downunder share a post on the first Monday of every month, and this is the first joint post for 2018. Happy New Year!

Our 2017 posts focused on genre, and we are continuing that theme in 2018. If you'd like a catch-up, click here to read the useful summary Jeanette O'Hagan provided us with in December.

Because we believe that every author needs to understand the concept of genre, what genre they write in, and the expectations of that genre. Why? Because understanding is the core of your marketing strategy.

We're not alone in that belief. In her recent blog post 18 Rock Solid Book Marketing Strategies for 2018, Penny Sansevieri of Author Marketing Experts says:

Be clear on your genre. You shouldn’t even be considering publishing unless you know, without question, what genre you’re in. Book sales only happen when your book is in a clearly defined market. Don’t make the reader try to guess.


In fact, although Penny doesn't say so, most of her marketing recommendations can be related to genre:

Social Media

Knowing what genre you write will help you focus your social media efforts on the networks your readers use, not the networks recommended by the latest social media guru.

Write More Books

... in the same genre. Especially series. Readers love series.

Price Your Books to Sell

Pricing is often related to genre. If you're trying to sell the Kindle version of your self-published romance novel for $9.99, you're not going to make many sales because that's out of line with what romance readers expect to pay.

Make Sure Your Cover Matches Your Genre

Thriller readers aren't looking for books with werewolves or unicorns on the cover.

Connect With Your Readers

Which means knowing who your readers are. Which means knowing your genre.

Maximise Amazon

In particular, make sure your books are categorised properly on Amazon, so people who are looking to buy your genre find your books. Because people search Amazon for three main things: author, title, and genre. And they'll never know to search for you by author or title if they don't know your genre.

Build Your Fan Base

The easiest way to start is by finding and following readers who've read and reviewed books like yours. You know, books in the same genre.

Redo Old Covers

Especially if they don't reflect your genre.

Be Aware of Your Brand

And make sure it reflects your genre. If you're writing urban fantasy, your website should have a dark, gritty urban feel. No matter how much you like lambs frolicking in fields, that's the realm of Rural Romance.

Support Other Authors

Especially in your genre. Because if their readers keep seeing your name and realise you have a book, they might just check you out.

Collaborate

The best collaborations are the ones where there is something that unifies the collaborating authors. Like genre.

For example, 13 members of Australasian Christian Writers and Christian Writers Downunder have recently collaborated to develop and promote an Australia Day Giveaway—books by Australian authors, set in Australia, or both. That promotion has raised awareness of Australian Christian Fiction as a genre, promoted the participating authors, and given us all a boost to our mailing lists.


(We're considering running a couple of genre-based group giveaways during the year. Keep an eye on the Facebook group for details.)


Most authors I know find marketing harder than writing. 

If you don't know and understand genre, you're making marketing even harder. Certainly harder than it needs to be.

If you do know what genre you write, great! Perhaps you'd like to contribute an article? It's called content marketing, and it's a great strategy for people who aren't comfortable with pushy-pushy-pushy self-promotion.

If you're not sure what genre you write, go through our previous posts and make sure you check out the new post on the first Monday of each month. And leave a comment telling us something about what you write. Maybe we can help!

About Iola Goulton


Iola Goulton is a New Zealand book reviewer, freelance editor, and author, writing contemporary Christian romance with a Kiwi twist. She is a member of the Sisterhood of Unpronounceable Names (Iola is pronounced yo-la, not eye-ola and definitely not Lola).

Iola holds a degree in marketing, has a background in human resource consulting, and currently works as a freelance editor. When she’s not working, Iola is usually reading or writing her next book review. Iola lives in the beautiful Bay of Plenty in New Zealand (not far from Hobbiton) with her husband, two teenagers and one cat. She is currently working on her first novel.

Monday, 1 January 2018

ACW & CWD - What's the Difference?

By Jeanette O'Hagan and Narelle Atkins | @JeanetteOHagan @NarelleAtkins



Happy New Year and welcome to 2018!

We’re looking forward to showcasing the writing from Christian writers in Australia, New Zealand and the wider Australasian region on our group blogs this year.

