So many questions - Jo-Anne Berthelsen

 

In my years as a writer, I have been asked some interesting questions. At first, some of these used to annoy me – or even offend. But more recently, I have learnt to laugh instead or at least smile inwardly. At this stage, I have realised it is silly to expect that everyone will understand how the whole writing process works and how books are produced. After all, I know nothing about so many fields of endeavour I have never had the opportunity to explore.

I can laugh now at some interesting questions put to me once while meeting someone new:

‘Have you two met before? Mary, this is Jo-Anne – she’s a writer.’

‘Oh, so what do you write, Jo-Anne?

‘I’ve written several novels and some non-fiction too.’

‘So … should I know you? Er, I mean … are you famous?’

How would you answer that? I think I explained that the sort of books I write will probably never be best sellers, so there was no reason this person should feel bad that she had never heard of me! Then again, perhaps it could depend on our definition of ‘famous’ – or on the circles in which we move?

On another occasion, I found myself trying to explain to someone how I write fiction and non-fiction, including a weekly blog, and how I also get to talk quite often on writing and other topics. At that point, this lady looked at me blankly and blurted out in an almost scathing, accusatory tone, ‘But … but what would you write about – or speak about?’

Her question may seem innocuous – after all, she may well have been thinking how she herself would hate to do such things. Yet I found myself rather gobsmacked at how incredulous she sounded. ‘Surely this woman must be exaggerating?’ her tone clearly said.

Then there is the obvious, natural question I have been asked many times: ‘Who’s your publisher?’ As it happens, I have had three different publishers and have also self-published two books. Usually, the person asking has never heard of any of my publishers, so my answers do not help. Instead, they want to hear the name of some large, well-known, secular publishing house so they can nod wisely in response.

Such interesting questions – and others – can still easily cause me to begin questioning myself, something I suspect writers in general are quite experienced at anyway! Is my writing really any good? Will anyone want to publish it? Will anyone ever even read it? Will it make a difference in this world? On it goes.

These days, my personal response to such self-doubting questions has become more and more grounded in why I write and how God views me. I believe God created me with the ability to write and called me to do so. I believe God has also given me things to say and all those opportunities too to share them wherever I speak. In God’s strength, knowing who I am in God, I can therefore face those curly questions with peace in my heart – and I hope and pray you can too.

Peace I leave with you; my peace I give you. I do not give to you as the world gives. Do not let your hearts be troubled and do not be afraid. John 14:27

Jo-Anne Berthelsen is a Sydney-based author of seven novels and three non-fiction works. She holds degrees in Arts and Theology and has worked in teaching, editing and local church ministry. Jo-Anne loves encouraging others through both the written and spoken word and is a keen blogger.

www.jo-anneberthelsen.com

www.joanneberthelsen.wordpress.com

Publish or Perish? Part One

By Jeanette O’Hagan

Last week after meeting a friend for coffee at a major shopping centre, I had a spare couple of minutes before picking the kids up from school so I wandered into a local bookstore, drifting inevitably to the Young Adult section.

Shining beneath the bright lights of the book store, the kaleidoscope of colourful book covers lined up in neat rows on the tall shelve dazzled and enticed me. Big names and popular titles in bundles faced forward, catching the eye. The lesser stars – with maybe one or two copies – shyly flaunted their spines on lower shelves. I pulled out titles, flipping through the pages, enjoying the satin feel of the paper, the smell of new print. I recognised familiar names and titles and discovered new ones.

And I knew that’s what I wanted. One day, perhaps, my fantasy series will be there, on the shelf, a physical presence to be picked up, flipped through, taken to the counter, bought, savoured and devoured. Not for fame and fortune, but so that my stories to be shared and treasured.

Well, maybe. I have discovered in the last few years is just how difficult it is to be published.  I’m not an expert – just one aspiring author among hundreds of thousands, or is it millions, who has learned a few things along the way but what I have learned I would like to share with you.

First, be clear about what you want and why you write.

Sometimes we write for pleasure or as a means of self-discovery. Publication is far from our thoughts. Or we may be writing for our children or for friends and family. These are all worthy reasons to write. Often, however, we do want a wider audience to read our scribblings because we believe we have something to say or something worthwhile to offer. We have a sense of calling, that this is the direction God is leading us. 

Second, be realistic without being discouraged.

Writing is not a fast track to fame and fortune. Despite the outliers like J. K. Rowling, most writers struggle to make a meagre living even when their writings are published and this is even more true for Christian writers or writers downunder. It often requires many years and at least three and maybe ten books before an author’s name becomes noticed. Nor is it easy to be published in the first place. To be a writer takes time and determination. Remember, in the end it is God who gives success.

