Who Are You Writing For? – By Natalie McNee

“Can you believe it?!” I screeched at my husband, “I didn’t even get a mention! Not even a thank you!” anger rang through my voice but hurt was etched across my face as I shook a book in front of him. I was holding the published work of a client’s book that I had spent many hours over a few months editing/rewriting pro bono as they couldn’t afford my services but I really believed in the message of the book and felt led by the Holy Spirit to help them out. I had just read the acknowledgement section which had listed everyone from family members to the illustrators and cover designers, listing their websites and contact details but there was no mention of my name or a thank you for my help anywhere on the page. My husband just looked at me matter of factly and asked, “Who are you writing for?” I stared blankly back at him, what did he mean who was I writing for? Again he asked the question and then the light bulb switched on – “For God.” I sighed. I didn’t mention the book or incident again.

Fast forward a few months - I was eagerly awaiting an email reply with a critique to a manuscript I had sent in, I was so proud of this piece of work, as a writer I am my harshest critic but this one I was actually satisfied with, I had first sent it to my critique group and they all loved it, I made a few edits according to their suggestions and then sent it off to the publisher. Not once did I have a nagging feeling that I should dissect and re-write it a million times (isn’t this what most writers do with their work?). The email finally popped up but WHAM it was like a whack in the face; “We suggest you tear this up and partake in some studies of your craft before you write another story again!”

 

“This has to be some sort of cruel joke.” I thought to myself. I’ve been writing professionally for seven years and some of the books I’ve ghostwritten have been number one bestsellers on Amazon within the Christian market and now I’m being told that I’ve got no talent! I’ve received rejection letters before – it comes with the territory but this time I burst into tears, again I ran to my husband, he listened sympathetically but when I told him I was quitting, that I had had enough he asked; “Who are you writing for?” I knew the answer first up this time, “God!” I sighed again. I sat quietly and asked God what He thought of my work, there was no denying His presence and I sensed His face smiling down on me.

I didn’t tear the work up and I didn’t quit writing, I went straight back to the keyboard and started on a new piece of work. As writers we are often told to write for the reader; publishers have specific requirements which pertain to their readers buying habits but through experience I have noticed that if you write from your heart and dedicate your work to the Lord there will always be readers who will genuinely praise your work for speaking into their lives and there will always be sales but even better than this you will experience the satisfaction of the Lord’s smile upon you. He has gifted you with penmanship, He will guide your work and His praise is far more worthy than anything received here on Earth. Be encouraged to follow your dream and write for God! 

Bio

Natalie is a freelance copywriter and ghostwriter servicing the Christian market. She is also the co-owner of Flowers To Remember. Natalie proudly supports Compassion through the Child Advocate Network and volunteers for the Street Chaplains in her free time. To connect with her on various social networks please visit her website www.nataliemcnee.com

 

Will this scene offend my reader? Jo Wanmer's dilemma.

As Christian writers, in editor mode, there are many questions that challenge us and our manuscripts. Today, I want to look at one set of those questions. 

'Will this content be acceptable to my readers?'

'Will this passage offend? ’

‘Should I draw a veil over the stark reality of this scene?'

The answer is determined by another question. Who are my readers? 
I write for the mature adult market, for mostly women who are interested in seeing life’s big issues discussed and resolved. But am I writing for the Christian market?

I try to write every word with the writer’s mantra, ‘show, don't tell’ in mind. I can visualize the action as I write. The settings are so clear I know when the character turns right or left. My hope is the reader can see it as well. But I also want my reader to relate to, if not experience, the protagonist’s emotions, the raw pain and the deep joys. Here in lies my dilemma. In my efforts to 'show' is my writing still acceptable to the Christian market?

Recently I followed an interesting, online post discussing acceptable content in Christian writing. Readers stated that, once offended by content, they will never read that author again. How concerned should I be about that comment? Can I afford to lose a section of my potential readership? 

Because the Christian readership in Australia is so small, should I try to be inoffensive to every sector of the market?  But if I write to satisfy the lowest common denominator, I fear my book will lose its impact. Surely it is tragic to gloss over the most compelling scenes, missing the opportunity for powerful writing, risking frustrating one half of my readership to avoid offending the other half.

Take for instance the tricky area of sexual abuse. Some readers don't want such obscenities to be mentioned, considering it unnecessary content for Christian fiction. Others can cope, providing the book only details the shaking of bushes in the park, or the resulting emotions. Francene Rivers, in her excellent book, ‘The Atonement Child’, shows a stranger grabbing the protagonist in the dark. The next scene is written from the police's POV. The reader is protected from the experience.  That method works well in this instance, but is it right for every occasion? 

 'A Novel Idea', a book of advice on writing inspirational fiction, tells the author to shut the bedroom door. Let the reader know what is happening, but please, spare the details. In others words, 'tell, don't show’. This is my dilemma. If we are honest, many of life's big struggles revolve around sexual issues. I want to be able to talk about them. I want my writing to bring God into these areas, bringing healing and wholeness. 

I believe we can go there without being explicit or obscene.  But where is the balance? 

Wendy Francis commented about this topic, when speaking at the launch of Though the Bud be Bruised.  She thanked me for showing her reality without leaving behind yucky feelings and images. This comment has been very helpful to me. 

A couple of years ago I wrote a short story for a competition. The setting was the year 2032 and the theme was social issues.  I told God I would enter if He gave me a really good idea. And He did. The story fell into my mind about two days before the deadline. The judges weren't impressed but I love the crazy, edgy story. It speaks of bravery, war, seduction and subterfuge. I sold a few rough copies at the book launch of Though the Bud be Bruised. Some people loved it, but another reader asked how I could call myself a Christian and write such content. She refused to read my book. Yet I know God was happy with that writing!

  

A few Christian readers don't want to read 'Though the Bud be Bruised' because it deals with sexual abuse. Many others have written letters thanking me for bringing healing to their lives. Of course, every reader makes their own choice, but it shows me, the writer,  that I can't keep everyone happy.

I have written a second book in the same genre as the first. 'El Shaddai' follows Milly's struggle to hold her family together after she is separated from Dan by a natural disaster of massive proportions.  There are life and death issues. Her adventures aren't sanctified or pretty. It exposes the raw reality of life and an active, relational God. 

But is it what my readers are looking for? My two committed Christian friends, who have read the first draft, love the story and have no objections to the content. Yet, I understand the risk a publisher will take to produce it.

Should I soften my writing to make the book safe for the Aussie Christian market? I've pondered this question long and hard. But I can't bear to weaken the powerful scenes, or remove the theme that relies on the graphic action. Having said that, I believe this book still 'shows' without leaving nasty images or feelings behind. 

Maybe I'm not a Christian writer but a Christian who writes for the general market. Maybe they will enjoy the story? God is not talked about much, but He is shown on almost every page. He has a lot to say. Maybe the world would like that?

So, my fellow writers, what should I do?

How do you navigate these questions? 

Jo Wanmer is a writer of challenging fiction. As she edits her second book, it's sequel is demanding attention, yet it is even more controversial. She lives in Brisbane with her long suffering husband, Steve, who never reads fiction.

She is so in love with her new book, that her good judgement has departed and she can't see its flaws! Hence she is looking for a limited number of critical readers for El Shaddai. If you are interested please contact her through the comments below or via Facebook..