On the first Monday of each month we share a cross-post on the Australasian Christian Writers (ACW) and Christian Writers Downunder (CWD) group blogs.

Many of our group members have asked why we have two group blogs for Christian writers in our part of the world.

Today we’re going to answer your questions concerning ACW and CWD and let you know how you can contribute to each of the group blogs.

Question 1. What’s the goal and purpose of ACW?

Narelle: Our overall goal for ACW is to connect writers and readers who enjoy reading a wide range of genres including fiction, non-fiction and children’s books. We're planning a few changes for 2018 to engage with readers more on our blog and in our Facebook group.

Our blog members include Christian writers who are traditionally published, indie published, and aspiring to publish. Some are writing for the Christian market, while others are writing for the general market. Many are targeting the US market, as that is where most readers are based.

Although we focus on supporting writers and readers in Australasia, we welcome international writers and readers on our blog and in our ACW Facebook Group. We actively promote books on our blog and social media, including FacebookTwitter @ACWriters and Pinterest.

Question 2. What’s the goal and purpose of CWD?

Jeanette: Christian Writers Downunder is aimed at Christians writers (and those associated with writing field, e.g. editors, illustrators, reviewers and publishers) who live in or are from Australasia. We aim to provide a safe and encouraging place for Australasian Christians who write – whether they are taking their first baby steps on their journey as a writer or have been travelling this road for some time – to ask questions, celebrate milestones (new releases, awards, or finishing a first draft), interact, pray, encourage, help and inspire each other. 

We encourage mutual support through social media and other means. We have a CWD Facebook GroupBlog and Twitter list. In the past we published an anthology with contributions from members, Glimpses of Light. Like ACW we are also an affiliate of Omega Writers.

Question 3. Who can join the CWD Facebook Group?

Jeanette: 

Christian writers – whether just starting out or veteran, whether writing non-fiction or fiction, poetry or blogs, whether published or unpublished, whether aiming for the Christian or general market or both, and also Christians associated with writing – editors, illustrators, publishers, reviewers. We encourage our members to share their milestones and new releases, but discourage spamming the page or being argumentative or disrespectful to others.

While we will accept applications from Christian writers from outside the Australasian area, if they have an active friend in CWD or a trusted recommendation, our primary focus is ‘Downunder’.


Question 4. Who can join the ACW Facebook Group?

Narelle: We welcome writers and readers from around the world in our Facebook Group.

We have group etiquette guidelines regarding self promotion by authors in our Facebook Group, particularly that we don’t allow promotion of books published by vanity presses.

Question 5. How can you contribute to the ACW blog?

Narelle: We post five days per week, Monday-Friday, and we set up our ACW blog calendar many months in advance. We will start organising the May-August 2018 blog calendar in early March.

I encourage all writers who are interested in contributing blog posts to join the ACW Facebook Group. Blogging opportunities will arise from time to time which we’ll post in the Facebook Group.

Please contact either myself, Iola Goulton or Jenny Blake if you’re interested in guest blogging on ACW.

We share new book releases on the ACW blog. In 2018 we’ll post New Releases on the second Monday each month. We collect new release book information in the ACW Facebook Group.

Question 6. How can you contribute to the CWD blog?

Jeanette: 

CWD generally posts inspirational blog posts related to writing (inspirational, craft posts, the writing and publication journey, short fiction and poems, conferences and events, and also new releases or member achievements) on Mondays and Thursdays. Our blog team are highlighted on the blogsite with images and a short bio.

In 2018, we are looking at some tweaking of this—with Mondays continuing our current content, with writing related and inspired blogs and Thursdays as a series of ‘Meet our Members’ interviews. We may also have occasional writing-craft series.

From time to time, we do have opening on our CWD blog team. If you are a CWD member and are interested in guest blogging for us, please contact myself or email. We also value comments on the blogsite as this encourages our bloggers.


Question 7. How do you see CWD and ACW as groups that complement each other and also connect with Omega Writers Inc.?

Jeanette: 

All three groups have historic connections and many members in common, with some different emphases. It’s been a delight to see the groups working together with strong connections and support between the administrative teams.