Third, there are different ways of getting our words out there.

Publishing a book is not the only way we can share our work with others. We can blog or seek to  have short pieces (like stories, poems, articles, devotions) published in journals, magazines or anthologies or even experiment with micro-fiction and poetry on mobiles. While we may want a world stage, God blesses small things as well as the large.

Fourth, don’t cut corners.

We may be excited about finishing the first draft of our manuscript. We want to get it out there but we should also take time to hone our work. Edit and re-edit. Have critical friends and beta-readers look at our work. Take time to learn what publishers and our target audience are looking for. Keep learning and improving our writing craft.

Fifth, decide which type of publishing model suits your situation.

Not all publishers are the same. Each publishing model has pros and cons.Another thing to ask is whether we want to publish with a secular or Christian publisher or imprint.

Sixth, beware of the traps.

In the excitement of being offered a publishing opportunity – always make sure you read the small print. Understand what you are giving away in terms of rights and what the publisher is offering you in terms of services and royalties. We may just want to get our work to readers but making naive mistakes about contracts (e.g. when rights revert back to the author or which rights are given away etc) can actually prevent that from happening. Sometimes wolves can be dressed in sheepskins!

Different publishing models

Now that you have decided you want your books published, what do you do? Basically, there are three types of publishing models: Traditional publishing; copayment publishing; and indie or self-publishing. I will examine some of the pros and cons with traditional publishing in this post and tackle the other two models in the next post (to be published on Thursday 28^th August).

The Traditional Publisher

A traditional publisher makes a contract with the author for use of the rights to his or her manuscript and then, at no cost to the author, produces and markets the book, giving back to the author a percentage of the profits (royalties). They may pay money in advance which is then earned out by incoming royalties.

Traditional publishers may be big multinational companies like the big 5 . The Big Houses have multiple imprints including inspirational and/or Christian imprints in the USA.There are also medium sized publishers and small presses. In Australian and New Zealand Christian publishers are generally small niche presses(like Wombat Books/Riza Press, SplashDown Books, Acorn Press or YouthWorks).

Big Houses offer access to big bookshop chains, Big W, and international markets; smaller presses are often more involved with their authors and are more likely to be actively seeking manuscripts. Many (bigger) traditional publishers do not accept unsolicited manuscripts and will only accept submission through an agent or Manuscript Services. However, some of these publishers now accept email submissions at specific times (eg Allen and Unwin Friday Pitch or Pan-Macmillan Monday).

Traditional Publishers
Pros	Cons
No upfront costs & publisher takes the full financial risk of publishing your book.	They regularly receive thousands and thousands of manuscripts. It is hard for your manuscript to be noticed in the slush pile.
The publisher may give you an advance.	Royalties are generally low – 1-15% on the sale price of the book, paid twice a year. For more info.
Publisher arranges editing, cover design, typesetting, printing and distribution.	Your manuscript needs to be original, well edited and well written to be accepted, not just good but exceptional.
Publisher provides some marketing and promotion.	First time and mid-list authors will still be expected to do most of their marketing and promotion.
Publisher usually has access to distribution networks.	Often your manuscript may only be considered if you have a significant ‘platform’ especially with non-fiction (i.e. reputation and connections with significant groups of people – such as web and social media presence; contact with target groups and/or speaking circuit etc)
Publisher has experience and expertise in the industry and knowledge of the market.	While you have some degree of creative control, this is limited. Some things like pricing will be out of your control.
They may offer you a contract on a second book or series.	They may decide not to publish your books for various reasons but will still own the rights (depending on your contract).

Traditional publishing may suit you if you have an outstanding manuscript; have a sizable platform or clearly defined target market; and/or would like to benefit from an established or trusted publisher’s expertise and experience in book design, marketing and distribution.

You need to be aware that it may take a long time to be noticed (if at all). Only a small proportion of authors seeking to be published traditionally are eventually successful. If you are successful, you will still be expected to promote and market your book. Always check the proposed contract for gotchas. Don’t sign a blank cheque. 

Traditional publishing is probably not for you if your book is for a small niche market, or doesn't fit into a clear category (i.e. cross-over fiction or it bucks the trends).

Traditional publishing is not the only option. In Part Two I will examine the viability of alternatives like subsidy and self or indie publishing models.

Image ‘Hope Definition’ above courtesy of Stuart Miles at FreeDigitalPhotos.net

Jeanette has practiced medicine, studied communication, history and theology and has taught theology.  She is currently caring for her  children, enjoying post-graduate studies in writing at Swinburne University and writing her Akrad fantasy fiction series.  She is actively involved in a caring Christian community. 

You can find her on her Facebook page or websites Jeanette O'Hagan Writes &   JennysThread.com .