One colouring-in book and twelve felt pens. This simple creativity helped me relax as I sat with my granddaughter in a kids’ hospital ward. I love colours, shades and hues, the brighter the better. However even the brightest colour needs to be complemented by dark or light to bring impact.
I coloured today with only 12 shades...or so I
thought. But I have a thirteenth colour. White. Or no colour. To leave an area
blank defines the rest. It makes colour sharper, brighter.

Computer Desktop Encyclopaedia defines white
space as any area on a document page that does not contain text or graphics.
Writehood says, 'White space is the emptiness between characters, lines and
paragraphs in an article or story.' Instinctively our eyes look for the next
white space. The sentences we remember best are the ones closest to the gap. (writesideways.com)
Lack of white space flags a slow and detailed manuscript.
Readers expect lots of facts and little action. It's similar to my colouring
in. Too much bright colour is dead and
boring without light or dark to bring it life.

When Mary Hawkins, my first writing mentor,
scrapped the first three chapters of my book, I was horrified and confused. 'But...but
what about all that information and background?'
She was unsympathetic. 'The story starts here
and so must the book.'
I began to understand that a page or two
explaining the heartbreak of having to adopt kids could be reduced to one word
- adopted. Those details were irrelevant to this part of my life. When authors
omit selected details it allows the reader to overlay their own life experience
and so the story is personally enhanced.
Likewise, the reader doesn't need to know every
event between the gun being fired and the hospital scene, unless it is pivotal to
the story. And a Bible quote, not essential to plot, is only a filler. It will
detract from the overall clarity of the overall story.
Bible writers are masters of this writing
technique. Luke tells us of a woman who led a sinful life. She came and washed
Jesus feet with her tears and dried them with her hair. At the end of a quite detailed
passage Jesus finishes with these words, “Therefore, I tell you, her many sins have been forgiven—as her great love has shown. But whoever
has been forgiven little, loves little.” (Luke 7:47 NIV)
The startling omission in this story relates to
the woman's sin. Was she a thief, a murderer, a prostitute, an adulterer? The
author doesn't say. Therefore any reader can relate and know that regardless of
their sin, they too can be accepted.
Balance is key. Too much empty space leaves a
picture, a page or a story bland and incomplete. Crowded detail swamps the
clarity and focus of our work. Readers’ eyes tend to look toward the next action. If they become bogged in
detail and lose the thread or point of the paragraph they
jump ahead to - yes, you guessed it - the next white space.
In my current work in progress, there are a few
scenes in danger of disappearing. Are they unnecessary fillers that muddy the
story? Are there corners that would be better left blank and so draw focus to
the main point?
What about you? Have you read this far? This
piece of writing has passed the test if that is the case. I'd love to hear your
comments about blank/white space.


She lives in the suburbs between Brisbane and the wonderful Sunshine Coast. Together with Steve, her husband, they run a business, help pastor a cutting edge church and pour love on eight grandchildren and their parents!
Jo's purpose is to inspire greatness in everyone she meets. Preaching the amazing love of God is her passion.
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