CWD aspires to provide an encouraging faith community for writers in which questions can be asked, achievements celebrated, and their books or other publications highlighted. We value interaction and mutual support between members.

Both CWD and ACW do not have a paid membership or financial backing, and are primarily active on social media (Facebook, Twitter, Pinterest, Blogsites).

Omega Writers’ paid membership and structure enables it to have local writing groups and to provide workshops, Book Fairs, the annual Writers Conference, and the CALEB prize. Omega Writers has made an enormous contribution of writers in the Australasian region and we would encourage you to become a paid member (it’s not exorbitant & has benefits), join a local chapter in your area, and/or one of the focused FB groups.


Narelle: ACW strives to promote and market books by Australasian authors. We want to share our love of books with readers and provide posts that will interest readers.

Our blog calendar is structured to include educational posts that support writers with relevant information on writing craft, publishing and book marketing.

We share a quarterly blog post with CWD from Omega Writers and encourage our members who live in Australasia to join Omega Writers.

Omega Writers offer many benefits for writers that aren’t available in ACW, including writing chapters with online and in-person meetings, writing contests for published and unpublished writers, critique groups, writing retreats and an annual writing conference.

We support Omega Writers in their goal to promote Australasian authors and books to the wider reading community.

__________________________________

Do you have any other questions regarding CWD or ACW?

Jeanette and Narelle are more than happy to answer your questions in the blog comments on both blogs and discuss how you can become more involved in our vibrant Christian writing community in 2018.

Thursday, 2 November 2017

So many writers, so many stories

In recent years, I have been to many writers’ conferences, seminars and workshops. I remember attending my first ‘writery’ event at the NSW Writers’ Centre in 2004 and wondering what I was doing there. How did I ever think I could write a book worthy of publication? Everyone seemed so much more knowledgeable about the whole writing endeavour. Everyone seemed so much more confident and talented. Everyone seemed so much ... er ... well ... younger!

Photo courtesy Margaret Holahan
Last weekend, I attended the Omega Writers’ Conference in Sydney. It was a large conference, with almost a hundred attendees on the Saturday—for an excellent conference report by Narelle Atkins, please see her Australasian Christian Writers' blog. Again, so many knowledgeable and talented authors were present. Again, there were those more confident than others. And again too, so many seemed so much younger than I am—I remember telling someone there I felt about 110! But did I feel intimidated and out of place, as I had at that first ‘writery’ event I attended? Not at all.

Of course, thirteen years have passed since my initial foray into ‘writery’ circles. In that time, I have had eight books published. And this conference was about the sixth or seventh Omega event where I have been a presenter. But I believe there were also other reasons I experienced such a wonderful sense of belonging rather than those awful feelings of being a fraud or an interloper, sneaking into a place where I should not be.

For a start, I felt a great, inclusive warmth everywhere, that I hope each delegate experienced as well. People seemed genuinely interested in one another. People were friendly and helpful. People freely shared knowledge and expertise. People cared. It seemed to me that the whole Christian ethos behind this Omega event permeated everything and made such a difference.

Photo courtesy Margaret Holahan
But I think it was also the great diversity of writers present that enabled me—and hopefully everyone
—to feel at home. There were delegates present from almost every state in Australia (plus one New Zealander!), from both city and country regions and backgrounds.  Among these delegates were some at the very beginning of their writing journey, still thinking about whether this is what God has for them to do next, while others were multi-published authors. There were many different Christian denominations represented, although there was no real need even to discuss such issues. Yes, again there were many eager young faces everywhere, speaking of so many stories yet to surface and so much giftedness to share with the world. But there were also the more mature faces, speaking of deep experiences and insights gained that need to be heard and celebrated and valued.

I came away from the conference with the image of a beautiful, glistening opal clear in my mind. It has so much depth of colour that seems to glow and pulsate with promise, revealing itself differently from each and every angle. So ... may you all as writers, whether you attended this conference or not, know you belong, that your writing is valuable, that you add depth and colour to this unique opal and that you are part of something wonderful God is constantly fashioning and polishing to bless and reveal the Creator’s loving heart to the world.


