By Debbie Roome
Those who know me well will be familiar with my love of travel. This dates back a few decades but recently has become a way of life. I’ll never forget the day that travelling changed from a postcard view to something more tangible. And no, it wasn’t the day I first climbed into an aeroplane or travelled to a foreign land. I had seen many glossy brochures of London and Europe and could recognise Big Ben, the Eiffel Tower and the Leaning Tower of Pisa, but it was a flat and one- dimensional view.
Those who know me well will be familiar with my love of travel. This dates back a few decades but recently has become a way of life. I’ll never forget the day that travelling changed from a postcard view to something more tangible. And no, it wasn’t the day I first climbed into an aeroplane or travelled to a foreign land. I had seen many glossy brochures of London and Europe and could recognise Big Ben, the Eiffel Tower and the Leaning Tower of Pisa, but it was a flat and one- dimensional view.
I
was thinking about this recently and realised the 3D principle can also be
applied to writing. Do we give our readers a flat, one dimensional view of our
characters and settings or do we take them on a breath-taking tour through
their lives? Are our settings conveyed in boring prose or do a few skilfully crafted
words give them depth and colour.
Our
first drafts maybe rather flat and bland but as we rework them, edit them and
polish them, let’s make every effort to introduce the 3D effect. May our
stories be rounded, have twists and turns, and burst with texture, perspective
and life. Our readers may never travel physically to the locations in our
books. They may never shake hands with our characters or cry with them, but through
our writing skills, they can become immersed in their world.