Jo-Anne Berthelsen lives in Sydney but grew up in Brisbane. She holds degrees in Arts and Theology and has worked as a high school teacher, editor and secretary, as well as in local church ministry. Jo-Anne is passionate about touching hearts and lives through the written and spoken word. She is the author of six published novels and two non-fiction works, ‘Soul Friend’ and ‘Becoming Me’. Jo-Anne is married to a retired minister and has three grown-up children and four grandchildren. For more information, please visit www.jo-anneberthelsen.com

Monday, 4 April 2016

Calling Australian and New Zealand Christian Writers!

by Iola Goulton

Entries for the 2016 CALEB Prize are open









Omega Writers have announced that they will again be running the CALEB Prize in 2016. The CALEB awards were inaugurated under the leadership of Anne Hamilton, who said:

CALEB is an acronym: it stands for Christian Authors Lifting Each other’s Books. That’s why Omega Writers sponsor the CALEB Prize. It’s about giving all entrants a higher profile for their books, regardless of whether they win or not . . . Promoting excellence, for the glory of God, so that the highest quality books are given that little bit of extra ‘oomph’.
Simon Kennedy, current President of Omega Writers, says:
Omega Writers exists to educate, support and inspire Australasian Christian writers towards excellence, impacting society with grace and truth. We want our words to change the world.
There are three categories for the 2016 CALEB Prize for faith-inspired writing:
  • Published Children’s Picture Book
  • Published Fiction
  • Unpublished Manuscript
It is hoped that more categories can be added in future years . . . but for that to happen, Omega Writers needs volunteers to organize and judge categories. I’d encourage you to prayerfully consider this—I’ve found judging competitions is a valuable help to my own writing and editing.

Who can enter?

Residents and citizens of Australia and New Zealand with books published during the 2014 or 2015 calendar years (so, yes, missionaries based overseas are eligible to enter).

Can self-published books enter?

Yes, as long as the book was produced as a paperback or hardcover. Digital-only ebooks aren’t eligible (but if you want to enter your self-published ebook, you do have time to publish paper copies via CreateSpace or IngramSpark).

Does my entry have to be Christian?

No, but it does have to be inspired by some aspect of your Christian faith, and it must reflect language, themes and a world view that honour Christ. The motto of Omega Writers is Words that change the world: that’s probably a clue as to what the judges will be looking for.

Will I get feedback on my entry?

All entrants to the Unpublished manuscript category will receive feedback on their entry.

When will I find out if I’ve won?

There will be two rounds of judging. A shortlist for each category will be published in September, and the winners of each category and the overall winner will be announced at a Gala dinner to be held at the Omega Writer’s Conference on 29 October 2016.

What are the prizes?

Category winners will each receive a cash prize of AUD 250, and an engraved trophy. The overall winner will receive an additional cash prize of AUD 500, an engraved trophy, plus AUD 300 towards the fees for any Omega Writers conference or workshop over the following 12 months.

If I win the Unpublished prize, will my book be published?

It’s a possibility—that decision isn’t up to Omega Writers! But at least two Australian publishers of faith-inspired fiction are expected to be present at the awards dinner, so who knows?

How much does it cost to enter the CALEB Prize?

AUD 50 for members of Omega Writers, and AUD 60 for non-members. You can join Omega Writers for AUD 52 per year.

When do entries close?

Monday 18 April 2016. Additional information and entry instructions are on the Omega Writers website: http://www.omegawriters.org/events/caleb-prize-submissions/

Omega Writers Conference

The conference will run from 28-30 October, and will be held at the Edmund Rice Retreat and Conference Centre in Sydney. Further details will be announced once program details have been finalized—applications to present a session, lead a workshop or participate as part of a panel are open until 16 April. An Expression of Interest form is available on the Omega Writer’s website, at http://www.omegawriters.org/conference-2016/.

For those organized types who are already on the lookout for cheap earlybird airfares, there will be a shuttle bus from Sydney Airport to the venue on Friday afternoon, departing at 1:30pm. A return shuttle will go on Sunday afternoon, leaving the venue at 1:30pm and Omega say “it is expected to take about an hour to reach the airport” (if Sydney traffic is anything like Auckland traffic, that should probably read “at least”. I look forward to being proven wrong).

Are you planning to enter the CALEB Awards, attend the conference or both?


Do you have any questions about the CALEB Awards? 


Simon Kennedy, President of Omega Writers, has promised to drop in later today and answer any questions, so now is your chance.

Monday, 7 March 2016

Do I Have to Have an Author Website?

by Iola Goulton

Last month, Jeanette O’Hagen introduced our 2016 joint posts between Australasian Christian Writers and Christian Writers Downunder with a post on platform, that elusive necessity for modern authors. As Christians, we have an advantage in that we know our platform needs to be built on the Rock, not the shifting sands of popularity and changing trends.

As Jeanette said, while God has a plan for each of us and our writing, we need to use our God-given talents in obedience to God’s plan and the gifts He has given us. This is the one essential of online book marketing that every “expert” agrees on.

You must have a website.

Your website is your online home. It’s where readers will go to find out about you and your books. I asked in a reader group and they confirmed this: they most commonly visit author websites to find out:

  • More about the author
  • When the author's next book releases
  • What other books the author has published 
  • The correct order of a series

And a website is where agents, publishers and editors will look to see if you have that magical platform. And it’s where publicists and bloggers will look to find information about you.

You also need a way for readers to subscribe to your email list—your list provider will probably have a plug-in you can use. I'll talk more about email lists and why they're important in a later post in this series.

 Your website one of the foundational elements of your platform and of your passive marketing. While it's a lot of work to build a website, the ongoing maintenance isn't as difficult, as long as you set it up properly (and remember to keep all your themes and plugins updated, especially security plugins. Learned that the hard way).

What about a blog?

You’ll also want your website to have an integrated blog (so your blog is a page on your website, not a completely separate site). Your blog is where you'll start connecting with readers, through regular blog posts.

This is the part which causes a lot of anxiety among authors, so I'm going to tell you something not many people know: you can be a successful author without blogging. For example, thriller author Nick Stephenson earned a six-figure income last year off his novels, and his website doesn't have a blog (what it does have is a prominent email sign-up list, and Nick uses his email newsletter to build relationships with his readers in the same way that other authors use a blog).

 Personally, I enjoy reading (and contributing to) group blogs, such as Australasian Christian Writers or Christian Writers Downunder. As a reader, I like the variety. As a writer, I like the community. I'm less likely to visit an author website unless it's to find out about their next release or similar.

Don't I have to blog to sell books?

Even a strong blog might not help you sell books. Think of Mike Duran. I often link to his posts in the Australiasian Christian Writers Facebook group, because they are thought-provoking and relevant and he's not afraid to ask the hard questions about Christianity and literature. But he writes Christian horror, and while I think his blog is great, I'm not interested in his fiction (sorry, Mike).

 And no one is going to be interested in your blog if it's a constant infomercial (let your Home and Books pages do the selling). Your website (with integrated blog, if you have one) isn't about selling. It's about connecting with readers. I'll go into this in more detail in a future post.

What does my website have to have?

Actually, not a lot. As long as it's well-designed and consistent with your brand and genre (which I've discussed on Australasian Christian writers here, here, and here). You need the following pages:
  • Home (to bring people into the site and introduce your brand)
  • About (to introduce you as the author, in order to begin to develop a relationship)
  • Books (only once you actually have one, of course!)
  • Contact (to allow people to communicate with you)
Other pages—blog, media kit, reviews, writing advice—are all optional. Which makes it a lot easier to set up a professional author website, and a lot harder to find excuses as to why you can't! The one other essential for an author website is a way of capturing the email addresses. I'll be discussing this next week. Meanwhile, what questions do you have about author websites? What author websites have you visited you particularly liked? What did you like?

About Iola Goulton

I am a freelance editor specialising in Christian fiction, and you can find out more about my services at my website (www.christianediting.co.nz), or follow me on Facebook (https://www.facebook.com/christianediting), Twitter (@IolaGoulton) or Pinterest (http://pinterest.com/iolasreads).

Thursday, 12 November 2015

Introducing Australasian Christian Writers


I recently attended the Christian Writer’s Conference in Bacchus Marsh, Victoria, along with Christian Writers Downunder members. It was a great weekend, and it was great to meet so many people I “know” from Facebook, and to put full-sized faces (and bodies) to the Facebook thumbnails.

The best part about meeting face to face is the ability to have longer conversations than are possible in a Facebook group or blog comments, and to raise (and answer) questions. One of the questions I heard several times was regarding the relationship between Christian Writers Downunder and another Facebook group I’m a member of, Australasian Christian Writers. What the similarities between the two groups, and what are the differences?

Like Christian Writers Downunder, Australasian Christian Writers have both a Facebook page and a blog. Both groups target Christian writers from Australia and New Zealand, whether they are writing for the general market or specifically for the Christian market.

How is ACW Different?

But Australasian Christian Writers isn’t just a replica of Christian Writer’s Downunder. We have more of an emphasis on Christian fiction than CWD. It wasn’t necessarily planned that way, but most of our contributing writers do write fiction (or a combination of fiction and non-fiction), and we therefore attract Australasian and international Christian fiction readers—and a growing number of international authors.

This emphasis means our blog posts tend to be aimed at readers and writers of adult and young adult Christian fiction rather than other forms of literature: non-fiction, poetry, screenwriting or books for children.

The other main difference is that Australasian Christian Writers post to our blog five days a week, with a theme for each day:

Monday: Writing craft

Our craft posts often run in series, and have included contributions from Jeanette O’Hagen (preparing for and participating in NaNoWriMo), Anne Hamilton (the opening hook) and myself (online book reviewing). 

Tuesday: New Releases, ARCBA blog tours, or guest posts

Our guest posts include regular contributions from SimonKennedy, President of Omega Writers, and Rel Mollet, reviewer extraordinaire.

ARCBA is the Australian Christian Readers Blog Alliance, which hosts monthly blog tours aiming to raise exposure and awareness, with preference given to Australian and New Zealand authors. If you’d like to find out more about touring a book with ARCBA, or becoming an ARCBA reviewer, visit the ARCBA blog: http://acrba.blogspot.co.nz/

Wednesday and Friday: General post from a member

We have a team of around twenty published and to-be-published writers who regularly contribute blog posts on a range of topics, mostly relating to books, reading, writing, or Christianity—the topics we all have in common! That’s our only criteria for posts: that they be something that will be of interest to our audience.

Thursday: Book review

We have a group of readers who review new and recent releases they’ve read, including books from Australian and New Zealand authors. Let’s face it: all writers should also be readers. Each reviewer selects their own books for review, which means we get a wide range of genres and authors, and I find myself adding far too many books to my to-read pile.

We don’t (usually) review books written for the general market: those we have reviewed have either been books written by a Christian author, writing craft books, or reviews intended to provoke discussion about the nature of Christian writing.  We also don’t review books from vanity or subsidy publishers (we don’t want to accidentally encourage authors to use an expensive vanity press), although we’re happy to review self-published books.

Check us out and join our Facebook group. We usually arrange our schedule each quarter, and will put out a call on our Facebook page for people who’d like to contribute to the blog either as guest posts, or on a regular basis. 

Thank you all for inviting me to contribute today. If you have any questions, please leave a comment


About Iola Goulton


Iola Goulton lives with her husband, two teenagers and cat in the sunny Bay of Plenty in New Zealand, between Hobbiton and the Kiwifruit Capital of the World.  She holds a degree in marketing, has a background in human resource consulting and freelance editing, is active in her local church and plays in a brass band.

Iola is a reader, reviewer and freelance editor who is currently writing her first novel, contemporary Christian romance with a Kiwi twist, and her first non-fiction book, which aims to help first-time authors navigate the changing world of Christian publishing. You can find her online at Iola's Christian Reads, Christian Editing Services, and soon at her author page.